Movie Review: Mimic (1997)

That’s right, more Month of Spooks content. And today it’s from one of my favorite directors. So let’s go!

Ladies and gentlemen… “Mimic”.

A few years ago, a special insect was created to eradicate disease-carrying cockroaches. Now, that action is carrying dark, violent consequences. So now we have our horror story. And I am so mixed about it. I can see the strong vision in it, there’s a lot of clever shit going on with it here. But man, there’s something about it, the way it’s put together that just feels off. And I know exactly what that is, which we will get into later. Again, there’s good stuff going on in the background, but the way it’s cut together… it doesn’t really work.

The characters in this, like the story, have some decent ideas to them, but end up suffering due to how this is cut. You have a stellar cast consisting of people like Mira Sorvino, Jeremy Northam, Josh Brolin, and Charles S. Dutton… but I didn’t really care so much about their characters on a level other than “Oh hey, that’s an actor I like!”. I can see the foundations for the characters peeking through, and it’s not bad… but again, the final execution fucks with this a bit. So I guess I’ll just say, the performances are very good, but the characters unfortunately suffer.

The score for “Mimic” was composed by Marco Beltrami, and it’s alright. Sometimes it can be slightly overbearing in how it tries be loud and startling. And at other times it’s this low-key and haunting score that adds a very welcome amount of emotional weight to proceedings.

Based on a short story by Donald Wollheim, the movie was written by Guillermo del Toro and Matthew Robbins, directed by del Toro… and cut to shit by the Weinstein brothers (I told you I’d get around to explaining). Some of del Toro’s vision does shine through at times, which in combination with Dan Laustsen’s cinematography can make for some stunning shots and moments. But if you do a bit of sleuthing on the production of this movie, you’ll find out that there were frequent clashes between del Toro and the producing brothers. While del Toro got to shoot the movie he wanted, thanks to interventions form Mira Sorvino, he had no control of the final cut, which was in the hands of the dumbnamic duo, which is why it feels so weirdly chopped up at times, why it doesn’t quite reach that strong vision that can be spotted in certain moments. Which is a shame, because the little quality that can be gleaned… it’s strong. Fucked over, but strong.

On Rotten Tomatoes it has a 61% positive rating. On Metacritic it has a score of 55/10. And on imdb.com it has a score of 5,9/10.

I don’t wanna say negative stuff about movies, especially not ones with one of my favorite directors attached to them… but the producers butchered it too much to give a positive review. It has an okay-ish plot, not great characters, really good performances, pretty good music, and really solid directing/cinematography. However, it all gets undone by a poor final cut. Time for my final score. *Ahem*. My final score for “Mimic” (the theatrical cut) is a 4,87/10. Saddens me to say that I’d recommend skipping it.

My review of “Mimic” (the theatrical cut) is now completed.

Apparently there’s a director’s cut that del Toro released a few years back. Might need to get around to that some day.

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Series Review: The Strain – Season 1 (2014)

Hey, finally a tv show in the Month of Spooks.

Ladies and gentlemen… “The Strain” season 1.

After a plane filled with dead people lands in New York, a mysterious viral outbreak begins, turning people into savage, vampiric creatures. And it’s up to Doctor Ephraim Goodweather (Corey Stoll) to find out what the hell is going on. So now we have our horror story. And it’s a good one. Sure, it does lean into some classic vampire tropes, but it also plays around with others to create something that feels fresh and unique in television. Admittedly the first few episodes are a bit on the slow side. They’re not bad, they carry a fair bit of intrigue, but they feel a bit like a drag at times. But when you get past them, and the plot truly gets going, it is an utterly compelling and quite entertaining vampire thriller.

