Movie Review: How to Train Your Dragon (2010)

Look, I loved doing the Month of Spooks. But god damn, have I missed being able to talk about other kinds of movies. So let’s talk about a children’s film.

Ladies and gentlemen… “How to Train Your Dragon”.

Hiccup (Jay Baruchel) is the son of a great dragon-slaying viking (Gerard Butler), yet he himself is expected to reach his father’s legacy. And one day when he meets an injured dragon, he soon learns that these beasts might not just be bloodthirsty monsters. So now we have our children’s fantasy adventure story. And by Odin’s beard, this story is great. Yeah, sure, we’ve seen similar premises done before. But the care they put into how their storytelling is presented here is quite astonishing. The story here is told in a really mature way that doesn’t treat its audience like absolute idiots, like so many kid’s movies do. And by the end I was emotionally invested in the story, thanks to the clever and nuanced storytelling.

The characters in this are colorful, layered (for the most part), unique, and really interesting. First we have Hiccup, son of a great viking, but more of a scrawny wimp himself. He’s a smart young dude, relying on wits to get him through shit rather than actual force. And he has an interesting and fun arc in this movie that I really enjoyed following. And I think Jay Baruchel did a great job voicing the character. We then have Gerard Butler as his burly dad, and he’s great. You get America Ferrera as Astrid, a local girl that Hiccup may have a bit of a crush on, and she’s great in the role. You get Craig Ferguson as another viking/comic relief, and he’s great. And in other supporting roles you have people like Jonah Hill, Christopher Mintz-Plasse, Kristen Wiig, T.J. Miller, and more, and they all do a great job. Really, it’s a top notch cast.

The score for the movie was composed by John Powell, and it was absolutely wonderful. Big and epic, but also small and intimate. Epic and exciting, but also subtle and emotionally resonant. It manages to capture every emotion one would want in a movie like this.

Based on a novel by Cressida Cowell, “How to Train Your Dragon” was written by William Davies, Dean DeBlois, and Chris Sanders, with DeBlois and Sanders handling direction. And just like the story and characters before it, the craft on display here is marvelous. Everything in the direction is carefully considered, not a single frame is pure filler, everything exists either do develop a character or to add nuance to the story. Which leads us to the animation, which is absolutely spectacular. It’s highly detailed, and makes for some absolutely gorgeous images, especially during the action scenes, which are some of the best I’ve ever seen in an animated feature. The final set piece alone is one of the best I’ve seen in relatively recent movies. And with this being an animated kid’s film, there’s of course plenty of humor throughout… and it’s funny, I laugh. Slapstick, snappy comebacks, it’s all there, and it’s funny.

This movie has been very well received. On Rotten Tomatoes it has a 99% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 8,1/10 and is ranked #189 on the “top 250” list. It was also nominated for 2 Oscars in the categories of Best animated feature and Best original score.

“How to Train Your Dragon” is one of the best animated films I’ve seen in recent years. It has a great plot, great characters, great performances, great music, fantastic directing/animation, and funny comedy. Time for my final score. *Aye*. My final score for “How to Train Your Dragon” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “How to Train Your Dragon” is now completed.

I can now see what all the fuss was about.

Movie Review: The Cabin in the Woods (2012)

Well that’s a bland as fuck horror title. I mean, there’s no way it could subvert any tropes or expectations within the horror genre. No way. Whatsoever. None. Zero. Nada. Nah. Nuh-uh. N- you see where this is going, aren’t you?

Ladies and gentlemen… “The Cabin in the Woods”.

Tell me if you’ve heard this one before: A group of pesky youngsters travel into the middle of fucking nowhere to stay in a cabin for a weekend. But it doesn’t take too long for their weekend to get ruined by something sinister. Yes, it does indulge a bit in a lot of old school horror tropes… but then it also satirizes them the rest of the time. You can tell that the people crafting the story have a love for the genre and its cliches, but also know when to poke fun of and subvert them. It puts an insanely unique and fun spin on horror that I found really clever and enjoyable.

