Movie Review: Scream 2 (1997)

Hi there friends! Let’s continue through this franchise!

Ladies, gents, and non-binaries… “Scream 2”.

Two years after the traumatic events in Woodsboro, Sidney (Neve Campbell) has moved a few states over and seems to be doing fine. She’s going to college, she has friends, and she has a sweet, caring boyfriend (Jerry O’Connell). But this nice quiet life will soon be interrupted when a copycat killer starts stalking Sidney and her friends. Much like the first movie, “Scream 2” takes familiar slasher tropes and turns them on their head in fun, sharp-witted ways, while also gleefully embracing them when needed. It’s a story that cleverly plants seeds of doubt about anyone and everyone within. Combine that with the relentless pace and you get a strong narrative that never bores. Do I think it’s as strong as the first movie through? No, not quite. Like I said, it’s strong, but the increased scope of it can make it feel a bit more unfocused than the first at times, which does keep it from being as strong as it could be. But overall it’s still a damn solid, highly entertaining story.

The characters in this are fun, charming, layered, and overall just highly interesting. The ones returning from the first movie have seen major developments since then, and I really like that, as it adds some extra depth and clever character drama to proceedings. And even the new guys are really good too. And I think the entire cast, containing people like Neve Campbell, David Arquette, Courteney Cox, Liev Schreiber, Jerry O’Connell, Jamie Kennedy, Timothy Olyphant, Sarah Michelle Gellar, and many more, do fantastic work in this.

As with the first movie, the score for this was composed by Marco Beltrami, who I think did a really good job with it. He very much brings back a lot of the stylings he used within the first movie, and then refines them to make for a more polished and more nuanced sound. There’s also a few licensed songs used throughout, and they work well in their respective scenes.

“Scream 2” was once again written by Kevin Williamson and directed by Wes Craven, and once again the craft is top notch. The direction’s slick, intense, energetic, and a bit more creative with how it frames the action and violence. Speaking of which, my god, there’s some grisly stuff in here. Not that the violence in the first movie was “clean”, but there’s definitely a bigger focus on brutality in this… and I dig it, as it does fit with the whole “sequel = bigger” satire they’re going for. ’tis good shit.

This movie’s been pretty well received. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it has a score of 63/100. And on imdb.com it has a score of 6.2/10.

While it lacks some of the focus of the first one, “Scream 2” is still a damn good sequel that entertains from start to end. It has a really good story, really good characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “Scream 2” is an 8.81/10. So while not as strong as the first, it’s still most definitely worth buying.

My review of “Scream 2” is now completed.

2 down, 2 to go.

Movie Review: Nightmare Alley (1947)

With the impending release of Guillermo del Toro’s adaptation of this story (super excited for that), I thought it could be fun to watch the first film bearing the title. So without further ado… let’s go.

Ladies, gents, and non-binaries, I’d recommend not walking down… “Nightmare Alley”.

The story follows Stanton “Stan” Carlisle (Tyrone Power), a con man currently working with a traveling carnival. And we follow him as he lies and deceives everyone around him for his own personal gain, and what consequences that brings to his life. It’s an interesting narrative, filled with twists, turns, and good ol’ noir suspense. It’s a fascinating look at a very shady and fascinating man, giving us a fairly nuanced and clever little noir narrative. Its pacing can be a little bit weird at times, sometimes jumping a little too quickly and sometimes dragging its feet. It doesn’t completely break the story, as I’d say it mostly paces itself quite well. And the overall narrative is quite engaging, so it does mostly even itself out.

The characters in this are colorful, flawed, layered, and overall just highly interesting. At the enter of our story is Stan Carlisle, a con man and supposed mentalist, always working and scheming to further his own interests. He’s quite a solidly written and engaging lead character, with Tyrone Power giving a great performance in the role. We also get supporting work from Joan Blondell, Coleen Gray, Helen Walker, Mike Mazurki, Taylor Holmes, and more, all doing very well in their respective roles.

The score for the movie was composed by Cyril J. Mockridge, and I can’t remember any of it. Nothing sticks out as bad about it, nothing sticks out as good about it… it just doesn’t stick out in any way at all. It’s probably perfectly passable, but man, I wish I had more to say.

