Series Review: Yellowstone – Season 2 (2019)

Earlier this year, I reviewed the first season of this show. And now the second one has come to an end over here. So I guess that means I should talk about it. So here we go.

Ladies and gents… “Yellowstone” season 2.

We once again follow rancher John Dutton (Kevin Costner) as he tries to protect his land from opposing forces, new and old. All the while his three kids (Luke Grimes, Kelly Reilly, Wes Bentley) deal with a lot of personal issues of their own, while there’s also stuff going on with the people working for John. So now we have a more “Yellowstone”… in all the ways that entails. On one hand you do get a lot of that epic crime-drama that the show mostly sells itself on, and that shit is insanely compelling, always riding a line of grey morality perfectly, giving us some truly great tv at times. Buuuuuut then it also wallows a bit in family melodrama. At times that stuff doesn’t bother me, as there are points when it’s decently well handled. But then there are times when it sort of just drags the show down, and makes it kinda boring at times. I don’t need the crime-drama stuff all the time, but the family drama here isn’t always that great. So overall the story is pretty good. Flawed, but solid.

The characters here are flawed, layered, and quite interesting. Kevin Costner returns as John Dutton, the aging patriarch of this family. He has to come to terms with his own age a bit this season, at the same time as all this crazy shit happens around him, and it’s pretty interesting. And Costner is once again really good in the role. Luke Grimes returns as John’s son Kayce, a father who has to deal with some issues with his wife and son, while also having to manage his new role at his father’s ranch. And while I had slightly mixed feelings about him last season, he kinda grew to become my favorite this time around. And Grimes is really good in the role. Kelly Reilly returns as Beth, John’s take-no-nonsense daughter who often acts as a bit of a wild card, even if she is a bit more restrained this time around due to development from last season. And once again, she’s an interesting character, with Reilly giving a great performance. Wes Bentley plays Jamie, John’s lawyer son, and holy shit, he gets some actual development this season. They made Jamie interesting! And Bentley is great in the role, even if he still constantly scowls like someone shat in his backyard. Cole Hauser returns as Rip, the ranch hand/resident tough guy, and he’s once again great in the role. The stuff with returning antagonists Danny Huston and Gil Birminham is still solid. And new antagonist Neal McDonough, he’s pretty good. We of course also get supporting performances from people like Kelsey Asbille, Brecken Merrill, Jefferson White, Forrie J. Smith, Hugh Dillon, Ryan Bingham, and more, all doing very well in their respective roles.

As with season 1, the score for season 2 of “Yellowstone” was composed by Brian Tyler. And it was once again good. Tense, emotional, and fitting of the semi-western tone that the show goes for. It’s solid stuff that fits the various scenes it’s used in.  There’s of course also a lot of licensed music used throughout (especially from the band Whiskey Myers). And that music works well enough for the respective scenes they get used in.

The show was created by Taylor Sheridan and John Linson, with Sheridan staying on as writer for all the episodes, but let a bunch of other cool people handle directing. And the craft on display here is generally good. A lot of nice looking shots of the sweeping vistas, some decent looking shots for smaller moments. The directing often elevates the material here, which is what makes some of those melodramatic scenes I mentioned earlier a bit more tolerable. And the direction also helps make some scenes quite suspenseful when needed. ’tis a solidly crafted show.

This show/season has been decently well received. On Rotten Tomatoes it has an 88% positive rating. On Metacritic it exists, but has no overall score. And on imdb.com it has a score of 8,4/10.

Season 2 of “Yellowstone” reaches some great heights, but wallows enough in some melodramatic lows to still bring it down overall. It has a pretty good plot, really good characters, great performances, good music, and really good writing/directing. Time for my final score. *Ahem*. My final score for season 2 of “Yellowstone” is an 8,52/10. So while not perfect, it’s still certainly worth a watch.

My review of “Yellowstone” season 2 is now completed.

Cooooooostneeeeeer.

Series Review: Mayans M.C. – Season 2 (2019)

That’s right, two posts in one day. A rare occurrence here. But today it happens. Now either this is a blessing or a pain, depending on your point of view. Either way, let’s talk about Hispanic bikers.

Ladies and gentlemen… “Mayans M.C.” season 2.