The characters in this are for the most part walking cliches… but then there are moments where their identities are subverted ever so slightly. The shit they do with these characters is quite fun. And the lead cast, consisting of people like Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, and Jesse Williams, all do wonders with what they’re given. And in the supporting cast you have people like Bradley Whitford, Richard Jenkins, and Amy Acker, all doing very well in their roles too.

The score for the movie was composed by David Julyan, and I think he did a pretty great job with it. It’s sometimes more subtle and ominous, and sometimes bombastic and thrilling. It’s just a really well composed score that works quite well for the movie. Not much else I can say on that.

“The Cabin in the Woods” was written by Joss Whedon and Drew Goddard, and Goddard directing it (this being his debut). And man, they knocked it out of the park with that. While the movie is mostly concerned with pointing at horror tropes and satirizing them, they of course also have to indulge in them a bit, creating some genuinely suspenseful and gruesome scenes that add to the overall experience quite well. There is also a good amount of humor strewn throughout the movie, and it made me laugh… ’tis very funny.

This movie has been quite well received. On Rotten Tomatoes it has a 91% positive rating and and fresh certification. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 7,0/10.

“The Cabin in the Woods” is fucking rad. It has a great plot, good characters, great performances, great music, and great writing/directing. Time for my final score. *BOO*. My final score for “The Cabin in the Woods” is a 9,89/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “The Cabin in the Woods” is now completed.

Hell yeah.

Movie Review: Vampire Hunter D: Bloodlust (2001)

Well this is a first for the Month of Spooks… animation. So here we go.

Ladies and gentlemen… “Vampire Hunter D: Bloodlust”.

When a girl (Wendee Lee) is kidnapped by a vampire, her family hires a legendary bounty hunter (Andrew Phlipot) to get her back. The setup is an old school one, but the way they handle it feels fresh. For one, it’s set in the distant future… but it also looks like the old west. This blend of different styles makes for a fun and unique universe. But it’s not just the world building that works about this movie. “Bloodlust” really takes time to weave a surprising amount of nuance throughout, making me really care about what really happens throughout the story, be it larger, epic moments or smaller, intimate drama.

Like with story before them, the characters in this movie have a bit more nuance than expected. At first they can seem like stereotypes. Broody, stern, Hannibal from “A-Team”, asshat. But if one sticks around, the characters get fleshed out quite a bit, making them a hell of a lot more compelling. First up we have D(E,F,G), the titular character at the center of the story. He’s the broody fucker I mentioned before… but he’s also a compassionate, strong-willed, and endearing guy who works to stay on the side of good. And I think Andrew Philpot does a great job with the voice work. Next we have Leila (cue Derek and the Dominos), another bounty hunter searching for the kidnapped girl. Tough, determined, stern, and also has a good heart. And she grows quite a fun rapport with D. She’s voiced by Pamela Adlon, who I think does a damn fine job with it. Wendee Lee does a good job as the kidnapped girl, who we meet multiple times throughout. And the vampire that did said kidnapping, played wonderfully by John Rafter Lee, is quite an interesting antagonist. Again, all the characters are pretty interesting. And the supporting cast is great.

The score for the movie was composed by Marco D’Ambrosio, who did a wonderful job with it. It’s moody and atmospheric, but also big and epic, as well as emotionally charged. It perfectly helps create the vibe the movie is going for, which is has a familiar sense of gothic brood, while still feeling fresh and unique for this movie.

Based on a manga series by Hideyuki Kikuchi, “Bloodlust” was directed by Yoshiaki Kawajiri, who I think did a wonderful job with it. His direction manages to keep the energy and pacing up throughout, without making it feel like he’s rushing things. He will let quiet moments simmer a bit, but without accidentally slipping into boredom. And holy fucking shit, the animation is stunning, which shouldn’t be a surprise considering the fact that Madhouse was the studio behind it (they make well animated stuff, yo). Combining Kawajiri’s meticulous direction with the animation talents at Madhouse was clever, as it makes for not only some gorgeously detailed wide shots, but also some insanely entertaining action scenes. It also makes it so the few pure horror bits we get become genuinely creepy. So well done, crew.