The characters in this are flawed, layered, and quite interesting. Corey Stoll plays Ephraim Goodweather, a CDC scientist who has to investigate this mysterious viral outbreak. Eph (as he’s called by so many) has a lot of personal flaws and demons in his past, and seeing him have to deal with those in tandem with this intense outbreak makes him an interesting character. And Stoll is great in the roll. Yes, pun intended. Next we have David Bradly as Abraham Setrakian, a mysterious old man who seems to know a lot about what’s going on with this whole situation. We learn a lot about him as the show goes along, and I don’t wanna ruin it (’cause it’s good and should be experienced rather than told). And Bradley is great in the role. We also get supporting work from people like Mia Maestro, Kevin Durand, Miguel Gomez, Richard Sammel, Sean Astin, Jonathan Hyde, Ben Hyland, Ruta Gedmintas, Robin Atkin Downes, and more, all doing well in their respective roles.

The score for the show/season was composed by Ramin Djawadi (oh sweet), and it’s pretty good (what do you mean “pretty”?). It’s not among Djawadi’s best work, but he still did a really solid job, giving us some decently tense pieces when needed, and some more emotional tracks in others. It’s pretty good.

Based on a series of novels by Guillermo Del Toro and Chuck Hogan, the show was created by Guillermo Del Toro and Chuck Hogan, with writing and directing by them and some other cool people. And the craft in this show is pretty spectacular. The direction creates a fair bit of tension, while still making us feel intimate with the characters. And fuck me sideways, the use of colored lighting in this show is fucking magnificent. Reds, greens, blues, yellows, it is stunning to look at. And the visual effects are pretty great too. Since it is a Del Toro production, there’s a lot of disgusting-looking practical creature effects, with some CG mixed in at times. And god damn, it is so cool to see that here, since it makes everything going on feel more real. It also kind of adds to the horror, as it doesn’t make the scary creatures look all shiny and fake. It’s some creepy stuff.

This show/season has been decently well received. On Rotten Tomatoes it has an 86% positive rating and a “Fresh” certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,3/10.

Season 1 of “The Strain” may drag a bit at the start, but it ultimately ends up being an effective and highly entertaining vampire thriller. It has a good plot, good characters, great performances, good music, and great writing/directing/effects/cinematography. Time for my final score. *Ahem*. My final score for season 1 of “The Strain” is an 8,67/10. So while flawed, I still think it’s definitely worth watching.

My review of “The Strain” season 1 is now completed.

David Bradley’s a bit of a badass. Honestly never expected that.

Movie Review: Ad Astra (2019)

Space, the final frontie- Hold on, this isn’t “Star Trek”. This is something else… so let’s talk about it.

Ladies and gentlemen… “Ad Astra”.

Astronaut Roy McBride (Brad Pitt) must go on a potentially dangerous mission across the stars to try to uncover the truth behind what happened to his space-traveling father many years ago. And before you get too many assumptions, I have to tell you that this isn’t really that kind of space adventure. Don’t expect “Star Wars”. This is a slowly burning character study that will test the patience of some viewers. That’s not to say that there aren’t exciting bits in this movie, there are. But the more action-packed stuff is less of a priority here, making way for the slow burn drama. And I found it quite engaging. It’s not my favorite space drama, that crown still goes to “Moon”, but I still thought the plot of “Ad Astra” was very good.

There’s really only one character worth talking about here, and that is Roy McBride, played by Brad Pitt. He’s shut off his emotional as a response of something that happened in his past. Which makes him a very reserved individual, not letting a lot of people in. And he goes through quite an interesting arc in this movie, making him quite a nuanced character. And Pitt is fantastic in the role. Yes, it’s a very subdued performance, but you can read so much just from eyes. And there are some damn solid supporting players here too.

The score for the movie was composed by Max Richter, and my god, it was fantastic. It often has a very dreamlike quality that perfectly complements Roy’s personal solitude, in combination with the desolation that we call space. Synths, strings, some piano, these are just some of the elements that get blended quite wonderfully to create the mesmerizing score.

“Ad Astra” was written by James Gray and Ethan Gross, with Gray handling direction. Gray’s direction manages to be both sweeping and intimate, really giving us some impressive vistas in combination with the tightness to Pitt’s McBride. His direction manages to generate a decent bit of emotion, making me care. Then it also builds some pretty good suspense in parts. And let’s talk about Hoyte van Hoytema’s cinematography, which is some of the most stunning I have ever seen, taking my breath away at many points. Seriously, the craft in this movie is meticulous.