Based on the novel of the same name by William Lindsay Gresham, “Nightmare Alley” was directed by Edmund Goulding, who I think did a damn good job. Do you like seedy, dimly lit sets with very atmospheric shadows draping over the characters? Well, that’s what you get here, and it’s handled to perfection in that regard. It takes the classic noir stylizations and does them beautifully. It’s a solidly crafted film.

This movie has been well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 75/100. And on imdb.com it has a score of 7.8/10.

While its pacing can let it down a little, “Nightmare Alley” is still a damn good noir film. It has a really good story, really good characters, great performances, and great direction. Time for my final score. *Ahem*. My final score for “Nightmare Alley” is an 8.45/10. So while flawed, I’d still say it’s definitely worth buying.

My review of “Nightmare Alley” is now completed

Is it just me, or is “Tyrone Power” one of the coolest names ever?

Movie Review: The Amazing Spider-Man (2012)

If you’ve been following me for a few years, you might remember that back when “Spider-Man: Far From Home” came out in 2019, I reviewed all of the Sam Raimi-directed webhead movies. Well, now that we’re getting “Spider-Man: No Way Home” in a few weeks I thought it was a good time to finally talk about the two “Amazing” movies. So today I’ll be reviewing the first one, and then the sequel in like a week. Sound good? Then let’s get into it!

Ladies, gents, and non-binaries… “The Amazing Spider-Man”.

After he gets bitten by a genetically modified spider, high school student Peter Parker (Andrew Garfield) starts developing spider-like powers… wait a minute, this is how I kicked off my review of the 2002 “Spider-Man” (absolute hack). But yeah, since this is a reboot, it kind of does have a similar setup to what has come before. But despite this, “Amazing Spider-Man” manages to still stand on its own two feet, largely thanks to a slightly more serious and subdued tone. For the first two acts, I genuinely found myself really invested in the storytelling , it’s an enjoyable and emotionally resonant take on a very familiar setup. It does start stumbling towards the last act however, largely due to the villain of this. Again, early scenes of the character getting introduced are really strong… but the further we go on, the more he loses the compelling drama and just sort of devolves into generic villain, which does affect the drama of the narrative a bit. There are still some really good moments in this final act, and even the weaker elements aren’t outright terrible, but it is enough to bring the overall product down for me a little. Again, on the whole it’s a strong story, even though it does stumble a little towards the end.

The characters in this are all pretty solid, generally I find most of them quite compelling. Peter Parker in this isn’t the überdork he’s been in a few other adaptations, but he still carries some of that awkward charm that the character needs, and it’s all beautifully brought to life by Andrew Garfield giving a fantastic performance. Then we have Gwen Stacy, a smart, clever, and fun young woman who also acts as a love interest for Peter, and she’s great, with Emma Stone killing it in the role. We also get supporting work from people like Rhys Ifans, Irrfan Khan, Martin Sheen, Sally Field, Denis Leary, and more, all delivering really solid performances.

The score for the movie was composed by James Horner, and it was great. Some nicely inspiring and heroic brass, some more somber and emotional pieces, some tense bits involving strings, synths, and some other goodies… it’s just a damn solid score. Horner never missed when he was still around, and this is just further proof of it.

Based on various Marvel Comics, “The Amazing Spider-Man” was directed by Marc Webb, who I swear was chosen for the pun alone. Joking aside (for now), I think he did a damn good job. The direction of this movie has this way of feeling very grounded while still bringing some of the energy of superhero comics to life. But there are also a select few bits that are directed and edited with a bit of a horror vibe, and I really dig it. So on the whole, it’s just a really well crafted film.

This movie has gotten mixed to positive reception. On Rotten Tomatoes it has a 72% positive rating and a “Fresh” certification. On Metacritic it has a score of 66/100. And on imdb.com it has a score of 6.9/10.

While it does stumble in parts, “The Amazing Spider-Man” is still a damn good retelling of the wall-crawler’s origin. It has a really good story, really good characters, great performances, great music, and really solid direction. Time for my final score. *Ahem*. My final score for “The Amazing Spider-Man” is an 8.45/10. So while flawed, I’d still say that it’s worth buying.

My review of “The Amazing Spider-Man” is now completed.

Well, that’s that for today. *Thwip*.

Series Review: Vigil (2021)

I’ve talked about my fair share of British tv shows over the years. And now it’s time to talk about yet another one, let’s gooooo!

