Series Review: Yellowstone – Season 3 (2020)

This show is fascinating to me. It’s never been one of my favorites, but I always feel compelled to come back to it when a new season airs. It’s like Al Pacino says in “Godfather Part 3”: Just when I thought I was out, they pull me back in. So let’s see if this third season is any good.

Ladies and gents… “Yellowstone” season 3.

It’s summer in the valley, and everyone of the Dutton clan is slowly settling back into their lives after the tumultuous events of season 2. But just when the characters think they might be able to take a breather, a seemingly friendly, yet cunning businessman (Josh Holloway) starts making moves to get hold of the Yellowstone ranch for his own businesses. And as per the norm with this show, things start escalating from there, both for the Duttons themselves, and for the people around them. When this season started, something fascinating happened. I felt fully invested in what was going on. In previous seasons that was a little hard at times, either due to weird pacing or overbearing melodrama. But for the first few episodes there was no real sign of that. It felt like new life had been breathed into the show. But then towards the middle the show fell back into that aforementioned pit for a bit. But towards the end it really swung up to greatness again. But I do think the story on the whole this season is really strong. While the things I didn’t enjoy in previous seasons occur, there’s certainly less of them this time around. And when this season isn’t wallowing in some of that melodrama, then it is fucking fantastic. The dark moments are truly dark, the stakes feel truly high, and when a moment wants to leave a visceral impact, then it really does. Again, it’s still not a perfect line, but it’s damn close to getting there.

The characters in this are flawed, colorful, fascinating, and quite entertaining. The returning main cast of Kevin Costner, Kelly Reilly, Wes Bentley, Luke Grimes, and Kelsey Asbille all give great performances, and we get to see their characters develop in some really great ways. Returning supporting cast of people like Jefferson White, Brecken Merrill, Cole Hauser, Forrie J. Smith, Gil Birmingham, Denim Richards, Ian Bohen, and Mo Brings Plenty are all great too. Let’s talk about newcomer Josh Holloway, who plays Roarke, a well spoken, outwardly friendly businessman who creates some tension for the Dutton empire. At first he seems like a breath of fresh air, compared to the sliminess of Danny Huston’s Jenkins or the intensity of Neal McDonough’s Beck. But then he barely has any real presence within the narrative. Roarke’s shareholders and attorneys and such take up more space than him, and it almost makes him feel like he has little place within the story. Holloway does a good job with his performance, but the characters just kinda fizzles out in interest over time. So main antagonist aside, the characters here are great.

The score for this season was composed by Brian Tyler and Breton Vivian, and I think they did a really good job with it. The score retains that pseudo-western vibe that we’ve come to expect, and uses it to create a compelling soundscape that works really well for the show. There’s also a bunch of licensed songs used throughout, and they work pretty well too.

As with the previous two seasons, all episode of “Yellowstone” season 3 were written by Taylor Sheridan, with some other cool people directing. And the craft on display here is of course top notch, they’ve really come into their own in this department. The direction is confident and bold, really capturing the sweeping scale of the setting, all without sacrificing the intimacy to the characters. And this helps keep every scene feel somewhat interesting, even if the writing may dip a little bit. And the cinematography by Jim Denault and William Wages is terrific. It’s just well crafted, yo.

This show/season has been pretty well received. On Rotten Tomatoes it has an 83% positive rating. And on imdb.com it has a score of 8.5/10.

While not perfect, season 3 of “Yellowstone” is still a massive step in the right direction for the show, giving us the best season so far. It has a really good story, great characters, great performances, really good music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “Yellowstone” season 3 is an 8.88/10. So it’s definitely worth watching.

My review of “Yellowstone” season 3 is now completed.

Yeehaw.

Series Review: Castlevania – Season 3 (2020)

Took me a bit longer to get around to this than I originally wanted. But now we’re finally here. So let’s talk about this show for a bit. Oh, and there will be some spoilers for season 2… so you have been warned.

Ladies and gentlemen… “Castlevania” season 3!

