Movie Review: Batman vs. Teenage Mutant Ninja Turtles (2019)

Yes. This is a real movie. And I watched it. And now I’m gonna talk about it.

Dudes and chicks… “Batman vs. Teenage Mutant Ninja Turtles”.

When Ra’s Al Ghul (Cas Anvar) teams up with the Shredder (Andrew Kishino), the Turtles (Eric Bauza, Darren Criss, Kyle Mooney, Baron Vaughn) find themselves following the villains to Gotham City, where they run into Batman (Troy Baker). Aaaand cue the crossover craziness. Is this a masterpiece of storytelling? No. Is this high art? No. But is it a well written and fun crossover that never takes itself too seriously? Yes. For the most part, the plot here is lighthearted comic book action. But there are also moments where it actually dares to go a little darker, but it never feels like it clashes with the more fun and ridiculous scenes. It balances its tone perfectly, giving us one of the most unique and enjoyable plots in recent DC animations.

The characters are colorful, fun, charming, memorable, and pretty interesting. Troy Baker plays Batman, and he’s the ever serious Batman… you know who Batman is, there’s nothing new done to him as a character. But Baker’s voice work is solid here. Then we have Eric Bauza, Darren Criss, Kyle Mooney, and Baron Vaughn as the four Ninja Turtles Leonardo, Raphael, Michelangelo, and Donatello. And they are exactly as one expects the frickin’ Turtles to be (if you’re familiar with them). And the four actors voicing them are great in their respective roles. While there isn’t much in terms of actual development here, what makes the characters stand out here is how well they play off of each other. It’s their chemistry that makes them so enjoyable to follow… good stuff. We also get supporting work from people like Cas Anvar, Carlos Alazraqui, Rachel Bloom, Andrew Kishino, Tara Strong, Ben Giroux, Brian George, and many more, all doing very well in their respective roles.

The score for the movie was composed by Kevin Riepl, and it was good. Some orchestrations, some synthesizers, some guitar, a lot of fun percussion, it’s the right kind of score to add an extra bit of fun to the insanity of the movie. I really enjoyed hearing it throughout the movie, and it worked well in the various scenes.

Based on a comic by James Tynion IV & Freddie Williams II (fancy lads and their numbered names), this movie was directed by Jake Castorena, and I think it is a well directed movie. The animation flows nicely and has a really good sense of energy to it. Some of the character designs could maybe be a little hit or miss (mainly Donatello for me), there was nothing I’d call bad here. Especially not the action scenes, which I found to be great. Brutal, fluent, and well directed, the various fight scenes throughout are an absolute joy to behold. There’s also a really fun chase here that was a blast to watch. So yeah, there’s a ton of well animated, absolutely ridiculous action scenes throughout the movie… which makes me very happy. There are also a lot of jokes in this movie, and they made me laugh very hard. Some really clever, some incredibly dumb, all funny.

This movie has been well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 7,2/10.

So “Batman vs. Teenage Mutant Ninja Turtles” is absolutely insane, and I loved every minute of it. It has a really fun plot, really good characters, great performances, good music, really good animation/direction/action, and hilarious humor. Time for my final score. *Ahem*. My final score for “Batman vs. Teenage Mutant Ninja Turtles” is a 9,84/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Batman vs. Teenage Mutant Ninja Turtles” is now completed.

That was… BATshit insane.

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Watch Dogs Legion E3 2019 Trailer

I promise, some day soon, I’ll stop writing E3 posts. But for now… MORE E3 BULLSHIT, WEEEEEE!

So through E3, legendary video game developer Ubisoft has revealed “Watch Dogs Legion”, which is the third game in the action franchise. The first one was about a lonely hacker seeking revenge. The second one I never played, but looks to be about some hackerific street gang. And this one is apparently about a near-future London that is under a totalitarian rule, and you have to use your hacking skills in combination with a sense of resistance to unfuck Great Britain. Two things:
1. I’m excited to see a major open world title set in a British environment for once… no reason, just fun to get away from the states or wastelands a bit.
2. Did Guy Ritchie write this fucking trailer? Because I’m getting very “Snatch”-seque vibes from it.
Either way, this looks to be interesting. I enjoyed the first “Watch Dogs”, even though I recognize that it has a fair bit of flaws. And people tell me that the sequel is even better. So who know, maybe third time’s the charm? “Watch Dogs Legion” is set to be released March 6th 2020.