Set several months after the first season, as EZ Reyes (JD Pardo) has a lot of problems to balance. From familial tensions, to problems hitting the club, to the constant antagonistic pressure from federal prosecutor Lincoln Potter (Ray McKinnon). Secrets are discovered, drama occurs, it’s more “Mayans”. And I thought the plot here was great. There’s a lot of threads going on here, but they never feel like a fucking mess. And seeing it all unfold is quite engaging. Sure, some of its social commentary (while being shit I agree with) can be a bit on the ham-fisted side at times, but it never full on detracts from the overall storytelling of the show.

The characters here are flawed, layered, and overall quite interesting. JD Pardo returns as EZ Reyes, prospect within the Mayans M.C. He deals with a lot of personal shit this season around, after a revelation at the end of the first season. And combining that with some of the stuff happening this season makes for a compelling arc. And Pardo is once really good in the role. Clayton Cardenas returns as his brother, Angel, and he also has a great arc here, with Cardenas giving a great performance. Sarah Bolger returns as Emily, former love of EZ, current love of gangster Miguel Galindo. She’s got a lot going on too. And Bolger is really good in the role. And with supporting work from people like Ray McKinnon, Michael Irby, Danny Pino, Edward James Olmos, Carla Baratta, Richard Cabral, Emilio Rivera, Ada Maris, and many more, you get some damn fine performances rounding out the cast.

Just like with season 1, the score for season 2 was composed by Bob Thiele Jr, and once again it’s great. A lot of guitars, some others strings, overall it manages to create a sound that honor some of the Mexican culture, while also capturing the feel of a gritty biker drama. There’s also plenty of licensed music used throughout, and it all fits very well, while also just in general being pleasing to my ear.

The show was created by Elgin James and Kurt Sutter, with writing and directing by both of them, along with a bunch of other cool people. And the craft here is top notch. There’s a strong vision for how they want the episodes to flow, which comes through both in writing and in camerawork. Season 1 was a strong, decently confident start. Here in season 2, their confidence is clearly a lot higher, which makes their craft feel even stronger. These guys know what the fuck they’re doing, and the way it comes through in the show makes it such a standout in today’s tv.

This season/has show has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it exists, but has no score. And on imdb.com it has a score of 7,5/10.

Season 2 of “Mayans M.C.” improves on what was set up in the first season, even if some of its social commentary can be slightly clumsy at times. It has a great plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Mayans M.C.” season 2 is a 9,50/10. So while it borders on a lower rating, it still gets the “SEAL OF APPROVAL!”.

My review of “Mayans M.C.” season is now completed.

’cause a beaten dog never forgets.

Series Review: Fortitude – Season 2 (2017)

And so we’re here, the final post for the Month of Spooks. And it’s a follow-up to a post I did last year, where I talked about the first season of this show. So here we go.

Ladies and gentlemen… “Fortitude” season 2.

Set some time after the events of season 1, we return to the remote Scandinavian town of Fortitude. And once again, strange things start happening after a body is discovered. So now we have our Arctic antics. And I like the plot here, probably more than the first season. It’s a slow burn mystery-thriller that dips its toe into some macabre themes and scenarios, while still taking the time to make me care about most of the characters, really adding layers to it all that maybe weren’t as strong the first time around. Though while it is an overall stronger story for me with a bit more intrigue and experimentation, it does still have some flaws. While I do love a slow burn, there are some moments here where the pacing outright drags, which of course makes it a little more of a pain to watch. And the ending is a bit… flaccid. Yes, I know there’s a third season, but I feel like the ending here is a bit too sequel-baity, for lack of a better word. But despite these flaws, I still found the story here to be pretty damn solid.

The characters in this are flawed, layered, and overall quite engaging. Most of the cast from season 1, including Richard Dormer, Sienna Guillory, Luke Treadaway, Björn Hlynur Haraldsson, , Mia Jexen, Sofie Gråbøl, Alexandra Moen, and more, with their characters getting extra depth, will all those actors firing on all cylinders. Now, for newcomer we have Dennis Quaid (pictured at the top), who plays Michael Lennox, a fisherman who gets involved in the strange shit going on in and around Fortitude. The character is given decent depth, as we learn some interesting stuff about his home life, at the same time as he evolves from the events in the story. And Quaid is pretty good in the role. ’tis a solid cast.