This movie has been generally well received. On Rotten Tomatoes it has a 72% positive rating. On Metacritic it has a score of 62/100. And on imdb.com it has a score of 7,7/10.

“Vampire Hunter D: Bloodlust” isn’t just a highly entertaining vampire action movie, but it’s also a surprisingly nuance movie that subverts a fair bit of expectations. It has a really good plot, great characters, great performances, great music, and great directing/animation. Time for my final score. *AHEM*. My final score for “Vampire Hunter D: Bloodlust” is a 9,67/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Vampire Hunter D: Bloodlust” is now completed.

Any time you have a character with single-letter names, I just wanna continue the alphabet after referring to them.
“So what’s the character’s name?”
“D”
“Interesting”
“E, F, G, H, I… “

Movie Review: Evil Dead 2 (1987)

Going a bit more old school with today’s Month of Spooks entry. So here we go.

Ladies and gentlemen… “Evil Dead 2”.

After being the only survivor of an attack by a demonic force, Ash Williams (Bruce Campbell) runs into some strangers. And he has to team up with them to try to survive an absolute fucking onslaught of demons. So now we have our sequel/soft reboot. And fuck me, it’s good. Sure, the plot doesn’t do anything too major in terms of advancing storytelling techniques, but it instead presents some basic ideas and executes them in a way that is both scary and overall really entertaining. It manages to both be suspenseful horror and campy, fun popcorn entertainment.

The characters in this are colorful and entertaining. Bruce Campbell plays Ash Williams, sole survivor and overall main protagonist. He goes through a bit of a surprising arc here, which involves his psyche kinda getting broken by all the batshit insane/horrific things happening to him, and I really found myself caring for him. And Campbell is great in the role. We also get supporting work from people like Sarah Berry, Dan Hicks, Kassie Wesley DePaiva, and Ted Raimi, and they all do very well in their respective roles.

The score for the movie was composed by Joseph LoDuca, and it was good. Like the story, it kind of mixes more suspenseful pieces with more fun, slightly campy tracks, and this blend makes for an enjoyable score that fits the overall mood of the movie. Yeah. Not much else to say there.

“Evil Dead 2” was written by Sam Raimi and Scott Spiegel, with Raimi handling direction. And Raimi has such a good grasp of how to create a compelling atmosphere, right from scene one I was invested in what was going on, thanks to Raimi’s direction, which manages to create slowly seeping chills while still being highly energetic and fun. I mean, his direction is largely why the first 25-ish minutes genuinely scared me. I also have to give a lot of cred to the team that created the various effects throughout the movie, because they were fucking spectacular. Puppets, makeup, prosthetics, stop motion, liquids… it all looks great, and adds so much to the experience. What is also interesting is that there’s a decent amount of comedy throughout this movie, and that all of it is quite funny, and luckily never clashes with the more horrific elements of the movie.

This movie has been generally well received. On Rotten Tomatoes it has a 98% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 7,8/10.

“Evil Dead 2” is an absolute blast. It has a really solid plot, good characters, great performances, good music, great writing/directing, fantastic practical effects, and funny comedy. Time for my final score. *Ahem*. My final score for “Evil Dead 2” is a 9,87/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Evil Dead 2” is now completed.

Groovy.

Movie Review: The Invitation (2016)

Every year for the past few years, as we get closer to October (AKA the Month of Spooks), people keep recommending this fucking movie. So there, I finally got around to it. YOU HAPPY NOW?

Ladies and gentlemen, thanks for accepting… “The Invitation”.

On a night like any other, Will (Logan Marshall-Green) gets invited to a nice dinner at his ex-wife’s home. And as the night goes on, old memories keep coming back, all the while Will suspects that something might be going on. So now we have our story, and I think it’s an interesting one. What we have here is partly a character-driven drama, and partly a bit of a psychological thriller, and the blend makes for an utterly compelling and unpredictable experience that kept me on the edge of my seat from scene one. It is quite a slow burn, which might turn some viewers off, but for me it just added to the overall experience.