What are your thoughts? Are you excited for “Watch Dogs Legion”? And fuck it… what’s your favorite Guy Ritchie movie? Leave any and all thoughts in the comments.
Have a good one and enjoy.

Marvel’s Avengers E3 2019 Trailer

Hello there. Time for more E3 stuff. So let’s… Assemble.

So thanks to E3, we finally have our first look/reveal of “Marvel’s Avengers”, an upcoming story-driven single player action game about… The fucking Avengers, I don’t need to explain who they are, their box office takings speak for themselves. So what’s happening here then? Well, shit goes awry, and the team has to save the world. And while I can’t say much, since there’s no real gameplay here, I do find this reveal a bit… bland, like they’re playing it safe. They lean into the aesthetics of the movies, and it all in general looks… meh. “Spider-Man”, the excellent Playstation 4 game released last year, shows that you can take established stuff and do something unique with it. And unless Square Enix and Crystal Dynamics gives us something more enticing in the near future, I will file this one under… meh. “Marvel’s Avengers” is set to be released on all major consoles on May 15th, 2020.

What are your thoughts? Are you excited for “Marvel’s Avengers”? And what’s your favorite movie based on a Marvel comic? Leave any and all thoughts in the comments.
Have a good one and enjoy.

Cyberpunk 2077 E3 2019 Trailer

Hello there, ladies and gents. It is that time of year again. The Electronic Entertainment Expo (E3 for short) has started, which means I will ramble on about various trailers and gameplay demos and such shown in there. So let’s kick it the fuck off with this first one.

So first up, here’s a trailer for “Cyberpunk 2077”, an upcoming sci-fi game from CD Projekt Red, a game developer most known for the mostly acclaimed “Witcher” series. It’s the year 2077, and you play as a dude or gal who has to navigate this cyberpunk world and complete some quests to advance a story. That’s all we (read: the idiot who wrote this piece) know right now. And this doesn’t show off any gameplay, just a bit of story. And it seems interesting. Maybe a bit of potential revenge, a bit of seedy underworld dealings, a bit of HOLY SHIT, KEANU REEVES. Yeah, that’s what sold me on talking about this trailer. I only really wanted to talk about it because it’s a trailer for a video game… featuring one of my favorite actors (who is having one hell of a year, by the way). I didn’t have much interest in it. But the cyberpunk stuff here had me somewhat intrigued, and then Keanu hooked me. Yes, I am that shallow sometimes. “Cyberpunk 2077” is set to be released on April 26th, 2020.

What are your thoughts on this? Are you excited for “Cyberpunk 2077”? And what’s your favorite sci-fi dystopia? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer.

Movie Review: Godzilla: King of the Monsters (2019)

WE GOT A HOLLYWOOD BUDGET MONSTER MASH FEATURING CLASSIC KAIJU, HOW COULD ONE NOT BE EXCITED ABOUT IT. *Calms down*. So let’s talk about this movie.

Ladies and gents… “Godzilla: King of the Monsters”.

When multiple ancient beasts awake from their slumber, the crypto-zoological agency Monarch have to find a way to stop them. Be it on their own or with the help of the titanic lizard known as Godzilla. Let’s cut to the fucking chase, this plot isn’t deep or nuanced. In the moments where it tries developing the human element of the story, it’s kinda dull. But whenever it’s about these ancient creatures having it out for each other, it’s a fucking blast. So plot-wise it’s a bit of a mixed bag. I mean, no one comes to a monster movie for plot, but when there’s a lot of time spent trying to develop it, it can get a bit distracting. So overall… mixed bag.

The characters in this… yeah, I didn’t care. Again, they tried giving them some development, but in the end it’s kind of shallow and cliched. And the cast does a fine enough job with their performances. There isn’t anyone here that I’d say is bad, just some who are better than others. My favorite was probably Charles Dance, who always had a bit of a self-aware glint in his eye, which made him kinda fun to watch whenever he showed up. The rest of the cast, including people like Kyle Chandler, Ken Watanabe, Vera Farmiga, Millie Bobby Brown, Thomas Middleditch, Ziyi Zhang, Bradley Whitford, Sally Hawkins, and various other actors was good. They all played it very straight, but no one was bad.