Ben Frost, who did the score for season, returned to do the music this time around too, and I think he really outdid himself. His score here is fucking spectacular, managing to perfectly capture every emotion possible, while still being an overall fitting score for the frozen shithole that is Fortitude. Yes, there are moments where the score lowers itself to some generic horror stings. But when it’s not doing that, it is absolutely fantastic. And the occasional licensed tracks used throughout work pretty well too.

The show was created by Simon Donald, who along with a bunch of other people, wrote the episodes this season, with some other cool people directing. And the craft behind this season is fucking emaculate. The direction manages to create an interesting sense of unease throughout that really makes it a bit more unsettling. And my god, the cinematography this season is absolutely amazing. And I don’t just mean the shots of the frozen vistas around Fortitude, but even a lot of shots indoors look great too. And the effects here are great too, featuring some really impressive practical gore effects, which kinda got under my skin.

This show/season has been pretty well received. On Rotten Tomatoes it has a 91% positive rating. On Metacritic it exists without a score. And on imdb.com it has a score of 7,4/10.

Season 2 of “Fortitude” takes what was good about the first season and takes it up to 11, though it is brought down by some pacing issues and a less than satisfying ending. It has a really good plot, good characters, fantastic performances, fantastic music, and fantastic directing/cinematography/effects. Time for my final score. *Ahem*. My final score for season 2 of “Fortitude” is an 8,96/10. So while flawed, it’s definitely still worth a watch.

My review of “Fortitude” season 2 is now completed.

So this is it, huh? Well, it’s been a blast doing Month of Spooks.

Series Review: Barry – Season 2 (2019)

Reviewed season 1 a few weeks back (ahem ahem). So it’s reasonable to think that I should tackle the second season now that it too has come to a close. Well, here we go.

Ladies and gentlemen… “Barry” season 2.

Set a few weeks after the events of the first season, we follow Barry (Bill Hader) as he tries to get on with his life as an aspiring actor, while the consequences of his previous actions start creeping up to haunt him. Season 1 took a concept that I wasn’t entirely sure about and managed to make something great out of it. So how would they follow that up? By upping their game tenfold. That’s right, the second season of “Barry” manages to take the dark, yet somewhat quirky ideas of the first season and elevate them in ways I didn’t think possible. It manages to be fun, heartbreaking, suspenseful, exciting, and just overall a damn concise season of television. Great stuff.

The characters in this are layered, flawed, colorful, fun, and overall just really interesting. Bill Hader of course returns as the titular hitman-turned-actor. In this season we get to see a lot of his old demons come up. Combined with a lot of his more current issues, and it gives him a lot of really engaging character development. And Hader is fantastic in the role. Sarah Goldberg returns as Sally, Barry’s girlfriend and acting partner. She goes through a bit of personal conflict throughout the season, and it’s quite engaging. And Goldberg is great in the role. And we get supporting work from people like Henry Winkler, Stephen Root, Anthony Carrigan, John Pirrucello, Michael Irby, Patricia Fa’asua, Daniel Bernhardt, and more, all doing very well in their respective roles.

As with season 1, the music was composed by David Wingo, and it’s great. Suspense-building, emotional, dramatic, and just overall well composed, working well for the various scenes it’s found in. There’s also the occasional licensed track here and there, and they work alright in their respective scenes.

The show was created by Alec Berg and Bill Hader, with those two writing most of the episodes. And the craft here is pretty spectacular. Not only did they up their game in terms of storytelling, but they also went all in when it came to direction and cinematography as well. The first season wasn’t bad in that regard, but there’s a notable leap here, created a visually arresting show that also keeps the viewer on edge throughout most of the runtime.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8,2/10.

Season 1 of “Barry” was great. And somehow, season 2 is even better. It has a great plot, great characters, great performances, really good music, and great writing/directing/cinematography. Time for my final score. *Ahem*. My final score for season 2 of “Barry” is a 9,94/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Barry” season 2 is now completed.

Crazy motherfuckers somehow did it.

Series Review: Line of Duty – Season 2 (2014)

Season 1 got reviewed a few weeks back. Time to finally talk about season 2.

Ladies and gentlemen… “Line of Duty” season 2!