Ladies, gents, and non-binaries… “Vigil”.

Following a death on board the submarine HMS Vigil, DSI Amy Silva (Suranne Jones) gets sent aboard to investigate it. But what starts out as a somewhat death investigation soon turns into a much larger conspiracy involving the Royal Navy and potentially various other, high level sectors. So it’s part mystery, part conspiracy thriller, and then also part melodrama. So let’s break things down a little, starting with the mystery and conspiracy angle. At the off-set it feels fairly grounded, just a standard Beeb cop drama of a death being investigated, and as it goes on it becomes more complex, more improbable, and even a bit silly… and I liked that. It’s a conspiracy thriller right out of Robert Ludlum or or Tom Clancy’s typewriter, and there’s something about those kinds of stories I find quite compelling. It keeps it fun and engaging. Now let’s talk about the third part I alluded to earlier… the melodrama. Interspersed throughout is a backstory involving Amy and her relationship to fellow policewoman Kirsten Longacre (Rose Leslie). And while a bit of personal drama can add some nice weight to a show like this, it didn’t feel super well implemented in this. There are a few moments involving the two that I don’t mind, but a lot of these scenes of romantic melodrama just don’t feel as naturally baked into the show as they could be. So yeah, the story here is a little bit mixed. Mostly good, but has some things that let it down.

The characters in this are all decently interesting, sporting interesting personalities and mostly having interesting dynamics between each other. But what really makes them stand out is the cast. Every actor in this cast is at the top of their game, bringing the characters to life beautifully. Suranne Jones, Rose Leslie, Shaun Evans (my personal standout), Paterson Joseph, Stephen Dillane, Daniel Portman, Martin Compston, Adam James, Anjili Mohindra, and more, are all fantastic in this show.

The score for the show was composed by Berenice Scott and Glenn Gregory, and I think it was pretty good. It’s a mostly ambient affair, taking a low-key and almost sneaky approach  to build creeping tension or have you more invested in the personal drama. And I think it works fine, it’s a decent score that works well for the show.

“Vigil” was created for the BBC by Tom Edge, with writing by him, Chandni Lakhani, and Ed Macdonald, and with directing duties split between Isabelle Sieb and James Strong. And I think this show has some strong direction. While the submarine seems waaaay bigger than an actual sub, they still find good ways of making it feel claustrophobic, which adds a little to the suspense in the scenes set down there. But even the ones set on the surface, following the investigations up there are really well helmed with good shots and editing. It’s just a well crafted show.

This show has been decently well received. On Rotten Tomatoes it has a 75% positive rating. And on imdb.com it has a score of 7.3/10.

While its melodramatic bits drag it down at times, “Vigil” is still a highly enjoyable, if ludicrous, conspiratorial police thriller. It has a fun plot, good characters, fantastic performances, pretty good music, and great directing/editing. Time for my final score. *Ahem*. My final score for “Vigil” is a 7.98/10. So while it’s far from perfect, I’d still say it’s worth watching.

My review of “Vigil” is now completed.

We all live in a Vigil submarine…

Movie Review: The Trip (2021)

Marriage. Should be all about love and support. But sometimes it doesn’t quite go so smoothly. I mean, I’ve never been married, so I wouldn’t know, but I am a very observant man, so I know that not all marriages are perfect. In fact, few are… fuck, got a bit real there… let’s talk about a movie.

Ladies, gents, and non-binaries… “The Trip”.

While going through a bit of a spat, married couple Lars (Aksel Hennie) and Lisa (Noomi Rapace) decide to take a nice little trip to their cabin for the weekend, both unaware that they both have violent, sinister plans for the other one. In a way it is “Mr. and Mrs. Smith” via “Gerald’s Game”, and I found that to be a really fun premise. It alternates between pitch black comedy and surprisingly tense and uncomfortable thriller quite well, handling both tones quite well and making it all feel like a solid, cohesive whole, while also managing to be quite unpredictable. I do think however that the movie might be slightly longer than it needs to be. If you shaved off five to ten minutes, the pacing would feel way better. As the final product stands, it doesn’t ruin the entire thing, but it does bring it down a little bit. So overall, a solid story, if a little poorly paced at points.