This movie just came out, so scores may change. But so far it has been quite well received. On Rotten Tomatoes it has an 81% positive rating. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 7,3/10.

“Ad Astra” isn’t for everyone… but I thought it was great. It has a really good plot, a really good central character, great performances, fantastic music, and great writing/directing/cinematography. Time for my final score. *AHEM*. My final score for “Ad Astra” is a 9,62/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Ad Astra” is now completed.

Ad Astra is about Brad Astra seeking his Dad Astra. The movie’s not Bad Astra, in fact it’s quite Rad Astra, which makes me very Glad Astra. 

Series Review: Doom Patrol – Season 1 (2019)

We’re getting a lot of superhero stuff these days. But what I do like about it is that we’re at a point where we’re getting more experimental things, not just typical “Colorful hero saves day” thing. Don’t get me wrong, I like those… but I appreciate the lean towards a lot more weird things. So let’s discuss such a thing.

Ladies and gentlemen… “Doom Patrol” season 1!

The story follows a group of outcasts who have been brought together by a scientist (Timothy Dalton) as they have to reluctantly band together to stop the villainous Mr. Nobody (Alan Tudyk)… at least that’s the initial setup. It sets itself up with a bit of a typical superhero idea, but then decides to shove that to the side a bit to explore the stranger side of the DC universe. While there are overarching themes and ideas, each episode is generally a self-contained adventure where the team encounter a new strange thing and have to deal with that while also having to try to handle their personal demons. So the show balances a lot of ideas and tones, which can often be a movie or show’s downfall. But “Doom Patrol” balances it all wonderfully to create a unique superhero show that for the most part just subverts most superhero tropes, all while giving us some of the most surprisingly compelling character drama that I have seen in quite a while. It’s a strange, fun, emotional, and overall well-realized story that I loved following from start to end.

The characters are flawed, layered, colorful, and just overall really interesting. They’re all damaged in some way, which makes them quite dysfunctional, leading to a lot of interesting character dynamics. And with the core cast of Diane Guerrero, Brendan Fraser, April Bowlby, Matt Bomer, Joivan Wade, and Timothy Dalton, you get some truly great performances to go along with these vividly written characters.

The score for the show was composed by Clint Mansell and Kevin Kiner. And man, it is pretty great. A lot of synth is used throughout, which gives the show an almost otherworldly feeling that helps sell the unique vibe of the show. It’s suspense-building, it’s emotionally charged, it’s exciting, it’s fun… it’s just a perfect match for the show. There are also a handful of licensed tracks used throughout the season, and they work quite well in their respective scenes. So yeah, this show has great music.

Based on the comic books from DC, the show was created by Jeremy Carver, and written/directed by a whole bunch of cool people. And as mentioned in some of the previous sections, the writing is some of the most uniquely compelling stuff I’ve experienced in quite some time. And the directing is pretty stellar too, featuring some really fun camerawork that adds a lot to the show in terms of visual storytelling. I should probably also mention that the show in large part is a comedy. So is it funny? Yes, very, it’s one of the funniest shows I’ve watched in a while. The humor can often be quite crude and weird, but I do think it works to the show’s advantage in giving it a distinct feel.

This show/season has been very well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 70/100. And on imdb.com it has a score of 8,2/10.

“Doom Patrol” is one of the weirdest shows I’ve seen in quite a while… but it’s also absolutely fantastic. It has a great plot, great characters, great performances, great music, great writing/directing, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Doom Patrol” season 1 is a 9,92/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Doom Patrol” season 1 is now completed.

That was a bit insane.

Movie Review: Captain Marvel (2019)

Missed this in the cinema, so catching up now. Also, apologies that I haven’t written any posts in over a week, just haven’t been feeling up to it due to the hot weather. But here we go.

Ladies and gentlemen… “Captain Marvel”.