When a super secret police convoy get attacked by some masked assailants, Arnott (Martin Compston), Hastings (Adrian Dunbar), and the rest of AC-12 have to look into the possibility of someone within the police leaking the convoy’s route. So now we have our plot set up. And while there was nothing wrong with the first season’s plot, it is nowhere as layered, unpredictable, and electrifying as what they got going on here in the sophomore outing. In the first season they were trying to find the show’s voice, but here in season 2 they found it, and they had a lot of confidence in the storytelling. The way it engages through clever drama and really tight suspense makes for one of the best seasons of television I’ve seen in quite some time.

The characters in this are flawed, layered, and really interesting. Martin Compston returns as Steve Arnott, the young-ish man working with AC-12 to stop corruption. He is given a good amount of development here, making him even more interesting than he was in the first season, while still keeping the determined nature that made him so engaging to begin with. And Compston is great in the role. Vicky McClure returns as Kate Fleming, AC-12’s resident undercover officer. She gets development here through something in the case that I won’t spoil, but it’s an interesting touch. And McClure is great in the role. Adrian Dunbar returns as Ted Hastings, the likable boss of AC-12. He has some personal problems that he deals with while also trying to be involved in the case, which is quite interesting to see. And Dunbar is really good in the role. We also get Keeley Hawes as Lindsay Denton, a woman/member of the police who is one of the prime suspects of the case, and they do some really interesting stuff with her character throughout the season. And Hawes is great in the role. We also get supporting work from people like Craig Parkinson, Mark Bonnar, Tony Pitts, Sacha Dhawan, and more, all doing very well in their respective roles.

As with the first season, the score for this was composed by Carly Paradis, and I think that it’s an improvement on the first season’s music. It still has a heavy focus in piano and some strings, but what it improves on is subtlety. Sure, the score is noticeable, but compared to the first season, it never gets overbearing at any point, and just ends up being this emotional powerhouse that makes the show even better than it already was.

The show was created by Jed Mercurio, who also wrote all the episodes here, with direction split between Douglas Mackinnon and Daniel Nettheim. And the craft here is even tighter than in the first season, with plenty more “holy shit” moments throughout, which keeps the show energetic and tense, even in the most subtle and quiet of scenes. A lot of cop shows fail in creating genuine suspense, but season 2 of “Line of Duty” never wavers in that regard.

This show/season has been very well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8,6/10 and is ranked #165 on the “Top 250 TV” list.

Season 2 of “Line of Duty” takes what was good about the first season and improves on it in every aspect. It has a great plot, really good characters, great performances, great music, and great writing/directing. Time for my final score. *Ahem*. My final score for “Line of Duty” season 2 is a 9,91/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 2 is now completed.

I can see now why you Brits keep banging on about this show.

Series Review: Castlevania – Season 2 (2018)

I am so excited to write about this. Partly because it’s another Month of Spooks review, and partly because I’ve been looking forward to season 2 of this show for over a year. And now we’re here, ready to talk about it.

Ladies and gentlemen… “Castlevania” season 2!

Picking up very shortly after the end of season 1, we once again follow Trevor Belmont (Richard Armitage) on his quest to find and take down Dracula (Graham McTavish). But this time he’s not alone, as he’s joined on this quest by sorceress Sypha Belnades (Alejandra Reynoso), as well as Dracula’s own son, Alucard (James Callis). So now we have our vampiric plot. And I thought the plot here was great. The first season already set up a good enough plot/foundation, but it was a bit on the short side with only four episodes. This time we have eight episodes, which means you can let things develop a bit more, which works very well for the show as I found this plot entertaining, compelling, exciting, and just overall really well told. It even managed to tug at my heartstrings a bit. Great stuff.