The characters in this are flawed, nuanced, and overall interesting. And I won’t go through them all, as that might ruin some of the reveals or interesting moments with them in case you’ll watch it. But the cast features people like Logan Marshall-Green, Tammy Blanchard, Emayatzy Corinealdi, Michelle Krusiec, Mike Doyle, Jordi Vilasuso, Michiel Huisman, John Carroll Lynch, and they all are great in their respective roles.

The score for the movie was composed by Theodore Shapiro, and I thought it was good. It is this low, almost droning score that creates a bit of an uncomfortable tension in some scenes, and adds emotional weight to others. It isn’t one I’m gonna find myself listening to in my spare time, but I thought it worked quite well for this movie.

“The Invitation” was directed by Karyn Kusama, and I think she did a fantastic job with it. She has a way of staying intimate to the main character while still encompassing everything going on around. To call the direction tight and focused would be underselling it. This is complemented by the outright stunning cinematography by Bobby Shore, which gives the movie an almost dreamlike vibe at times.

This movie has been generally well received. On Rotten Tomatoes it has an 88% positive rating and a “Fresh” certification. On Metacritic it has a score of 74/100. And on imdb.com it has a score of 6,6/10.

I can see now why people kept recommending me to watch “The Invitation”, because it’s fucking great. It has a great plot, really good characters, great performances, really good music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “The Invitation” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “The Invitation” is now completed.

Maybe it’s a good thing that I don’t get invited to a lot of stuff.

Movie Review: Candyman (1992)

Time for some more spookums for the Month of Spooks. So let’s stop standing around and get into it.

Ladies and gents… “Candyman”.

Grad student Helen Lyle (Virginia Madsen) is working on a thesis about a local spooky legend known as the Candyman (Tony Todd). And as she investigates this legend, she soon comes face-to-face with the titular myth. So now we have a psychological thriller/procedural. And I’m gonna be frank with you guys, I really liked the story told here. For something that can be technically considered a slasher, there’s a surprising amount of nuance to the story, putting doubt in your mind about certain story elements, making the viewer feel uneasy about the things going on. Despite a relatively short runtime, it took its time to tell this chilling and surprisingly nuanced narrative. That’s not to say that there aren’t thrills, ’cause there are. But the story here isn’t just some thinly veiled excuse for gory slicing and dicing a la Jason Voorhees. The story here has an actual purpose, and I was pleasantly surprised by it.

The characters in this are, like the story, surprisingly nuanced and engaging. Virginia Madsen plays Helen, the grad student investigating the local legend. She’s a bit of a skeptic, so when she starts coming face-to-face with some of the strange things she doesn’t fully believe in, she starts going through a bit of a fascinating arc. And Madsen is fantastic in the role. Next we have Tony Todd as the titular legend. I won’t go into too much detail in case you haven’t seen it but want to. But let’s just say that he’s one of the more intriguing horror antagonists out there. And Todd is great in the role (and what a cool voice he has!). We also get supporting work from people like Xavier Berkeley, Kasi Lemmons, DeJuan Guy, Vanessa Williams, and more, all doing very well in their respective roles.

The score for “Candyman” was composed by Philip Glass, and I think it’s pretty spectacular. Sure, the opening track has some minor things that I’m not a huge fan of. But other than that, this score is wonderful. It’s eerie, yet mournful. Haunting, yet sad. Like with the things we talked about earlier, there’s a surprising amount of nuance to it, and especially with the main theme, which is one of the most stunning that I’ve ever heard.

Loosely based on a short story by Clive Barker, the movie was written and directed by Bernard Rose. And I think he did a great job with it. Yes, there are jump scares, and yes there is gore. But he still has a direction that generally relies more on a subtle creep-factor rather than constant thrills, which adds to the overall experience. There’s even a lot of fun camerawork throughout, which helps add a bit of extra energy to proceedings, and not just have it be a slightly boring, static shot of something happening.

This movie has been pretty well received. On Rotten Tomatoes it has a 74% positive rating. Roger Ebert gave it 3/4 stars. And on imdb.com it has a score of 6,6/10.