The story follows Carol Danvers (Brie Larson), a former fighter pilot who gets caught in an intergalactic war between two alien races. So now we have another Marvel origin movie. And I think that’s the one issue I have with it, it’s another Marvel origin. Not saying I disliked it, au contraire, I enjoyed it quite a bit. But it does still follow a lot of those familiar beats we recognize, and rarely does much to stand out. It does have a few enjoyable turns, and the overall narrative is still a fun, superhero adventure with a good message. So yeah, it’s pretty good.

The characters in this are fun, flawed, and interesting. Brie Larson plays Carol Danvers, a cocky, snide woman who has to go through a journey to become a hero. And I enjoy her arc, which weirdly enough reminds me of Ratchet’s arc in “Ratchet & Clank” (the original game, not the movie), starting out as a little bit of a cocky jerk, but goes through a good personal arc thanks to the events of the movie, and it makes her quite the enjoyable character. And Larson is really good in the role. We also get supporting work from people like Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annette Bening, Lashana Lynch, Djimon Hounsou, and more, all doing really well in their respective roles.

The score for the movie was composed by Pinar Toprak, and I think she did a good job with it. Admittedly it does play it a bit safe sometimes with some of the orchestral action pieces, but then there are also tracks that play around with synthesizers to great an interesting, space-ish sound that kinda reminds me of “Mass Effect” (why am I making so many video game comparisons today?). And overall it works for the movie. Then there are some licensed tracks used throughout certain scenes, and some work better than others. There’s one in particular, which is a song I love, but was caught off guard by. So overall the music here is good.

Of course based on the popular Marvel Comics character, “Captain Marvel” was directed by Anna Boden and Ryan Fleck, and I think they did a really good job with it. They really brought a unique sort of energy to it, which made for some fun and interesting stuff during the action scenes. And I think it goes without saying at this point that the visual effects are fucking great.

This movie has been pretty well received. On Rotten Tomatoes it has a 78% positive rating and a “Fresh” certification. On Metacritic it has a score of 64/100. And on imdb.com it has a score of 7,0/10.

“Captain Marvel” isn’t one of the MCU’s best movies, but it’s still one hell of an entertaining movie. It has a good plot, good characters, great performances, good music, and great directing/action/effects. Time for my final score. *Ahem*. My final score for “Captain Marvel” is an 8,78/10. So while not perfect, it’s still worth buying.

My review of “Captain Marvel” is now completed.

SHAZA- wait, that’s the wrong one.

Movie Review: Spider-Man: Far From Home (2019)

It is here. The movie that made me revisit the Raimi trilogy. It’s finally here. And it’s time to talk about it.

Ladies and gentlemen… “Spider-Man: Far From Home”.

As Peter Parker (Tom Holland) gears up to go on a European vacation with his classmates, he’s contacted by some familiar faces to help take care of some strong new enemies that have revealed themselves. But to be able to stop them, Peter has to team up with a mysterious guy named Quentin Beck (Jake Gyllenhaal). So now we have our Spidey-sequel. It’s part teen rom-com and part superhero story, and I feel like the two are blended quite well, which makes for a really enjoyable and breezy plot, which is kind of what we needed after the heavy shit in “Avengers: Endgame”. With how it jumps around Europe a lot it can feel a little jumpy, but I don’t think it ever ruined it in any way. There are some fun twists and turns in the plot that add a fair bit of nuance to the generally light and breezy proceedings (breezeedings?).

The characters are layered, flawed, colorful, fun, and overall interesting. Tom Holland returns as Peter Parker/Spider-Man, and in this movie he has to deal with the awkwardness of being a high school kid with a crush, while also having to step up as a hero in a world affected by the events of the last two “Avengers” films. He gets a fair bit of development here, making him even more interesting than he already was. And Holland is once again fantastic in the role. Next we have Jake Gyllenhaal as Quentin Beck/Mysterio. He’s a charismatic, interesting, and mysterious man who gets a fair bit of interesting motivation throughout. And Gyllenhaal is great in the role (can’t go wrong with a bit of Gyllenhaal, you know). We also get supporting work from people like Zendaya, Samuel L. Motherfu- I mean Jackson, Marisa Tomei, Jon Favreau, Jacob Batalon, Martin Starr, Angourie Rice, Tony Revolori, J.B. Smoove, and more, all doing very well in their respective roles.