The characters in this are flawed, layered, really interesting, and also pretty entertaining. First up we have Richard Armitage returning as Trevor Belmont, the last member of the legendary Belmont clan. He’s kind of a sarcastic asshole, but not to a degree where I utterly dislike him, as you can tell that a lot of this comes from his broken life. Also, it’s just entertaining to see him play off of the other characters a bit. And Armitage does a great job with the role. Alejandra Reynoso returns as Sypha, a scholar and sorceress that has joined Trevor on his quest. She’s a tough-as-nails lady that is also smart, charming, and just generally interesting. And despite an accent that is weird and inconsistent, Reynoso does a really good job in the role. Next we have James Callis as Alucard, the half-vampire son of Dracula. He had a good life that then turned to shit after something happened that, and now years later he of course wants to take down his own father. Alucard is a clever, badass, fun, and just overall interesting character that I love seeing at the forefront like this. And Callis is great in the role. And finally have Graham McTavish returning as Dracula, this time having a much more prominent role than in season 1. He’s a tragic figure who has understandable motivations, but extreme methods, and I think he’s one of the most interesting villains in recent years. And McTavish is fantastic in the role. We also get some supporting performances from people like Theo James, Peter Stormare, Adetokumboh M’Cormack, Emily Swallow, Matt Frewer, Jaime Murray, and more, all doing very well in their respective roles.

As with season 1, the score here was composed by Trevor Morris, and it is utterly fantastic. It’s big and bombastic, but it’s also subtle and contemplative. Badass, but also emotional. His score, which utilizes brass, strings, choirs, and sometimes even synth, perfectly fits into each scene and elevates it all to a whole different level.

Based on the classic video game franchise of the same name, and written by Warren Ellis, this might be the most well crafted video game adaptation of all time. It has a lot of fun nods to the games, while still working on its own if you haven’t played them. The animation here is great. The designs look great, and everything just has a crisp quality to them that I like.  And holy shit, the action scenes in this are utterly fantastic, being fast-paced, fun, badass, and brutal as all hell… so much blood. What I was a bit surprised by this season is just how funny it was. Don’t get me wrong, this is not a comedy series in the slightest, but there’s a fair bit of humor spread throughout the season, and I found it all to be really funny without taking away from the darker and more dramatic parts of the show.

The season just came out, and doesn’t have so much data on my usual sites. It exists on both Rotten Tomatoes and Metacritic, but has no score as of writing this review. But on imdb.com it has a score of 8,0/10.

Season 2 of “Castlevania” takes what was good about the first season and ramps it up to fucking 11. It has a great plot, really good characters, great performances, fantastic music, and fantastic writing/directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 2 is a 9,90/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 2 is now completed.

Best video game adaptation ever? Damn right, it is.

Series Review: Legion – Season 2 (2018)

Another year(ish) has passed, the season has wrapped up (in the US and here in Sweden at least), so now I can finally talk about the insanity that is “Legion” once again. If you haven’t seen the show or know nothing about it, go read my season 1 review, then go watch the show. This is not the jumping-on point.

Ladies and gents… “Legion” season 2.

Set a year after the first season, David (Dan Stevens) finds himself having to work with both his friends and an old foe to stop Farouk (Navid Negahban) from finding his old body, which would give him a lot of power. So the basic idea this season is a bit more straightforward compared to the first, since we know what the general goal of the characters is. Of course, “Legion” being “Legion”, its approach to telling this story isn’t as straightforward and normal as most shows. It’s still filled with weird, trippy shit that may just leave you confused at first, but will make a little bit more sense down the line. But through this strange journey we do get some solid drama, suspense, and intriguing storytelling. Is the narrative as strong as the first season? Not quite. It’s still damn good, but it’s not quite as tight as the first season since it’s trying to branch out into something bigger. The plot here is still damn good though.

The characters in this are weird, unique, colorful, and endlessly interesting. Dan Stevens returns as David, the trouble yet powerful young man at the center of the story. He already got some solid development over the first season’s run, and I’m happy to see that being a thing here as well. The journey we see David go through as a character is really fascinating and it really makes him such a deep and interesting character. And Stevens is once again fantastic in the role. Next we have Rachel Keller back as David’s girlfriend, Syd Barrett (*Insert Pink Floyd song here*). She has an interesting arc here that is based around David’s arc, with his affecting hers (keeping it vague is hard). And it’s interesting. We do also get some good backstory on her. And Keller is great in the role. Next we have Aubrey Plaza once again as Lenny, the mysterious old friend of David’s. Not gonna say anything else about her arc because it’s best left experienced. But it’s great. And Plaza is great. We also of course see the return of Bill Irwin, Amber Midthunder, Jean Smart, Jemaine Clement, Jeremie Harris, and Hamish Linklater, and all are still great in their respective roles. And newcomer Navid Negahban also holds his own as the smooth yet powerful and somewhat intimidating Farouk. Really, it’s a damn great cast.