I was pleasantly surprised by “Candyman”, it’s a surprisingly nuanced little horror movie. It has a really good plot, really good characters, great performances, fantastic music, and great writing/directing. Time for my final score. *AHEM*. My final score for “Candyman” is a 9,78/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Candyman” is now completed.

Wait, how many times did I say his name in this review? 1, 2, 3, 4, fuck.

Movie Review: Ad Astra (2019)

Space, the final frontie- Hold on, this isn’t “Star Trek”. This is something else… so let’s talk about it.

Ladies and gentlemen… “Ad Astra”.

Astronaut Roy McBride (Brad Pitt) must go on a potentially dangerous mission across the stars to try to uncover the truth behind what happened to his space-traveling father many years ago. And before you get too many assumptions, I have to tell you that this isn’t really that kind of space adventure. Don’t expect “Star Wars”. This is a slowly burning character study that will test the patience of some viewers. That’s not to say that there aren’t exciting bits in this movie, there are. But the more action-packed stuff is less of a priority here, making way for the slow burn drama. And I found it quite engaging. It’s not my favorite space drama, that crown still goes to “Moon”, but I still thought the plot of “Ad Astra” was very good.

There’s really only one character worth talking about here, and that is Roy McBride, played by Brad Pitt. He’s shut off his emotional as a response of something that happened in his past. Which makes him a very reserved individual, not letting a lot of people in. And he goes through quite an interesting arc in this movie, making him quite a nuanced character. And Pitt is fantastic in the role. Yes, it’s a very subdued performance, but you can read so much just from eyes. And there are some damn solid supporting players here too.

The score for the movie was composed by Max Richter, and my god, it was fantastic. It often has a very dreamlike quality that perfectly complements Roy’s personal solitude, in combination with the desolation that we call space. Synths, strings, some piano, these are just some of the elements that get blended quite wonderfully to create the mesmerizing score.

“Ad Astra” was written by James Gray and Ethan Gross, with Gray handling direction. Gray’s direction manages to be both sweeping and intimate, really giving us some impressive vistas in combination with the tightness to Pitt’s McBride. His direction manages to generate a decent bit of emotion, making me care. Then it also builds some pretty good suspense in parts. And let’s talk about Hoyte van Hoytema’s cinematography, which is some of the most stunning I have ever seen, taking my breath away at many points. Seriously, the craft in this movie is meticulous.

This movie just came out, so scores may change. But so far it has been quite well received. On Rotten Tomatoes it has an 81% positive rating. On Metacritic it has a score of 80/100. And on imdb.com it has a score of 7,3/10.

“Ad Astra” isn’t for everyone… but I thought it was great. It has a really good plot, a really good central character, great performances, fantastic music, and great writing/directing/cinematography. Time for my final score. *AHEM*. My final score for “Ad Astra” is a 9,62/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Ad Astra” is now completed.

Ad Astra is about Brad Astra seeking his Dad Astra. The movie’s not Bad Astra, in fact it’s quite Rad Astra, which makes me very Glad Astra. 

Movie Review: Goodfellas (1990)

Yes, you got that right. I only now got to this “must watch” piece of cinema. Shut up.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gents… “Goodfellas”.

As far back as he could remember, Henry Hill (Ray Liotta) always wanted to be a gangster *brass music plays*. And throughout the movie we follow his rise within the mob, giving us all the ups and downs. And yes, we’ve seen this kind of shit in a bunch of movies before. But I don’t think I’ve seen it done this well before. The movie is two hours and twenty minutes long, but you never feel that runtime thanks to writing that is equal parts dramatically compelling and pure entertainment value. It crackles along at a good pace, while still presenting us with situations that last with the viewers, even after the credits have rolled. It doesn’t do the slow, methodical approach that “The Godfather” used, instead opting for a more popcorn-friendly style still rises above most basic gangster stories.