The score for the movie was composed by Michael Giacchino, and it was really good. Sweeping, intimate, epic, emotional, it’s what one would look for in a “Spider-Man” score. It’s not the most original score out there, but it’s certainly enjoyable, and it works quite well within the movie itself. There are also a whole bunch of licensed tracks used throughout, and they all work quite well in their respective scenes.

As with “Spider-Man: Homecoming”, “Far From Home” was directed by Jon Watts. And I think he did a really good job with it. He certainly has a good sense of motion and energy in his directing, something shown in “Homecoming”, and explored further here. This lends to a lot of fun action scenes. Most of them are these, big, brash superhero things that one expects, but there’s also one or two that do some clever little things that I didn’t fully expect. There’s also a lot of comedy in this movie (which shouldn’t be much of a surprise if you’ve followed this movie universe for a while). And it’s funny, I laughed and chuckled.

This movie just came out, but has already been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 8,2/10. Keep in mind, all these scores are at the time of writing, and will most likely change as time goes by and I’m too lazy to constantly edit this.

While I prefer its predecessor, “Spider-Man: Far From Home” is still a damn fine Spidey-movie, and another great entry within the Marvel Cinematic Universe. It has a really good plot, really good characters, great performances, really good music, great directing/action, and funny humor. Time for my final score. *Ahem*. My final score for “Spider-Man: Far From Home” is a 9,50/10. So while it’s just on the edge, it’s still deserving of the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Far From Home” is now completed.

This has two of my favorite scenes of the year, and both for VERY different reasons.

Movie Review: Spider-Man 3 (2007)

And so we come to the end of this review series on the Raimi-directed “Spider-Man” movies. It’s been fun revisiting this franchise. So let’s talk about the final part!

Ladies and gents… “Spider-Man 3”.

Peter (Tobey Maguire) seems to finally have his life under control. But that soon takes a dark turn when a mysterious space goop enters his life and changes his for the worse. All the while a super-powered petty criminal (Thomas Haden Church) roams the city after having escaped from prison. ALL THE WHILE Peter finds himself in some love triangle drama with Mary-Jane (Kirsten Dunst) and Gwen Stacy (Bryce Dallas Howard). ALL THE WHILE his- fuck this. Just… fuck it. There are elements in the plot that are good. But overall, it’s a god damn mess. It has more threads than a spider web, and they are all (for the most part) paper thin. Like I said, there are some nice parts here too, some finely handled dramatic/emotionally charged bits. But they all find themselves tangled up in this scatterbrained web.

The characters here are mixed. Some are nuanced and interesting, and some are Topher Grace as Eddie Brock. The returning core cast of Tobey Maguire, Kirsten Dunst, and James Franco are all great in their roles, and do wonders with the material they’re given (which sometimes isn’t great). Rosemary Harris as Aunt May is still the warm, comforting presence she’s always been. J.K. Simmons as J. Jonah Jameson is still an absolute blast to watch. As for new blood, there’s Thomas Haden Church as Flint Marko/Sandman. He’s given a surprising amount of development, and gives a really solid performance. And then we have the aforementioned Topher Grace as Eddie Brock. Look, Grace is not a bad actor, and he actually does a good job playing an absolute slimeball here… but he feels miscast for the character of Eddie Brock. And the stuff they do with the character here… just, no. Overall, decent cast.

Unlike the first two movies, the score in this one wasn’t composed by Danny Elfman. Instead, musical duties were handed over to Christopher Young, who I think did a great job. He incorporates Elfman’s iconic theme wonderfully, while still bringing his own flair to a lot of the other tracks. There are some emotionally charged pieces here that really work well within the movie.