Jeff Russo returned to do the score for this season, and he once again knocked it out of the park. His score is tense, trippy, surreal, emotional, and just overall works perfectly for the show. There’s also a ton of licensed music used throughout, and all the song work excellently in their respective scenes. The use of music in this show is just phenomenal.

Based on some Marvel comics from Bill Sienkiewicz and Chris Claremont, the show was created by Noah Hawley (who’s still the showrunner). And once again, the creative minds behind this show has crafted something truly unique. Let’s start with the visuals, because that’s what a lot of people will pick up on first. The way the show uses lighting, colors, creative camera angles, effects, and even aspect ratio to create a unique style helps make this show one of the most visually interesting I’ve ever seen. I thought season 1 had some great visuals, but this season brought that stuff to the next level. And the editing (which I almost never talk about) is also sublime. This show just has such a unique style that I’ve never really seen anywhere else.

This show/season has been well received. On Rotten Tomatoes it has a 91% positive rating and a “Fresh” certification. On Metacritic it has a score of 85/100. And on imdb.com it has a score of 8,4/10 and is ranked #225 on the “Top 250 TV” list.

While not quite as amazing as the first season, “Legion” season 2 is still a great season of television. It has a great plot, really good characters, fantastic performances, fantastic music, and great directing/cinematography/effects/other technical things. Time for my final score. *Ahem*. My final score for “Legion” season 2 is a 9,54/10. So it is still worthy of the “SEAL OF APPROVAL!”.

My review of “Legion” season 2 is now completed.

Even if “Legion” would drop a bit in quality, I’d rather take it and its strange and unique kind of storytelling over most shows.

Series Review: Young Justice (2010 – 2013)

I wanna preface this review by saying, I’ve watched this show before. It’s just that after it was announced that it would finally get a third season, I really wanted to talk about this show before the third season was released. So now that I’ve gone through it again (slightly biased), I am ready to talk about it.

Ladies and gentlemen… “Young Justice”!

The story of the show follows the sidekicks of famous DC superheroes as they form their own team (creatively known as “The Team”), and have to learn to come into their own as they face major threats while also learning to work as a team. So now we have our superhero story. And as you probably sort of gathered from some mild clues in the intro, I think the plot here is fantastic. Yes, at first it’s more of a “villain of the week” type format, but there is also an overarching plot involving some shadowy organization that lurks in the background of it all. The story is compelling, because they take their time in setting things up, rather than rushing through them like some would. It’s a layered and nuanced story filled with twists and turns, as well as compelling drama, all without sacrificing the fun superhero part of the plot. It’s a highly creative and engaging plot that I loved following

Like the plot, the characters here have a surprising amount of depth to them. Across the show’s two seasons we see the characters go through some major development that gives them so many layers. In the cast we see characters like Robin (Jesse McCartney) , Kid Flash (Jason Spisak), Aqualad (Khary Payton), Superboy (Nolan North), Artemis (Stephanie Lemelin), and Miss Martian (Danica McKellar) go through a lot of things together, developing their relationships with each other while also growing as individuals. It also helps that the actors for each of the characters do very well in their respective roles, no one felt out of place). And yes, there are more characters in the show than those mentioned, but those are the central ones for the first season, and I don’t wanna say too much since a lot of characters are best left experienced. But I can say that there’s a lot of good main characters in this show, and a lot of great supporting characters and cameos. Great characters, great actors.

The score for the show was composed by DC regulars Kristopher Carter, Lolita Ritmanis, and Michael McCuistion. And I think it’s fantastic. Of course it contains a lot of big and epic tunes for the cool superhero fight scenes as expected, but it does also have some tunes for the quieter moments or when they need something a bit more emotional. All the tracks in this show are well composed, and they fit their respective scenes perfectly.

Based on a shit-ton of characters from DC comics history, this show was created by Greg Weisman & Brandon Vietti (and written by those two and a bunch of other talented people). And what they’ve done is take a lot of well known DC characters and tropes, and created their own, fully realized world, featuring some familiar characters. And the animation here is fantastic, with fluid movements, and plenty of detail throughout. This helps in getting the viewer invested… and also makes action scenes a lot more awesome. Seriously, they’re fantastic.