The characters in this are weird, colorful, flawed, unique, and quite entertaining. It’s hard describing them without getting too much into it, but I will say that all of the characters play off of each other well and have some interesting role within the story. And the entire cast is great, in particular our two leads Aksel Hennie and Noomi Rapace. But the supporting cast is rock solid too, containing people like Atle Antonsen, Christian Rubeck, André Eriksen, Stig Frode Henriksen, and more.

The score for the movie was composed by Christian Wibe, and it was okay. Pretty standard thriller stuff, nothing that really sticks out in my mind. Worked well in the moment, but won’t be remembered afterward. There’s also a handful of licensed songs used throughout, and they are all full and help add to the mood of their respective scenes in really fun ways. So yeah, the music overall is pretty good.

“The Trip” (original title: I Onde Dager) was directed and co-written by Tommy Wirkola, and I think he did a great job here. He has this fun, snappy, off-kilter energy that really kept my eyes stuck to the screen, even when the movie dragged its feet a little. You can just tell that he has a lot of fun while crafting a scene, and that really helps keep it fun for the audience. But his style especially shines through in the more action-packed moments, as they are intense, fast, fun, and violent as all hell. If you’re in the mood for some really brutal and well made gore, it can be found here.

This movie has been pretty well received. On Rotten Tomatoes it has a 91% positive rating. And on imdb.com it has a score of 6.9/10.

While its occasionally weird pacing does bring it down a little, “The Trip” is a highly entertaining thriller-comedy that I do recommend. It has a solid story, good characters, fantastic performances, pretty good music, and great directing. Time for my final score. *Ahem*. My final score for “The Trip” is an 8.01/10. So while it is flawed, I would definitely say it’s worth watching.

My review of “The Trip” is now completed.

And remember, kids: Don’t go on a weekend trip with your significant other if you’re going through something.

Movie Review: The Wolf of Snow Hollow (2020)

Well, well, well, look what we have here… someone reading a blog post during the Month of Spooks, ain’t that fun. Anyway, what do we have on the menu today? Wolf stuff? Neat.

Ladies, gents, and non-binaries… “The Wolf of Snow Hollow”.

When a series of gruesome murders start occurring each full moon in the mountain town of Snow Hollow, the people start speculating that some monster might be on the prowl. Skeptical Officer John Marshall (Jim Cummings) on the other hand is set to prove who might’ve done it, all while trying to care for his teenage daughter (Chloe East) and his ailing father (Robert Forster). “The Wolf of Snow Hollow” mixes elements of procedural cop drama, horror, and dark comedy, and I think it blend together really well. It’s nice and heartwarming, while also being decently suspenseful and even quite funny at times, and I admittedly never really saw where it would ultimately end up. I guess my only issue with it is the short runtime. I am a big proponent of movies that don’t exceed 90 minutes, but here I feel like it hurts the movie a little bit. It makes it feel like it’s rushing through certain sections a bit. Had they had another ten-ish minutes to let certain bits breathe a little more, it would’ve definitely improved it. But as it stands I still enjoyed my time with this story.

The characters in this are all quite colorful, flawed, fun, and pretty nuanced. Jim Cummings (not the Winnie the Pooh one) plays Officer John Marshall, our main protagonist, a troubled man going through a lot of stressful stuff. He’s an interesting character who makes for an excellent lead, with Cummings giving a great performance. Riki Lindhome plays Julia Robson, John’s (much more competent) colleague, and I really like her, she’s a good character, played really well by Lindhome. We also get some damn good supporting work from people like Robert Forster, Chloe East, Jimmy Tatro, Skyler Bible, Will Madden, and more.

The score for the movie was composed by Ben Lovett, and I liked it. When things need to be more atmospheric and suspenseful, Lovett gives us some brooding and quite eerie tracks and really helped set the mood nicely. But he also creates these frumpy and kinda bouncy tracks for scenes that are meant to be a bit more comedic. And I think he did a really good job on both styles. There’s also a handful of licensed songs used throughout, and I think they’re implemented quite well.

“The Wolf of Snow Hollow” was written and directed by its star, Jim Cummings, and I think he did a really good job with it. You can tell that he’s improved a bit as a filmmaker since his debut feature, “Thunder Road”. Not that his direction in that was bad, but there’s a definite step up with this one. It’s kinetic, it’s fun, it’s a bit suspenseful, Cummings just nails it with his direction here.

This movie has been pretty well received. On Rotten Tomatoes it has an 89% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 6.2/10.