A few months have passed since Dracula’s demise, and everyone’s kind of gone their separate ways. The peace isn’t kept for long however, as the various characters all run into their own share of problems. Trying to break down the narrative of this season in a well-written and concise way without getting into too many spoilers is difficult, as there are about as many threads as a season of “Game of Thrones”. But I’ll do my best. First off we have Trevor (Richard Armitage) and Sypha (Alejandra Reynoso) who find themselves visiting a mysterious village that seemingly holds more secrets than they at first let on. Then you have Alucard (James Callis) adjusting to the solitude of living in Dracula’s castle. Then there’s Carmilla (Jaime Murray) and her fellow vampires scheming to take over the world. And then there’s Isaac (Adetokumboh M’Cormack), building his army of night creatures and traveling across the world. But then there’s also the mysterious newcomer Saint Germain (Bill Nighy) and his schemes. Like I said, there’s a lot, and I didn’t even touch on all of them, either due to spoilers or fear of overextending this section. But believe me when I say that the ten episodes of this season cover A LOT of shit. But despite covering so much, it never gets confusing. This doesn’t mean that all aspects get treated with an equal amount of care and devotion, which at times can make this feel like a little bit of a middle chapter, but I do still find the narrative very engrossing. You get this epic fantasy tale, which also mixes in clever mystery, some gruesomely dark horror, a lot of heart and humor, and even a bit of enjoyable human drama. It’s great stuff, yo.

The characters in this, both old and new are colorful, flawed, layered, fascinating, and highly entertaining. The older ones get a little development, and newer ones do too. All of them are highly interesting and I loved seeing them. And the voice cast is fucking phenomenal, featuring such talented folks as Richard Armitage, Alejandra Reynoso, James Callis, Jaime Murray, Adetokumboh M’Cormack, Theo James, Jessica Brown Findlay, Jason Isaacs, Navid Negahban, Ivana Milisevic, Rila Fukushima, Toro Uchikado, Bill god damn Nighy, and more.

As with the previous two seasons, the score here was composed by Trevor Morris. And he absolutely knocked it out of the god damn park. He manages to cover so much ground with the various tracks in the show. From big bombastic brass, to more subtle strings, to even a bit of really intense synth, the dude did a fantastic job.

All episodes of “Castlevania” season 3 were written by Warren Ellis, with direction being handled by brother Sam and Adam Deats. And not that previous seasons were slouches in the animation department, but fuckin’ hell, the animation this season is the best it’s ever been. In quieter moments it looks really good, but it’s really in action scenes where it shines. Really captures the intensity and insanity that would happen from these battles. The final two episodes especially show this, as they have some of the best battles I’ve seen in animation. It’s one of the most well animated shows I’ve ever watched.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has an audience score of 7.2/10. And on imdb.com it has a score of 8.2/10.

Season 3 is another winning batch of episodes for “Castlevania”, giving us more of what I’ve come to love from the show. It has a great story, great characters, great performances, fantastic music, and fantastic directing/animation. Time for my final score. *Ahem*. My final score for “Castlevania” season 3 is a 9.92/10. Which does mean that it gets the “SEAL OF APPROVAL!”.

My review of “Castlevania” season 3 is now completed

This remains the best video game adaptation.

Series Review: Fortitude – Season 3 (2018)

For the past two years, I’ve covered one season of this show for the Month of Spooks. And today we reach the third and final season. It’s been an interesting journey. So let’s travel to this frozen town one last time.

Ladies and gentlemen… “Fortitude” season 3.

With the remaining survivors in the town of Fortitude still reeling from the traumatic events of season 2, one would think things would calm down a bit. But it doesn’t take long for new people to show up, stirring up new horrors, all while the local Sheriff (Richard Dormer) seems to be going a bit mad. The story has a lot of potential for greatness here. But it sadly doesn’t reach that potential. As a matter of fact, it’s nowhere even close to succeeding. What was one a slowly burning, off-kilter, and creepy narrative that engaged for most of the runtime, season 3 is bafflingly insane. It’s four episodes of eyebrow raising, gasping, and exclaiming “What in the actual fuck just happened!?”. It’s one insane and nonsensical event after the other, and I find myself constantly baffled at what is going on before my eyes. Oh how the mighty have fallen.

The characters in this are a mixed bag. On one hand, I know who they are because I watched the other seasons. But on the other, their arcs this season are so bizarre and poorly written that I just can’t find myself that engaged with it. The only one I can kind of care about is Dan Anderssen, Fortitude’s currently mad Sheriff, and that’s mainly because Richard Dormer gives us a wonderfully hammy performance. The rest of the cast give it their all, even if they don’t get to be quite as… delightfully expressive. But the returning actors like Dennis Quaid, Luke Treadaway, Darren Boyd, Björn Hlynur Haraldsson, Sienna Guillory, Mia Jexen, and more, all do the best they can with the material. And the newcomers are… fine, they don’t get much to chew on here.