This show has been well received (though barely exists on my usual sites). On Rotten Tomatoes it exists, but has no rating. On Metacritic it doesn’t exist. And on imdb.com it has a score of 8,7/10 and is ranked #103 on the “Top 250 TV” list.

Did I make this review just so I could talk about “Young Justice”? Yes. But I feel like it’s also worth talking about since it’s such a great show. It has a great plot, great characters, great performances, great music, and great directing/writing/animation. Time for my final score. *Ahem*. My final score for “Young Justice” is a 9,94/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of the first two seasons of “Young Justice” is completed.

I am really excited for season 3, which should be released later this year.

Series Review: Sneaky Pete – Season 2 (2018)

In early 2017 we saw the premiere of “Sneaky Pete”, a new Amazon series. I watched it, and I gave it a very positive review. So now season 2 has been out for a few days and I’ve watched it all. So let’s talk about it and see if it’s any good.

Ladies and gents… “Sneaky Pete”.

When we last saw Marius (Giovanni Ribisi), he found himself in a bit of a pickle. Two intimidating enforcers (Desmond Harrington & Joseph Lyle Taylor) thinking he was another man asked where “his” mother was. Why would they care about someone’s mother? Because she had gotten hold of eleven million dollars that their boss wanted. So we follow Marius as he tries to find this woman and her supposed eleven million. But we also follow the family that he’s snuck his way into as their lives start spiraling out of control as well. So now we have our plot. And while I think the first season had a somewhat more engaging plot, I still think that this season has a really interesting, suspenseful, and fun plot. It has a lot of twists and turns, and they all work quite well for the plot, keeping it all fun, fresh, and fairly unpredictable.

The characters in this are all quite colorful, unique, and interesting. Giovanni Ribisi is back as Marius/Pete, the con man posing as his former cellmate to get in with the cellmate’s estranged family. He’s an incredibly clever, quick-thinking, man who always tries to be one step ahead of everyone. In season 1 he was more of a no-good shyster who was only out for himself, but here in season 2 we see that he’s evolved a bit, like he actually cares for this family. He’s quite an engaging character, and he has a really solid arc this season. And Ribisi is great in the role. Marin Ireland plays Julia, the “cousin” of our main character. She works in a bail bonds office, and has (much due to Marius) gotten herself into some shit. And it’s interesting to see her go through that stuff and see what she does about it. Ireland is damn good in the role. Then we have Margo Martindale as Audrey, the “grandmother” of our main character, and the matriarch of the Bernhardt family. She’s tough, but she’s also a nice old grandmother. And she has one of the most interesting character arcs this season. And Martindale is of course fantastic in the role. Then we have Peter Gerety, Libe Barer, and Shane McRae as three more members of the family. They’ve all great characters with good arcs, but I’m lumping them together because I don’t wanna make this part too long. But I can at least say that they’re all great in the role. We also get a lot more of Ethan Embry as the real Pete this season, and he’s a fun and interesting character to follow. And yeah, Embry is really good in the role. Then you get supporting performances from people like Jacob Pitts, Jay O. Sanders, Justine Cotsonas, Alison Wright, Jennifer Ferrin, Jospeh Lyle Taylor, Desmond Harrington, Jasmine Carmichael, Jane Adams, and many more. And they’re all great.

The score for the show was composed by Nathan Barr, and I think he did a good job. His score isn’t the most standout thing ever, but it gets the job done. It helps create tension, it adds a little extra emotion, and it’s just overall well composed. There are also a whole bunch of licensed tracks used throughout the season, and thye work very well within their respective scenes. And I just wanna add that the show’s theme song, “Harder Out Here” by The Bight Light Social Hour, is such an awesome song.

The show was created by David Shore & Bryan Cranston, but Graham Yost stands as the showrunner. And it was written/directed by a whole bunch of different people. And this is a very well directed show. The direction here is fast-paced and fun, but never to the point of losing and seriousness/tension, because when a scene has to be serious and suspenseful, it fucking nails it. And at times it also has some fun humor in it. It’s not a comedy, but it does implement humor at various points throughout, and it works quite well.

This season/show has been well received. On Rotten Tomatoes it has an 83% positive rating. On Metacritic it has a score of 72/100. And on imdb.com it has a score of 8,3/10.