The score for the movie was composed by Bear McCreary, and I loved it. A lot of big, bold brass, a lot of panicky strings, some chorals… it all fit incredibly well with the kaiju calamity going on throughout the movie. And while I won’t spoil which, some of the tracks are absolute treats for… various reasons. Damn good stuff.

The movie was directed and co-written by Michael Dougherty, who I think did a great job with it. He has a great sense of energy and pacing, which keeps the moving driving along, never really getting boring and too slow at any point. And like with Gareth Edwards before him, he knows how to convey the scale of all the shit that goes on. And credit to the visual effects team for really bringing these creatures to life. The detail, the movement, it all looks fantastic. And man, the cinematography by Lawrence Sher is breathtaking. Some truly awe-inspiring shots exist in this movie. And when it isn’t breathtaking, it still looks quite good. All the technical aspects really come together wonderfully. Especially during the monster action, which I had a ton of fun with.

The movie just came out, so this data will change a bit over time. But as of writing, the movie has gotten quite the mixed reception. On Rotten Tomatoes it has a 38% positive rating. On Metacritic it has a score of 47/100. And on imdb.com it has a score of 7,7/10.

Look, this isn’t one of the greatest movies ever made. But I still had a lot of fun with “Godzilla: King of the Monsters”. It has a mixed bag plot, meh characters, really good performances, fantastic music, and fantastic writing/directing/cinematography/visual effects/action. Time for my final score. *Ahem*. My final score for “Godzilla: King of the Monsters” is an 8,74/10. So while flawed, it’s still worth buying.

My review of “Godzilla: King of the Monsters” is completed.

Ooooooh no. They say he’s got to go, GO GO GODZILLA!

Movie Review: Avengers: Endgame (2019)

Can you guys believe it? 11 years and 22 movies. The Marvel Cinematic Universe’s ultimate culmination is finally here. It’s kind of mindblowing and impressive, regardless of one’s opinion on the movies themselves. So let’s get into it.

Ladies and gentlemen… “Avengers: Endgame”.

After the horrifying events in “Avengers: Infinity War”, the team feels somewhat defeated. But they still rise up to the occasion to find a way to fix what has been caused by Thanos (Josh Brolin). And I was scared going into this. Would they stick the landing? Well, guess what, they fucking did. It’s dramatic, tense, fun, emotional, and a perfect sendoff for this entire cinematic universe. And that is all I’m saying about that. I guess you could nitpick stuff, but I don’t want to. This is great. #DontSpoilTheEndgame

A shitload of characters return. Most of their development came from the other movies, but they did also get a little from this, and it just works really well. These are fully developed characters that I love. And the performances are great. Not gonna say all who are in this because there’s far too many. But holy fucking shit, there is not a weak link in this cast. All the actors do wonder with the great material they’re given.

As with “Infinity War”, the score was composed by Alan Silvestri. And in my review of that movie, I didn’t give the score enough credit. Yes, I had positive comments about it, but on subsequent rewatches of that movie, I’ve grown to love it a lot more. And the man somehow managed to fucking top himself with “Endgame”. The score manages to encapsulate all the epicness, emotion, and energy that the story needed flawlessly. Silvestri, I salute you.

They started with “The Winter Soldier”. They came back for “Civil War”. They took over the main mantle for “Avengers: Infinity War”. And they came to tie the bow on the gift that is “Endgame”. So yeah, their direction was great here too. These dudes know how to do big, epic action in a very human way, and it feels so great that they got the task to wrap this entire shebang up for now. Trent Opaloch’s cinematography is also absolutely amazing. And it goes without saying that the visual effects in this are absolutely spectacular. Hell, let’s give the visual effects crew some extra credit here for giving us some of the most impressive effects in movie history. The package is incredibly well put together.

This movie just came out, but it has already been incredibly well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 77/100. And on imdb.com it has a score of 9,1/10 and is ranked #5 on the “Top 250” list.

Yes I’m keeping it vague and brief here, but that’s what I have to do to not accidentally spoil it. Still, with that said, “Avengers: Endgame” is an absolutely marvelous movie and a perfect way to end the Marvel Cinematic Universe as we know it. It has a great plot, great characters, great performances, great music, and fantastic direction/writing/cinematography. Time for my final score. *Ahem*. My final score for “Avengers: Endgame” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Avengers: Endgame” is now completed.