As with previous seasons, the score for season 3 was composed by Ben Frost, and it was a strange downstep. Sometimes it was close to the dramatic and emotionally resonant stuff we’ve heard before… but then there are songs that use a smooth lounge trumpet… and I don’t know what they’re trying to convey, but it just feels really fucking off.

Season 3 of “Fortitude” was written by series creator Simon Donald, with Kieron Hawkes handling direction on all episodes. And as you may have expected from the previous sections, this stuff is a bit of a mixed bag. The writing is insane and nonsensical, whereas the direction tries to fix everything… keyword being “tries”. You can tell that Hawkes does his best in trying to make all the madness work. Not even Gary Shaw’s great cinematography can help make it work.

This show/season has had some mixed reception. On Rotten Tomatoes it has an 80% critics rating, but a 52% rating from audiences. On Metacritic it exists with no rating at all. And on imdb.com it has a score of 7.4/10.

Season 3 of “Fortitude” is an absolute trainwreck, and not even Richard Dormer’s delightfully hammy performance can save the season. The story is a strange mess, the characters have no compelling arcs, the performances are fine, the music is meh, and the directing/cinematography is alright. Time for my final score. *Ahem*. My final score for season 3 of “Fortitude” is a 3.22/10. So I’d recommend skipping it.

My review of “Fortitude” season 3 is now completed.

Were they on drugs? It feels like they were on drugs.

Series Review: Buffy the Vampire Slayer – Season 3 (1998 – 1999)

Yes, that’s right, still rewatching and reviewing all seasons of this show… mom and I just forget to keep watching every now and then, which is why it’s been so long between the previous “Buffy” review and this one. So let’s get into it.

Ladies and gentlemen… “Buffy the Vampire Slayer” season 3.

After disappearing during the summer post season 2, Buffy (Sarah Michelle Gellar) returns once again to her loved ones in Sunnydale, all of them of course a bit peeved that she bolted without much of a word. And as we follow Buffy trying to get back in to the swing of slayer things AND earn back the trust of those she loves, a new slayer named Faith (Eliza Dushku) arrives in town and ends up stirring some stuff up. All the while the city’s affable mayor (Harry Groener) plots sinister things in the shadows. As with the previous seasons, the episodes here are a mix of one-off monster plots, main story, and whatever else the writers came up with. And the blend of these elements feels stronger than ever. Yes, there are moments and episodes that are somewhat weaker than others, as with any 20+ episode series, but compared to the first two seasons, there’s fewer of those dud moments in my opinion. The storyline here is more ambitious, the schlock a bit more fun, the consequences of characters’ actions a bit more impactful. It’s just overall the strongest in terms of storytelling (so far).

The characters are just as well written, nuanced, flawed, colorful, and interesting as they’ve always been, with their various dynamics being tested at every turn to great effect, creating engaging drama and character development. The returning main cast of Sarah Michelle Gellar, Anthony Head, Alyson Hannigan, Nicholas Brendon, Charisma Carpenter, David Boreanaz, Seth Green, and Kristine Sutherland are all terrific and all get moments to shine. Newcomer Eliza Dushku kills it as Faith, this new slayer in town who is a bit of a wild card, helping create some wonderful tension in the show. Harry Groener is wonderful as the town’s mayor/season’s main antagonist, playing him as this super friendly and clean (both literally and metaphorically) guy who also happens to be involved in some shady shit. And all other actors that appear this season are all great too.

As with season 2, the score for season 3 was composed by Christophe Beck, who in his previous outing already gave us a huge step up in the show’s background music. And yet the crazy motherfucker stepped it up even further this time around. The instrumentation is crisper and more playful, giving us a lot of interesting melodies and a unique soundscape that is perfectly fitting for this show. There’s also a bunch of licensed tracks used throughout, and they all work well in their respective scenes.

Season 3 of “Buffy” was written and directed by a whole bunch of talented people, all doing (for the most part) great work in their departments. Effects (for the most part) are improved, pacing holds up way better, and the cinematography generally is quite pleasing. The crew knew how to keep things exciting, intimate, or suspenseful in any given scene, showing how they’ve evolved since that rocky first season.

This show/season has been quite well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a user score of 7.6/10. And on imdb.com it has a score of 8.2/10.

Season 3 of “Buffy the Vampire Slayer” is another step up for the show, giving us another stellar set of episodes. The story is great, the characters are great, the performances are fantastic, the music’s great, and the directing/cinematography is great. Time for my final score. *Bleh, I am vampire*. My final score for “Buffy the Vampire Slayer” season 3 is a 9.94/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Buffy the Vampire Slayer” season 3 is now completed.