The characters in this are flawed, nuanced, colorful, entertaining, and just overall really interesting. Ray Liotta plays Henry Hill, the man at the center of the story with dreams of being the next big gangster. His journey from small time crook to where he eventually ends up is quite fascinating, and he’s one of the most compelling protagonists I’ve had the pleasure of following in anything I’ve watched recently. And Liotta is great in the role. Next we have Lorraine Bracco as Karen, Henry’s wife. Seeing her journey alongside Henry is quite interesting, especially since she becomes a bit of a conflicted character that has a really interesting rapport with Henry and his story. And Bracco is great in the role. Next we have Joe Pesci as Tommy, Henry’s friend and a fellow gangster. He’s a very short-tempered guy who makes for a lot of unpredictable scenes, which is all I’ll say about him. And Pesci is great in the role. We also get supporting work from people like Robert De Niro, Paul Sorvino, Frank Sivero, Tony Darrow, and many more, all doing very well in their respective roles.

What’s interesting about the music in “Goodfellas” is that there is no typical score. No composer, no orchestra… jack shit. Instead there’s a lot of licensed music, mostly period accurate rock songs, that get used throughout to help set the mood and tell the story. And god damn it, the use of said songs here is fucking spectacular, partly because there’s a lot of music in there I genuinely like in general, but also because the director (and possibly editor) has a good fucking grasp of how to utilize a song throughout a scene.

Based on a book called “Wiseguy” by Nicholas Pileggi, the movie was co-written by Pileggi and Martin Scorsese, with Scorsese of course handling direction. And really, what else can I say that hasn’t been said before? This shit is immaculate. The blend of the writing and directing here creates a crackling energy that makes it an absolute blast to watch. Never does it feel dull. There are a few moments where it risks slipping into it, but then it picks up again, like a shot of adrenaline straight to the heart.

This movie has been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” ceritifcation. On Metacritic it has a score of 89/100. And on imdb.com it has a score of 8,7/10 and is ranked #18 on the “Top 250” list. The movie won 1 Oscar in the category of Best supporting actor (Pesci). It was also nominated for an additional 5 Oscars in the categories of Best picture, Best supporting actress (Bracco), Best director, Best adapted screenplay, and Best film editing.

I don’t think I’m bringing anything new to the table when I say that “Goodfellas” is fucking rad. It has a great plot, great characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Goodfellas” is a 9,88/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Goodfellas” is now completed.

I see why people like this so much.

Series Review: Line of Duty – Season 5 (2019)

During the first quarter of this year, I started getting into this show thanks to recommendations from friends (some of you might remember all the reviews I posted). And now the fifth season has come to a close, after finally premiering a few weeks ago. So let’s talk about it.

Ladies and gentlemen… “Line of Duty” season 5!

After a secret police transport carrying very valuable amounts of contraband is hijacked, it is suspected that the capers had help from the inside. So it’s up to Arnott (Martin Compston), Fleming (Vicky McClure), and the rest of AC-12 to investigate this case, leading them down one of their most complicated and dangerous cases yet. So now we have our “Line of Duty” continuation. As per usual, it gives us a new situation to follow while also building on the overall mythos of the show. And like with previous seasons, this makes for some truly anxiety-inducing television that electrifies from start to finish. I’d even argue that this is the most suspenseful and unpredictable of the seasons, especially since it really starts toying with our beloved leads in ways that we haven’t really seen before. And while the show has put me on the edge of my seat before, it’s never made me feel this glued to the proceedings. So I’d argue the story/events of this season is some of the best yet.

The characters here are nuanced, flawed, unique, and just overall incredibly interesting. Martin Compston and Vicky McClure returns as Steve Arnott and Kate Fleming, our two main leads for the show, and they’re just as interesting as ever, both in investigating the case and also in some of their personal stuff. And both actors are once again great. Adrian Dunbar returns as Ted Hastings, head of AC-12, who deals with a lot more personal turmoil than usual, which really gives him a lot of new and intriguing development that we only caught glimpses of before, making him a real standout this season. And Dunbar is great in the role. New to the show this season is Stephen Graham, who plays John, the apparent leader of the gang that stole the contraband. He’s tough, ruthless, but there’s also a humanity behind his eyes that makes him a bit more compelling than your common thug. And the stuff they do with him this season is great. And Graham is fantastic in the role. We also get supporting work from people like Taj Atwal, Tomi May, Rochenda Sandall, Anna Maxwell Martin, Polly Walker, and more, all doing very well in their respective roles.