I’m not saying that I cried, but I cried.

While You Wait: Game of Thrones

Hello there, and welcome to a new thing. Not sure it it’ll be a recurring series, but if this gets a good response, then it might. Any way, hello everyone. With the final season of HBO megahit “Game of Thrones” arriving in less than two weeks, fan are eagerly anticipating it. But until then, some might be asking themselves what they could watch to tide them over until then. Well, I’m here to perhaps help with that in some regard, by giving you some personal recommendations for things that could maybe fill that void in some respect. And if you don’t give a shit about “Game of Thrones”, then you’ll at least have a few recommendations for things to experience. So let’s go.

This is While You Wait: Game of Thrones edition.

The Lord of the Rings trilogy (New Line Cinema, 2001 – 2003)

This entry should come as no surprise in the slightest. Big, epic fantasy with a grandiose story, a stellar cast, and tons of detail in props and filmmaking. Look, I am aware that this and “Game of Thrones” are very different in tone… style… language… amount of tits, but still, can’t talk about relevant recommendations for a major fantasy thing without mentioning another one.

Westworld (HBO Entertainment, Warner Bros. Television, 2016 – now)

While we’re talking about one major HBO series, we might as well talk about another one. “Westworld”, based on the 1973 film by Michael Crichton, is a series created by Jonathan Nolan and Lisa Joy, and follows a theme park that is built up like a giant wild west world (Hence, “Westworld”). But as expected, things may or may not go awry (wouldn’t be a show otherwise). Let’s see, big sweeping story (check), A-list cast (check), Ramin Djawadi making music (check), budget higher than what any of us make in a year (check), violence (check), naked people (super check)… yeah, this has a shitload in common with “GoT”, so that’s why I recommend it.

The Elder Scrolls V: Skyrim (Bethesda Softworks, 2011)

That’s right, there be video games on this list too. Released in 2011, “Skyrim” was the fifth mainline game in the “Elder Scrolls” series. In times of great political turmoil, you play as a character that almost gets executed, but gets “saved” by a giant dragon attacking the city that you’re in. And it doesn’t take long for you to find out that you’re Dragonborn, a mighty warrior destined to slay dragons and steal their souls. Political tensions, various factions doing their own shit within the kingdoms, epic fantasy, DRAGONS. Need I say more as to why a “Thrones” fan might want to play this? It’s not one of my favorites, but I still feel like it’s a good recommendation for fans of “GoT” who might want to get some game time in.

Berserk (OLM Inc, 1997 – 1998)

And now we move into something a bit older, but is a bit more of a recent watch for me. “Berserk” is a 1997 anime series based on a manga series of the same name by Kentaro Miura. It follows a highly capable swordsman named Guts as he joins a mercenary group called the Band of the Hawk, after its leader, Griffith, defeats Guts in combat. And so Guts, along with Griffith, and the other members of the group fight their way through the kingdom of Midland. And we do also get to see how Guts and Griffith’s actions affects the political climate in the kingdom, as well as how their bond evolves over the series. So it has both the big battles and political element of “GoT”, and it has the brutality of it… come to think of it, “Berserk” is probably even more brutal (and the series is allegedly very toned down compared to the original manga). Just a few details first… Skip episode one. I’m not kidding, skip it. It’s not even related to anything going on in the show, as it’s set after everything that happens. Maybe come back to it after finishing the other 24 episodes. And secondly, the ending (which I won’t fully spoil) has been a bit polarizing for people… and that’s all. Other than that, “Berserk” is great.

The Expanse (Alcon entertainment, 2016 – now)

So how do we go from high fantasy to sci-fi? Well, like in “Game of Thrones”, you can find a lot of political tension and character development in “The Expanse”. Set hundreds of years into the future, we follow various characters as they try to deal with their various situations while navigating the very dangerous political tensions between Earth and Mars. Need even more proof that this show is the “Game of Thrones” of sci-fi? It has been called the “Game of Thrones” of sci-fi by a fair amount of people. And I thank Amazon for picking it up after SyFy cancelled it.

Gladiator (Scott Free Productions, Univeral Pictures, 2000)

Epic battles, political intrigue (again), charismatic cast, big budget… do I really need to explain why Ridley Scott’s epic Oscar winner is one of the recommendations on this list? You all know why it is here.