As we’ve pointed out already, “Spider-Man 3” was, like its predecessors directed by Sam Raimi, who I think mostly did a great job here. I say mostly, because compared to the other two, there’s a lot more leaning on CGI for various things in this one. Which also makes some bits look a bit wonky, especially a chase scene early on in the movie. There is cool stuff to it, but overall the green screen effect looks kinda unfinished. And there are a few CGI humans in this movie, and they were a bit distracting. But with all that said, whenever it doesn’t use shit effects, it looks good. The action scenes in this are generally great, with one fight scene some ways into the movie being one of my favorite parts of it.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 63% positive rating. On Metacritic it has a score of 59/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 6,2/10.

So while “Spider-Man 3” is a bit of a let-down compared to the first two, it’s still an enjoyable superhero movie. It has a messy plot with good moments, mostly good characters, really good performances, great music, and good directing/action with only a few wonky effects. Time for my final score. *Ahem*. My final score for “Spider-Man 3” is a 6,95/10. So while flawed, it’s still worth a rental.

My review of “Spider-Man 3” is now completed.

Bit a downer to end this series on. C’est la vie, je suppose.

Movie Review: Spider-Man 2 (2004)

And so my series of reviews of Raimi-directed “Spider-Man” movies continues!

Ladies and gents… “Spider-Man 2”.

As Peter Parker (Tobey Maguire) tries to balance college, work, and being the friendly neighborhood Spider-Man, he runs into even more trouble when scientist Otto Octavius (Alfred Molina) becomes the villainous Doc Ock. So now we have our sequel. It’s bigger, but does that make it better? Yes, very much so. It has a lot of themes to balance, and it manages to do that beautifully. At times it’s fun, at times it breaks the viewer’s heart, at times it’s uplifting. It takes all its various themes and creates a web (HA!) that is a perfect representation of Spider-Man and his adventures.

The characters are colorful, flawed, layered, fun, and overall just really interesting. Tobey Maguire reprises his role as Peter Parker/Spider-Man. Seeing his development throughout here is fascinating. Yes, you do get a lot of the charming awkwardness seen in the first movie, but you also get to see a lot of new sides to him that came forward after the events of the first movie, and from things that happen here. And Maguire is great in the role. Alfred Molina plays Otto Octavius, the brilliant scientist who becomes the villain of the story. He’s under constant conflict with himself throughout, making him quite a compelling character. And Molina is great in the role. Kirsten Dunst returns as Mary-Jane Watson, and she gets some decent development throughout. And Dunst is good in the role. James Franco returns as Harry Osborne, who also has some interesting character drama going on, with Franco giving a great performance. We also get supporting work from people like Rosemary Harris, J.K. Simmons (still the best), Bill Nunn, Dylan Baker, Daniel Gillies, Donna Murphy, and more, all doing very well in their respective roles.

As with the first movie, the score was composed by Danny Elfman, and he somehow managed to one-up himself. The score here of course brings back a lot of the sweeping heroics of the first, while also adding in a lot of nice little touches that makes it stand out. Really, it’s amazing, one of the best scores of the time. And there’s the odd licensed track used throughout that works quite well too.

As with the first movie (and as mentioned in the opening of this review), this movie was directed by Sam Raimi, who (like Elfman) upped his game. His camptastic sense of energy makes a triumphant return, which makes it electrifying to watch, even in the “slower” scenes. It also adds a lot to the action scenes, which are a blast to watch, thanks to the energetic, visceral feel that Raimi gives to them. There’s one scene in particular that really encapsulates that, and if you’ve seen this movie, then you probably know which one I’m talking about. And to bring up something I mentioned in my previous “Spider-Man” review, the effects in this still hold up. The last one had a lot of rough stuff, but the ones in this one… still so good.

This movie has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,3/10. The movie won 1 Oscar in the category of Best Visual Effects. It also got an additional 2 nominations in the categories of Best Sound Mixing and Best Sound Editing.