As with previous season, the music here was composed by Carly Paradis, who absolutely outdid herself. She’s come a long way from the slightly overbearing tunes of the first season, to the stuff we got here. There are layers, to her music, and it’s often subtly helping build the emotion of the scenes, making for a really nuanced and kinda beautiful score. It’s the best music we’ve gotten out of the show.

As with the previous seasons, all episodes this season were written by series creator Jed Mercurio, and directing by John Strickland (episodes 1 – 4) and Susan Tully (episode 5 & 6). And the craft on display is as tight as one expects from “Line of Duty” at this point. This show is no stranger to suspense, but the way it managed to make me clench every part of my body this season is quite unparalleled. Even in some of the more “quiet” conversation or interrogation scenes it is some of the most electrifying direction I’ve seen in a tv show.

This show/season has been very well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 8,6/10 and is ranked #137 on the “Top 250 TV” list.

I’m gonna be honest, season 5 of “Line of Duty” is my favorite season of the show so far, it’s fucking perfect. It has a fantastic plot, great characters, fantastic performances, great music, and fantastic writing/directing. Time for my final score. *AHEM*. My final score for “Line of Duty” season 5 is a 10/10. So it of course gets a “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 5 is now completed.

God damn, I adore this show.

Series Review: Twin Peaks – Season 1 (1990)

Time to finally start clearing this thing from the watchlist.

Ladies and gentlemen… “Twin Peaks” season 1!

When a young woman is found murdered in the quiet mountain town of Twin Peaks, an FBI agent (Kyle MacLachlan) is called in to try to find out what happened. And as we follow Agent Cooper’s investigation, we find out about the cheating, double-crossing, and other idiosyncrasies going on in the town.  So now we have our little crime series. Now, at first it seems like a relatively average crime story, if a bit quirky. But it doesn’t take long for “Twin Peaks” to show that it doesn’t play by the book too much, blending a whole bunch of genres at once. Now, in a lot of cases (pun intended), switching between different genres like this show does can end up quite poorly. But thanks to the unique atmosphere and writing style of the show, the blend of crime, melodrama, comedy, and mild psychedelia works quite well to give us one of the most uniquely enjoyable plots in a season of television.

The characters in this are quirky, fun, colorful, nuanced, and overall quite interesting. Kyle MacLachlan plays Dale Cooper, the FBI agent brought in to help investigate the murder of Laura Palmer (Sheryl Lee). He’s a highly skilled agent, being able to figure things out about people by simple body language. He’s also quite a charming dude, being one of the most instantly likable characters I’ve had the pleasure of seeing. And MacLachlan is great in the role. I would describe more characters, but with their unique nature, I’d rather not, as they’re all best left experienced. But the supporting cast does include people like Michael Ontkean, Mädchen Amick, Dana Ashbrook, Richard Beymer, Lara Flynn Boyle, Ray Wise, Sherilyn Fenn, Peggy Lipton, Joan Chen, Michael Horse, and more, all doing very well in their respective roles.

The score for the series was composed by Angelo Badalamenti, and I think he did a really good job with it. It’s moody, suspenseful, emotional, a little meldoramatic, and even at times kinda fucking groovy. Most tracks get reused quite often, which could get old after a while, but the way these tracks are implemented throughout the show makes the recycling work quite well.

“Twin Peaks” was created by Mark Frost and David Lynch, with writing and directing by them and a bunch of other cool people. And they manage to create such a unique vibe for the show through these elements. Eerie, warm, fascinating, and even mildly surreal, there’s something about the style that makes it stand out, turning it into quite the intoxicating experience.

This show/season has been well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 96/100.  And on imdb.com it has a score of 8.8/10 and is ranked #54 on the “Top 250 TV” list.

Season 1 of “Twin Peaks” is pretty fucking good. It has a really good plot, great characters, great performances, really good music, and great writing/directing. Time for my final score. *AHEM*. My final score for “Twin Peaks” season is a 9,82/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Twin Peaks” season 1 is now completed.

Agent Cooper, a man after my own heart.