While its brevity does hurt it a bit, I still found “The Wolf of Snow Hollow” to be a really enjoyable little horror-dramedy. It has a good story, good characters, great performances, really good music, and really good direction. Time for my final score. *Awoo*. My final score for “The Wolf of Snow Hollow” is an 8.45/10. So while it does have flaws, Id’ say it’s still worth buying.

My review of “The Wolf of Snow Hollow” is now completed.

Awoooo, Wolf of Snow Hollow

Movie Review: I Saw the Devil (2010)

Hello there, my friends, I hope you’re having a most spooktacular day. Anyhow, what’s on the Month of Spooks menu today then? Korean stuff? Haven’t done that for MoS yet… how exciting!

Ladies, gents, and non-binaries… “I Saw the Devil”.

When his fiancée is brutally killed by a vicious and perverted killer (Min-sik Choi), special agent Soo-hyeon Kim will go on a crusade to get revenge. “I Saw the Devil” is an almost non-stop ride of darkness, depravity, and turning my stomach inside out. It’s a morally grey revenge story where you understand why the protagonist does what he does, even if you find yourself questioning his methods. It’s an interesting spin on the familiar serial killer/cat and mouse game stuff that balances dark, morally grey, and disturbing drama with unflinching and brutal violence. It’s hard to describe the narrative without giving stuff away, so I’ll just end this section by saying that I thought the story here was great.

The characters in this are all fucked in the head in one way or another. I know that sounds like a weird generalization in some way, but it’s true. They are all messed up in some way, and the movie explores that in really fascinating ways, which makes all of them quite interesting. What also helps make them compelling are the performances, in particular from our two leads. Byung-hun Lee is brilliant as our protagonist, and Min-sik Choi is delightfully icky as the serial killer. They make for a great pairing in this. We also get some really solid supporting work from people like Gook-hwan Jeon, Ho-jin Chun, In-seo Kim, and more.

The score for the movie was composed by a man known as Mowg, and I think he did a great job with it. Most of it is used to help build this kinetic intensity, which really helps add to the frenetic pace of the movie. But there are also slower, more moody track that build ambiance and emotion when the movie does decide to slow down a little. It’s a solid score that works really well for the movie.

“I Saw the Devil” was directed by Jee-woon Kim, and I think he did a great job. His direction is intense and unflinching, never shying away from showing brutal, bloody, or outright disgusting things… but rarely does it feel gratuitous in that sense. I don’t know how to explain it, but it handles all this stuff in a way where you do see a lot, but it never goes overboard. Anyhow, I especially think his direction shines in the more action-heavy scenes, with the intensity and energy of those bits crackling in a way I don’t see much of in a lot of other movies. And on one final note, you’ve probably figured it out already if you’ve read this, but there’s quite a lot of disturbing content in this. So if you have a weak stomach or you’re in general just very squeamish and easily triggered by graphic content… you’ve been warned.

This movie has been well received. On Rotten Tomatoes it has an 81% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7.8/10.

“I Saw the Devil” is a brutal and unflinching thriller that I highly recommend. It has a great plot, really interesting characters, great performances, really good music, and fantastic direction. Time for my final score. *Ahem*. My final score for “I Saw the Devil” is a 9.67/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “I Saw the Devil” is now completed.

See no devil, hear no devil, speak no… devil? No, that doesn’t work…

Movie Review: Army of the Dead (2021)

Hello there, my friends, I hope you’re doing well. So now we’re moving onto the final stretch of the Month of Spooks. Only seven days left. So how are we kicking off this last week then? More zombies? Okie doke, let’s go!

Ladies, gents, and non-binaries… “Army of the Dead”.

The world has gone to shi- actually, most of the world’s fine for once. Really, Las Vegas is the only place that’s gotten fucked by a zombie outbreak. Anyhow, an enigmatic businessman (Hiroyuki Sanada) has decided to hire a group of mercenaries from all walks of life to bust into the outbreak zone and pull off a daring heist. So yeah, part heist flick, part zombie flick… and I had quite a bit of fun with it. The narrative doesn’t ever really do anything we haven’t seen in either of those sub-genres, but it instead just chooses to do them in a gleeful, bombastic, and sometimes insane way that I had a lot of fun with. Now, I’m not saying that the enjoyment was absolute, because there were a few things holding it back a little. First off, this movie is two and a half hours long, and while it for the most part moves at a clip, there are times where it drags a little. And that dragging comes from the second issue, and that’s some of the more serious drama spread throughout. I don’t mind having serious character drama in my goofy action movies, that can be surprisingly effective, but I just didn’t think it quite worked here. Had they given the script another pass and tried to iron it out more, then maybe. But as it stands, the drama just bogs it down for me a bit. Otherwise, I had fun with this apocalyptic heist story.