“Spider-Man 2” is a sequel that takes everything that was good about the first one, and improves on it significantly. It has a great plot, great characters, great performances, great music, and great directing/action/effects. Time for my final score. *AHEM*. My final score for “Spider-Man 2” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man 2” is now completed.

Here’s a fun anecdote: As I was (re)watching this, I realized that I actually hadn’t seen this one before. My mind had tricked me into thinking that I had seen it before, when I hadn’t. It’s quite interesting.

Movie Review: Spider-Man (2002)

With “Spider-Man: Far From Home” getting released in July, I thought I would give the Raimi-directed “Spider-Man” movies a little rewatch/review. I mean, it’s been years since the last time I saw them, so now is a good a time as any to see if they hold up. So here we go with part 1.

Ladies and gentlemen… “Spider-Man”.

After he gets bitten by a genetically modified spider, high school student Peter Parker (Tobey Maguire) starts developing spider-like powers. And he soon has to put them to good use when a crazed villain (Willem Dafoe) starts terrorizing New York. We had gotten a few superhero origins before this, but this really set the standard for how it’s done. Even in movies later on, let’s say “Iron Man” as an example, trace amounts of this movie can be found in the way the origin is done there. So yeah, the plot here is handled well. Not saying it’s perfect. It does have a few minor pacing issues at points, but there’s nothing that completely ruins the experience for me. It is still mostly well paced, with plenty of nuance and a decent exploration of the “Great power, great responsibility” theme. It’s fun, it’s clever, it’s emotional, it’s a good “Spider-Man” origin.

The characters in this are colorful, charming, layered, and overall interesting. Tobey Maguire plays Peter Parker/Spider-Man. He’s a little shy, a little awkward, but also clever, good-hearted, and a fairly relatable character. Seeing his journey from that dork that everyone picks on to a hero is quite fascinating. And Maguire is really good in the role. Kirsten Dunst plays Mary-Jane Watson, Peter’s neighbor and crush. A beautiful young woman with a bad home life, but a good heart. Seeing her and how she is affected by Peter’s life/she affects him is an interesting part of the whole story. And Dunst is really good in the role. Next we have Willem Dafoe as Norman Osborn/The Green Goblin. He’s something of a scientist and tries to develop tech that can help the military… but things go a little… awry. Seeing his duality throughout the movie is endlessly entertaining, and Dafoe is the perfect blend of intimidating, emotionally investing, and hammy in the role. We also get supporting work from people like Rosemary Harris, Cliff Robertson, James Franco, J.K. Simmons (the best), and more, all doing well in their respective roles.

The score for the movie was composed by Danny Elfman, and I have nothing bad to say about it. It’s epic, emotional, sweeping, and balances heroics with smaller stuff, making for one of the most iconic and enjoyable scores in the last 20 years. Seriously still great.

As mentioned in the opening of this review, “Spider-Man” (based on the Marvel character created by Stan Lee & Steve Ditko) was directed by Sam Raimi, and I think he did a great job with it. He has a unique sort of energy that makes the movie a whole lot of fun to watch. He also uses a lot of fun camera movements to give the movie a unique look that feels very much in line with the character of Spider-Man. This also translates to the action scenes, which are a lot of fun and are even surprisingly brutal at times. However, to add a negative into all this positivity, there are a lot of effects that don’t hold up. Those are CGI stuff that very much haven’t aged well. It’s not a total deal-breaker, but it is distracting enough to bring the score down a little bit.

This movie has been well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. Roger Ebert gave it 2,5/4 stars. And on imdb.com it has a score of 7,3/10. It got 2 Oscar nominations in the categories of Best Sound and Best Visual Effects.

While there are aspects of it that has aged a fair bit, “Spider-Man” is still a damn fine superhero movie. It has a good plot, good characters, great performances, great music, and great directing/action. What brings it down a bit for me are the occasional pacing issues and often wonky CGI effects. Time for my final score. *Ahem*. My final score for “Spider-Man” is an 8,89/10. So while flawed, it’s still worth buying.

My review of “Spider-Man” is now completed.

Two more to go. *thwip*.

Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.