The Dark Souls trilogy (FromSoftware, 2011 – 2016)

More video game goodness, and oh god, the traumatic flashbacks are rolling in. Admittedly I’ve only played the third game in the series, but based on my “enjoyment” of that, and the critical acclaim of the rest of the series, I feel confident in recommending them all. You play as a silent (not counting offs and ahs) protagonist who goes on quests that lead you across dark world where you’ll encounter strange creatures, interesting people, and pain… lots and lots of pain. It’s dark fantasy at it’s most bird-flipping. People love these games for their difficulty, and I do kind of appreciate the challenge from my playthrough(s) of the third game. Funnily enough, as I recommend this for “Thrones” reasons, these games take heavy inspiration from another thing on this list… that thing being “Berserk”.

The Revenant (Regency Enterprises, 21st Century Fox, 2015)

Ah yes, the 2015 movie that finally gave Leo his Oscar… and all it took was dragging himself through the dirt after getting his shit kicked in by a bear. Betrayal, brutality, cold, stellar acting, a gritty tone, these are things that make this movie good and also help make some of the “GoT” comparison a bit more valid.

The Godfather trilogy (Paramount Pictures, 1972 – 1990)

Now, how can I compare possible the most prolific gangster series of all time to one of the biggest tv shows of all time? Well, both are grand, sweeping, epic stories about family, legacy, and ruling over a kingdom of sorts. Some from an uncomfortable and pointy chair, and some in dark rooms in the mid-century United States. And yes, I am recommending all of them. The third movie is a huge step down from the first two, but it still has its moments.

Castlevania (Powerhouse Animation, Netflix, 2017 – now)

And for our final entry, let’s go a bit lighter. Don’t get me wrong, this show is dark, but at least it is allowed to get a bit over the top with its action. Based on the hit video game series, “Castlevania” follows Trevor Belmont (Richard Armitage), the last member of a long line of vampire hunters, as he reluctantly has to try to kill the king of all vampires… Dracula (Graham McTavish). Start with an epic fantasy, end with another. The animation is stellar, the plot engaging, and the characters very well realized. And to any stubborn people out there: This is a cartoon, not an anime. It may have some anime stylings, but it was entirely produced in the United States… so it’s a cartoon. But for those not stubborn: Watch this show, it’s great.

So those were some of my personal recommendations for those “Game of Thrones” fans wanting something to tide them over until April 14th, or maybe if something’s needed to fill the gap after the show ends. But I also ask of all of you, what other recommendations do you have that could fit this thing? Movie, show, book, game… any of them, I’m all ears.
Have a good one.

Movie Review: The Adjustment Bureau (2011)

Happy valentines day, my friends. Hope you’re showing the love today. Whether for your significant other, your friends, your relatives, your pet, it doesn’t matter. Just show some love. Anyway, since it’s the day of lovey-dovey bullshit, let’s talk about a romance movie of sorts.

Ladies and gents… “The Adjustment Bureau”.

David Norris (Matt Damon) is a congressman in the state of New York. One day he meets professional dancer Elise (Emily Blunt) and starts falling in love with her. But their relationship gets halted at every turn by a mysterious organization hellbent on keeping them apart. So now David has to try to outsmart them and take control of his own destiny. And I thought the plot here was… fine. It has a damn good concept, and I did enjoy the chain of events along with some of the fairly unique world building they did throughout. It did however never fully grab me. It felt like they only really scraped the surface of the idea to try to appeal to the broadest audience possible. It’s like if “Dark City” was a bit bland. So overall, the plot here is fine, if a bit toothless.

The characters in this I found to be decently enjoyable. Matt Damon plays David Norris, a congressman with dreams of moving up in the political world, but can’t quite do that while dealing with this whole Elise situation. And we see him get some decent development throughout as he tries to figure out what the hell is going on. And Damon is great in the role. Emily Blunt plays Elise, the woman that Norris meets and falls in love with. She’s a tough, charming, and overall pretty interesting lady that I liked following a bit in the movie. And Blunt is great in the role. We also get supporting work from people like John Slattery, Anthony Mackie, Michael Kelly, Terence Stamp, and more, all doing well in their respective roles.