The characters in this are… fine? I didn’t necessarily mind them, and a few I did actually kinda like. But on the whole they all feel a little underdeveloped and like they could’ve been a little more fleshed out. But what I can happily say is that the cast itself is great. Dave Bautista is great as the tough yet kind leader, Matthias Schweighöfer is great as the comic relief safe expert, and Hiroyuki Sanada (despite very limited screen time) is as cool as always. The rest of the cast, containing people like Ella Purnell, Omari Hardwicke, Nora Arnezeder, Garret Dillahunt, Raúl Castillo, Tig Notaro, Athena Perample, and more are all great too.

The score for the movie was composed by Tom Holkenborg (AKA Junkie XL), and I enjoyed it. Nice mix of brass and electronics to create a score that hearkens back to more old school films, while still feeling quite contemporary. It’s solid stuff. There’s also a handful of licensed songs used throughout, and I have slightly mixed feelings. Some work well enough and can add a nice bit of fun, but one or two didn’t fully click for me, with one specific track eliciting the biggest eyebrow raise I’ve given in a while. So yeah, the music in this is mostly good.

“Army of the Dead” was shot, directed, produced and co-written by Zack Snyder for Netflix. Aaaaand I think he did a really solid job here. The dude knows how to craft some bombastic, fun action set pieces, and he delivered on that front here. When zombie carnage is going down, Snyder cranks it up to 11. It’s generally well shot, insane, intense, and insanely gory. Speaking of which, I love the gore in this movie, as it’s not only well crafted, but also plentiful and quite creative, making for one hell of a fun time. The only thing I didn’t necessarily enjoy about Snyder’s ways here is his frequent use of shallow focus. I don’t mind shallow focus at all, and there were times where it helped create a nice shot in this movie. But he uses it a bit more than maybe needs to be done, which can be a little distracting at times. For the most part I like what Snyder does with his directing and such here, but that part was a little iffy at times.

This movie’s gotten some mixed reception. On Rotten Tomatoes it has a 67% positive rating. On Metacritic it has a score of 57/100. And on imdb.com it has a score of 5.8/10.

While it does have its fair share of flaws, I still had a really fun time with “Army of the Dead”. It has a fun plot, okay characters, great performances, good music, and great directing/action/effects. Time for my final score. *Ahem*. My final score for “Army of the Dead” is a 7.99/10. So while flawed, it’s still certainly worth watching.

My review of “Army of the Dead” is now completed.

Viva Las Veg- AH, IT’S BITING MY LEG!!!

Movie Review: The Addams Family (1991)

Hello friends, how does another Month of Spooks piece sound to you? Bad? Awesome, let’s go!

They’re creepy and they’re kooky, mysterious and spooky, they’re altogether ooky… “The Addams Family”!

Gomez (Raúl Juliá) and the rest of the Addams family are in for a shock when their long thought dead relative Fester (Christopher Lloyd) shows up on their door step. What they don’t know however is that it’s not actually Fester, but a con man with his sights set to scam the family of all they have. Half heist movie, half Addams antics… and it’s a fun mix. I would’ve been perfectly fine with good ol’ Fester just being good ol’ Fester throughout, but I really enjoyed this spin on the classic characters. It makes for a fun story that contains a surprising amount of good character moments throughout. There’s also a lot of funny stuff throughout, with jokes ranging from very goofy to quite macabre. Now, not all jokes land, there were a handful that didn’t really elicit any reaction at all if I’m gonna be honest. The good jokes still outweigh the meh by quite a bit, but those that didn’t make me laugh still definitely stick out. But overall, I had fun with the story here.

