My Favorite Scenes: Doom Patrol – People Like Us

Holy shit, ain’t this a corpse. When was the last time we did a My Favorite Scenes post? February 2017? Okay, not quite as far back as I thought, but still… that’s nearly three years. Well, for any newer readers, this series is all about me explaining why I like certain scenes in movies and tv. A blogger friend of mine had a similar series and I nicked the idea from him. As you can probably imagine, this involves some spoilers for any particular movie or series that the scene is featured in. So be warned. Anyway, let’s talk about “Doom Patrol”!

Based on the DC comic book team of the same name, “Doom Patrol” is about a group of misfits who have all been brought together by Doctor Niles Caulder (Timothy Dalton), since they really have nowhere else to go. And in the show, Niles goes missing, which leads to various adventures where the team tries to find clues to his whereabouts, while also dealing with their own personal demons. I actually reviewed the first season of the show in 2019 (*cough* shameless plug *cough*), and mentioned in that show that I absolutely adored its mix of relatively unknown superheroes, compelling character drama, and hilariously crude humor. And today we’re talking about a scene that kind of encapsulates some of that. So it goes without saying, spoilers for “Doom Patrol”, and in particular its 8th episode, “Danny Patrol”.

So in episode 8, “Danny Patrol”, two of the team’s members, Larry Trainor/Negative Man (Matt Bomer/Matthew Zuk) and Cliff Steele/Robotman (Brendan Fraser/Riley Shanahan) get transported to Danny, a sentient, teleporting, gender-queer street (yes, you read that right), when it needs help from Doctor Caulder (who is still missing at this point). While here, Larry and Cliff make acquaintances with Maura Lee Karupt (Alan Mingo Jr.), a sort of front person for Danny, the sentient, teleporting, gender-queer street (god, I love saying that). And during a scene in the episode, Larry gets invited up to sing some karaoke, in which he does and begins covering “People Like Us” by Kelly Clarkson. And during this musical number, you see Larry open up, show some actual joy. His entire life, he’s been a bit of an outsider, starting as a closeted gay man in the 1960s U.S. Army, and then later being a bit of a radioactive freak with a strange alien being living inside of him, which of course kinda prevented him from bonding with people. But finally it seems like he has found some people who just accept him for who he is. Freaks, outcasts… “People like us, we gotta stick together”. And then when the ending of the scene revealed itself, it was a bit of a gut punch to me. In lesser hands, this could’ve just been a goofy scene of a mummy-man singing a song from an American Idol winner while visiting a sentient, teleporting, gender-queer street. But thanks to the wonderful writing and world-building of “Doom Patrol”, it became one of the most uniquely compelling scenes I’ve experienced in any recent tv show, even making me tear up when I first saw it.

Scenes like this is why I adored season 1 of “Doom Patrol”, and is why I am really looking forward to whatever madness they’ll be concocting for season 2.

Have a good one, and show some love to people around you, even when you’re not standing near a sentient, teleporting, gender-queer street.

My Favorite Scenes: The Nightmare Before Christmas – This is Halloween

Hello and welcome to the revival of this long-dead series. Seriously, I haven’t done a post for this little series of mine since mid-July. Feels both great and weird to be back at it. Quick summary for any newer followers: In this series I share scenes from movies and TV shows that I like and tell you kind of why I like the scene. There, you’re caught up to speed, especially since the title is pretty self-explanatory. Now, let’s do it.

So since it’s the Month of Spooks it would be appropriate to share a scene that relates to the spookier side of cinema. Inspiration to make this specific post: I saw a post on facebook relating to this movie, which led to me wanting to watch this scene, which led to me thinking “Shit… I should make a post about this!”. And now we’re here! This is of course the ever so popular “This is Halloween” from Tim Burton’s “The Nightmare Before Christmas”. Now to be fair, I have mentioned at least once or twice on this blog (and on various social medias) that I consider this a christmas movie. If you want to consider it a Halloween movie, go right ahead, you are absolutely right to do so. But I watch every year around christmas, December 21st every year to be exact. So why would I share a scene from this movie then? Does the title “This is Halloween” ring any bells? Yeah, that’s why. This entire scene, which is more or less the opening scene for the movie, just oozes Halloween spirit and perfectly fits this Month… because spooky shit is going on. What also makes it great is the fantastic stop motion animation from Henry Selick and his crew, 23 years later and it still looks terrific. And of course the masterfully composed/written song by Danny Elfman is not to forget. Combining these things makes for one of the greatest opening scenes in movie history (in my opinion). This of course also leads to one of my favorite Disney films ever. And before I wrap this post up, I have to warn you… if you ever somehow watch this movie together with me, get ready for me singing along to pretty much every song (Sidenote: I am not a good singer at all). Yeah… I fucking love this scene.

Have a good one and enjoy!

My Favorite Scenes: Godzilla: Final Wars – Godzilla Vs. Zilla

Well hello there, ladies and gentlemen of all ages and colors and welcome back to “My Favorite Scenes”, the series I sporadically do when I feel like it. For new(ish) people who may not know and can’t do a simple analysis of a fucking title, this is the series where I show a scene from a movie or TV-show and try to briefly explain why I like that scene. Now… onto the main show.

So for this edition of “My Favorite Scenes” I’d like to share one of the most gratifying scenes in any movie I have ever seen. Which is weird because it’s not even a minute long, but still reamains one of the most memorable and satisfying moments in cinematic history. The movie in question is “Godzilla: Final Wars”, and it’s basically an all-out monster brawl between Godzilla and pretty much every monster from his filmography ever. And this might be the best out of all the moments. In the scene we’re talking about, Godzilla (AKA the real one) faces off against the shitty American version (named Zilla by fans). And by faces off with it I mean totally fucking destroying it by tail whipping it into the Sydney opera house and giving it the good ol’ atomic breath. I know it sounds like I spoiled it, but honestly, it’s still fantastic to see even if you know what happened. And I honestly don’t mind the choice of music for the scene (Sidenote: not edited in by a fan, but by the film crew). The song in question is “We’re All to Blame” by Sum 41 and I think it actually kinda works. Just… just watch it because it’s just one of the greatest things ever.
Enjoy!

My Favorite Scenes: Spider-Man 3 – Birth of Sandman

What’s going on, guys? So today I felt like bringing this fossil back to life. That’s right, I’m not good at updating the “My Favorite Scenes” series, but finally I am doing it. And todya we are talking about a scene from a movie that people really seem to hate. Before we dive into the scene, let me tell you my quick thoughts on the movie; It’s fine. There is a lot wrong with the movie, but I do still enjoy it a pretty good amount. There, I said it, now let’s talk about this scene. Where the movie was not very good at parts, this scene suddenly comes out of nowhere and goes “I am giving you the feels!” (By the way, I personally hate the term “The feels”). In this scene we see Flint Marko (Thomas Haden Church), after some kind of accident, becoming Sandman. And when you watch this you will most likely believe that he’s not really a bad guy, but a good guy who did something bad. And that is portrayed perfectly through the directing, the visual effects and the beautiful song by composer Christopher Young. I love this scene so much.
Enjoy!