The score for this movie was composed by Thomas Newman, and it was fine. It was a bit bland, while still being decently enjoyable to listen to in the background of the film. I guess it worked well enough for the various scenes throughout the movie, even though it didn’t bring any real oomph to it.

Based on a short story by Philip K. Dick (why am I not surprised), this movie was written and directed by George Nolfi, who I think did a pretty good job. His direction gives the movie a decent bit of energy and helps it from feeling stale. Sure, the plot is a bit so-and-so, but the directing is still good enough to slightly elevate it.

This movie has been pretty well received. On Rotten Tomatoes it has a 71% positive rating. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 7,1/10.

While it has its fair share of flaws, “The Adjustment Bureau” is still a fairly enjoyable little romantic thriller. It has a fine plot, pretty good characters, great performances, fine music, and good directing. Though as previously mentioned, the plot didn’t really stick with me, and the music didn’t really bring anything for me. Time for my final score. *Ahem*. My final score for “The Adjustment Bureau” is a 7,87/10. So while it is flawed, it’s still worth a rental.

My review of “The Adjustment Bureau” is now completed.

Nothing like stories of forbidden love.

Movie Review: Glass (2019)

What a weird franchise this is. Supernatural drama “Unbreakable” in 2000, turning out to be a superhero origin. Horror movie “Split” in 2017, turning out to be a secret sequel to “Unbreakable”. And now we get the culmination of that entire thing. What a strange and wonderful world we live in.

Ladies and gentlemen… “Glass”.

Ever since his emergence 19 years ago, David Dunn (Bruce Willis) has continued to stop bad guys as a cloaked superhero. And as he’s using his abilities to do this, he’ll run in to his old acquaintance Elijah Price (Samuel L. Jackson), as well as the recently emerged Kevin Wendell Crumb (James McAvoy). It’s really hard to talk about this plot without spoiling stuff, so that’s where I’m leaving it. I will however say, don’t fully expect “Unbreakable”, and don’t expect a big, climactic superhero action movie. It’s like a hybrid of the superhero breakdown stuff from “Unbreakable” and some of the psychological thriller vibes from “Split”. And for the most part I think it’s really solid, I was thoroughly entertained by the plot here and found it really interesting from a storytelling standpoint. Though the attentive reader also noticed the use of “for the most part”, and that does ring true. I really enjoyed where the plot went for most of it, but by the end I felt weirdly unsatisfied. It’s when we get to the final act and the ending. It’s entertaining and pretty well handled, but it felt just a tad off. So yeah, good plot, even if the ending leaves a bit to be desired.

The characters in this are pretty interesting and overall quite entertaining. First up we have James McAvoy as Kevin Wendell Crumb, the man with 24 personalities living in his noggin, all vying for some time in the spotlight. And like with “Split”, McAvoy has to go between these different personalities, which can be tough for many actors. But McAvoy nails it, sometimes bouncing between them faster than you can “M. Night Shyamalan”. He’s incredible in the role. Next we have Bruce Willis as David Dunn, the seemingly unbreakable (HA) man. Seeing how he’s evolved as a person since last we (fully) saw him is quite interesting, and he does have some decent character development throughout. And Willis is pretty good in the role, you can tell that he’s actually trying to act here, compared to a lot of other things he’s done recently. And we of course also have Samuel L. Jackson reprising his role as Elijah Price/Mr. Glass. It takes a while for him to get going, but when he does, he’s one of the best parts of the group of characters. And Jackson is great in the role. We also get supporting turns from people like Sarah Paulson, Anya Taylor-Joy, Spencer Treat Clark, Charlayne Woodard, Luke Kirby, and more, all doing very well in their respective roles.

As with “Split”, the score for “Glass” was composed by West Dylan Thordson, and it was great. It does emulate some of the stuff that James Newton Howard did with “Unbreakable” without making it come off as a ripoff. But it does also have a lot of horror cues, which of course are nods towards “Split”. And the finished product is an emotional, tense, and overall well done score that works very well for the movie.

As you all know by now, “Glass” was written and directed by M. Night Shyamalan, and I think he did a damn fine job on that front. You can tell that he’s gotten most of his groove back, which gives us a lot of fun details throughout that adds to the experience, whether it’s a thing in the background, or the use of colors throughout to symbolize the different characters. This is old school Shyamalan working on a somewhat more ambitious scale than his first few movies, which works quite well here. And the cinematography by Mike Gioulakis (who also worked on “Split”) is pretty damn good too.