The characters here are creepy and kooky, mysterious and spoo- god damn it, sorry. But I don’t know how else to describe them. They’re all wacky and weird and wonderful, and I love them all. They’re well written and all feel like wonderfully updated interpretation of the classic characters. I also think the cast helps in this department. Raúl Juliá is an amazing Gomez, Anjelica Huston is perfect as Morticia, Christopher Lloyd is terrific as Fester-not-Fester, Christina Ricci and Jimmy Workman are adorable and hilarious as Wednesday and Pugsley, Carel Struycken kills it as Lurch, Judith Malina is great as Granny. And the supporting cast of Dan Hedaya, Elizabeth Wilson, Christopher Hart, Dana Ivey, and more are all great too. It’s just a wonderful cast.

The score for the movie was composed by Marc Shaiman, and it was really good. Energetic, bouncy, a little spooky, it’s got everything you could really ask for when it comes to music in a mildly horror-adjacent family fil- Wait, this is PG-13? Oh shit, I guess I can’t call it a family film then… or can I? Anyhow, Shaiman’s score is good.

Based on the comic strips by Charles Addams, “The Addams Family” was directed by Barry Sonnenfeld, and he did a really solid job. His direction here has this snappy energy that really fits the story and characters and keeps any scene from getting dull. Even when something happens that didn’t cause laughter (despite the clear intentions of the crew), Sonnenfeld’s direction at lest kept me watching. I can also say that I really liked the effects in this. Some great hair and makeup effects are featured throughout, a few fun and unexpected things I don’t wanna spoil, and of course Thing. Some of the compositing in a few moments can look slightly jank, but I think it kind of adds to the charm of it. I just like the way this film’s made.

This movie has been decently well received. On Rotten Tomatoes it has a 65% positive rating. On Metacritic it has a score of 57/100. And on imdb.com it has a score of 6.9/10.

“The Addams Family” is a charming and quite funny little caper adventure. It has a good plot, great characters, great performances, really good music, really good direction, and funny comedy. Time for my final score. *Ahem*. My final score for “The Addams Family” is an 8.65/10. So it’s definitely worth buying.

My review of “The Addams Family” is now completed.

*Snap* *Snap*

Movie Review: Triangle (2009)

Hellooooooooo! The spooktacular festivities continue! So let’s go!

Ladies, gents, and non-binaries, don’t be square, because this is… “Triangle”.

After a storm strands them during their boating trip, a group of people soon find find a bit of hope when they manage to board a passing yacht. But as they explore the big boat, they find themselves in a situation even worse than they could’ve ever imagined. Talking about the story of “Triangle” without revealing too much is tricky. But I’ll try my best. I find the story of it to be quite interesting, as it takes some of the hallmarks of supernatural/slasher films and twisting it into something that feels fresh and quite unique. It’s tense and unpredictable and quite fun. I’m sorry for the vagueness, but I’d rather someone who’s never heard of it going in as blind about the narrative as possible, as I feel that it’d make for a much better experience. But yeah, it’s really enjoyable.

The characters in this are alright. Development among them is not necessarily equally distributed, but I can at least say that I didn’t hate any of them… okay, one of them was a bit of a bitch, but there were none I just wanted to throw to sharks ASAP. Cast’s really solid too, featuring people like Melissa George, Michael Dorman, Henry Nixon, Liam Hemsworth, Rachael Carpani, and Emma Lung, all delivering really good performances.

The score for the movie was composed by Christian Henson, and I really liked it. It’s a nice mix of strings, synths, piano, and even some vocals, making for a really eerie and emotionally charged score that really helped in elevating the various scenes it was used in.

“Triangle” was written and directed by one Christoper Smith, and I must say that I think he did a really good job with it. Smith has a really energetic style that gave the movie a decently snappy and tense feel, which kept it from ever getting stale. It was constantly crackling with energy, which really added to the intensity when something needed to happen. I also really like the editing here. Admittedly a few cuts feel a little quick, but most of them work really well in building intensity and a sense of unease. It’s just a solidly crafted film, yo.

This movie has been pretty well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. And on imdb.com it has a score of 6.9/10.

Yeah, “Triangle” is a really enjoyable little horror movie that puts some nice spins on familiar ideas. It has a really good story, pretty good characters, great performances, really good music, and great directing/editing. Time for my final score. *Ahem*. My final score for “Triangle” is an 8.87/10. So I’d definitely say it’s worth buying,

My review of “Triangle” is now completed.

I should make a sequel to this and call it “Rhombus”, just for the hell of it.