While I still prefer the first season, season 2 of “Sneaky Pete” is still a great season of crime television. It has a great plot, great characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for season 2 of “Sneaky Pete” is a 9,75/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Sneaky Pete” season 2 is now completed.

Trust in me…

Series Review: Bosch – Season 2 (2016)

A long time ago (October 2015) I reviewed the first season of this show, and I liked it a lot. So naturally I was excited to see a second season… which didn’t air here until this year. And I know that you will mention that I could simply stream it last year on Amazon, but this is a show I watched on TV with my parents, and I didn’t wanna break that for season 2. So I patiently waited and it finally came out here weeks ago. And a day or so ago the season finale aired. So, let’s just get into it and see if this follow-up is any good.

Ladies and gentlemen… “Bosch” season 2.

Detective Harry Bosch (Titus Welliver) is called back into active duty after a six month absence to investigate the murder of a pornographer. And as Harry, with his partner Jerry (Jamie Hector), investigates this case they find that this guy might’ve had ties to the mob. And as the two continue investigating, they find that this case is a lot more complicated than it might’ve seemed at first glance. So now we have our gritty cop drama. And while this season admittedly lacks some of the tense unpredictability of the first, it’s still a well constructed plot filled with twists, turns, engaging drama, and intrigue. In a world filled with cop dramas, “Bosch” and it’s plot stands out.

The characters here are layered, entertaining, and interesting. Titus Welliver returns as Detective Harry Bosch, the eponymous cop with a less than shiny past. He’s not necessarily a “bad” cop, but he is a bit rough around the edges. We get to see a more vulnerable and emotional side to Harry this season as he learns more about what happened to his mother, and also because of some other stuff that I won’t spoil here. But he’s a really interesting character, and Welliver is great in the role. Jamie Hector is back as Jerry Edgar, Bosch’s partner. He’s funny, he’s cool, he’s interesting, and he’s a good counterpoint to Bosch. And Hector is great in the role. Amy Aquino returns as Grace Billets, Bosch’s friend and superior. She’s still the tough yet charming and lovable woman we got to know in season 1. And Aquino is great in the role. Lance Reddick returns as Irvin Irving (actual name), the highly ranked police that Bosch often works for/with. And without saying too much, he goes through a pretty interesting and even emotional arc this season that made me care a bit more for him. And Reddick is great in the role. Then we have Sarah Clarke and Madison Lintz returning as Bosch’s ex-wife and daughter respectively. And they add some interesting dramatic weight to the season that I won’t go into. But both actresses do a really good job here. Now for newer people worth talking about. We get Jeri Ryan as the widow of the dead pornographer. And she’s an interesting character that gets to go through some stuff this season. And Ryan is great in the role. Then we have Brent Sexton as a security guard that Bosch gets to know through the season, and he gets some interesting things to do here. And Sexton is great in the role. Then in a couple more supporting roles throughout we get actors like Robbie Jones, James Ransone, Matthew Lillard, John Marshall Jones, and more… all doing a great fucking job.

Jesse Voccia returned to do the score for this season, and he once again did a great job. The score is tense, exciting, emotional, and just overall works very well for the show in general, at a lot of times elevating certain scenes. Then there are some licensed tracks used throughout and they work pretty well in their respective scenes.

The show was created by Eric Overmyer and Michael Connelly, and is based on Connelly’s book series about Bosch. And it was written/directed by a whole bunch of people. And I think they did a great job. This world/show feels fully realized, and they make it feel interesting. The directing here is great, often adding tension and/or energy to a lot of scenes, making sure it never feels dull. The action scenes in this show too are pretty exciting. They don’t do anything unique, but they’re done well enough and they have enough tension so that you can’t help but sit and enjoy them. The first season’s sly and dark sense of humor is back, and it’s just as enjoyable.

This show/season has been pretty well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a score of 76/100. And on imdb.com it has a score of 8,3/10.

Season 2 of “Bosch” is a great follow-up to the great first season. It has a great plot, really good characters, great performances, really good music, and great directing. Time for my final score. *Ahem*. My final score for “Bosch” season 2 is a 9,82/10. Which means that it gets the “SEAL OF APPROVAL!”.

My review of “Bosch” season 2 is now completed.

As far as modern cop shows go, “Bosch” is one of the best.