This movie just came out, but has so far gotten quite the mixed reception. On Rotten Tomatoes it has a 36% positive rating. On Metacritic it has a score of 42/100. And on imdb.com it has a score of 7,4/10 (as of writing).

While it doesn’t stick the landing, “Glass” is still a really well done movie and a decent enough conclusion to this trilogy. It has a good plot, good characters, great performances, great music, and great directing/cinematography. As previously mentioned, the ending isn’t the most satisfying, which is what brings the score down a bit. Time for my final score. *Ahem*. My final score for “Glass” is an 8,75/10. So while it is flawed, it’s still worth buying.

My review of “Glass” is now completed.

What a strange little trilogy.

Movie Review: Upgrade (2018)

Can I just take a second out of this review to talk about release schedules? Because everyone got this movie in the cinemas at some point in 2018… but I didn’t, and then I had to wait until today to be able to see it at home? It’s not the first time I’ve gotten screwed liked this. I wanted to watch it, but my local cinema was like “Nope, sorry, not showing it… you dick”… okay, they didn’t directly say that, but that’s what it felt like with “Upgrade” and various other movies. Seriously, screw release schedules some times.

Ladies and gents… “Upgrade”.

After his wife is killed and he gets paralyzed, Grey (Logan Marshall-Green) accepts an offer to get an experimental surgery that would let him walk again. But soon he finds out that he’s able to do more than that, which he will use to find the people responsible for his misery. So now we have our cyberpunk revenge thriller. And it’s good. I mean, the opening isn’t the most inspired, in a lot of ways it’s just kind of bland. But after that generic opening, the plot just gets better and better and I think it becomes quite unique for a revenge thriller. It’s not one of the greatest plots ever, but it’s certainly a lot of fun and has enough little twists and turns to keep it fresh. So yeah, it’s a good plot.

The characters in this are… fine? Most of them are kind of underdeveloped. For some of the bad guys, I can accept that, as it gives them a sort of video game boss battle quality, which I enjoyed about them. But others that the movie expects me to care about… nope. Anyway, Logan Marshall-Green plays Grey, the average Joe who receives the title to become a badass. And he’s honestly quite a fleshed out character, as he’s given quite a bit of development throughout. And Marshall-Green is great in the role… mostly. At the start he’s bland and average, but like the plot, when shit gets going, he becomes great in the role. Next we have Betty Gabriel as the detective working the case of Grey’s dead wife. And where the movie expects us to give a damn about her… I didn’t, her character isn’t interesting enough in her writing for me to care. But Gabriel is pretty good in the role. We also get supporting performances from people like Simon Maiden, Harrison Gilbertson, Melanie Vallejo, Benedict Hardie, Christopher Kirby, and more, all doing pretty well in their respective roles.

The score for the movie was composed by Jed Palmer and I thought it was really good. It somehow sounds like a mix between typical cyberpunk stuff (“Blade Runner”, “Deux Ex”, etc.) and a couple different horror scores. And the mix, while familiar, feels unique and gives the most an eerie and interesting vibe that I liked quite a bit.

Based on nothing at all, this movie was written by Leigh Whannell, and I think he did a great job here. While the opening (as previously stated) is a bit boring, his direction gives the movie a certain energy that makes it kind of a joy to watch. He finds ways of really engaging the viewer with little details. But it’s in the action scenes where the directing and cinematography truly shines, because holy fucking shit, the action scenes in this movie are fantastic. They’re fast, energetic, and have some of the most clever and unique camera movements I’ve ever seen. There are a couple fights in this movie that honestly kinda blew my mind. There’s also a surprising amount of humor throughout the movie, and none of it feels intrusive, rather just adding to the movie’s fun factor.

This movie has been pretty well received. On Rotten Tomatoes it has an 87% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 7,6/10.

“Upgrade” is a really good revenge action-thriller. It has a good plot, meh characters, really good performances, really good music, and great directing/cinematography. Though as previously stated, the start of the movie isn’t great, and I don’t really care about most of the characters. Time for my final score. *Ahem*. My final score for “Upgrade” is an 8,72/10. So while flawed, I’d say that it’s worth buying.

My review of “Upgrade” is now completed.

That was fun.