Just kidding, by the way, I’m not actually a vampire… too much of a recluse to be bitten.

Series Review: Line of Duty – Season 3 (2016)

Yes, I know, you’ve been getting a lot of “Line of Duty” content from me in relatively quick succession, but I can’t help if the show is very bingeable. Or, well, technically it is, but also not… Shut up. Let’s just get into it.

Ladies and gentlemen… “Line of Duty” season 3!

When a suspect is fatally shot during a police raid, Arnott (Martin Compston), Fleming (Vicky McClure), and the rest of AC-12 have to look into the possibility of corruption and misconduct within the strike team involved in the shooting. But as they work this case, they soon discover that it isn’t as simple as it might seem at first. And this is how “Line of Duty” weaves its most complex, layered, intense, and unpredictable plot yet… and I loved ever second of it. Not discrediting the first two seasons, they were great… but season 3’s web is so broad and layered with intrigued that it almost puts them to shame. In scope, storytelling, and suspense, it is probably the peak of any police show that I have ever watched, and honestly better than a lot of movies too. It takes the idea of “Line of Duty”, and not only creates a new, interesting plot in it, but weaves in elements from previous seasons too to create this big, elaborate plot… and yet it never feels messy. And at no point could I predict what was going to happen, which is quite nice to see in a police show. So yeah, the plot here is pretty fantastic.

The characters (new and returning) are all flawed, layered, engaging, and overall just really interesting. Martin Compston of course returns as DS Steve Arnott, still being the tenacious  investigator that we know and love. Seeing him do his job would’ve been interesting enough, but then they also give him some interesting development here too to keep it feeling fresh, which is a welcome addition. And Compston is great in the role. Vicky McClure returns as DC Kate Fleming, who as per usual, has to go undercover, this time with the strike team that’s under investigation. And while she doesn’t have the biggest arc this season, she still gets a fair amount of good stuff to chew on here. And McClure is great in the role. Adrian Dunbar returns as everyone’s favorite superintendent, Ted Hastings. Seeing him deal with the complexities of the case while also dealing with some personal things is really interesting. And Dunbar is great in the role. We also get supporting work from people like Daniel Mays, Craig Parkinson, Polly Walker, Arsher Ali, Keeley Hawes, Jonas Armstrong, and more, all doing very well in their respective roles.

As with the first two seasons, the music here was composed by Carly Paradis, who once again delivers a tense, emotional, dramatic, and just plain great score. It’s probably the best work she’s done for the show up up to this point. The compositions are layered, yet simple, which works incredibly well in creating the sound of the show.

Series creator Jed Mercurio returned to write all the episodes, and directing duties were split between Michael Keillor and John Strickland. And once again, this crew has really upped their game. The directing is more steady, more confident, and overall more intense, creating a truly electrifying viewing experience. Sure, the writing in itself is already amazing, but the addition of the season’s excellent direction creates a unique and awesome style that I really liked. It also makes the suspenseful bits even more uncomfortable.

This show/season has been very well received. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com it has a score of 8,6/10 and is ranked #162 on the “Top 250 TV” list.

Once again, “Line of Duty” has one-upped itself. The plot is fantastic, the characters are great, the performances are great, the music is really good, and the writing/directing is fantastic. Time for my final score. *Ahem*. My final score for “Line of Duty” season 3 is a 9,95/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Line of Duty” season 3 is now completed.

For fuck’s sake, show, stop* getting better and better.

*Don’t actually stop.

Series Review: Hap and Leonard – Season 3 (2018)

Some of you may or may not remember that I started watching/reviewing this show in the second half of last year. And I quite liked those first two seasons. So now we’re here, season 3 all wrapped up. So let’s get into it.

Ladies and gentlemen… “Hap and Leonard: The Two Bear Mambo”.

When their friend/lawyer Florida (Tiffany Mack) goes missing, Hap (James Purefoy) and Leonard (Michael K. Williams) get sent to investigate what happened to her. Only problem is that to do this they have to travel to Grovetown, a tightly knit community that doesn’t take too kindly to people of color (and their sympathizers). So now we have our plot. And I think that it’s pretty damn good. What I like about “Hap and Leonard” as a show in general is that it can discuss serious and difficult subject matter, while still being able to have a fun and pulpy tone throughout, and this season is no exception. “The Two Bear Mambo” (this season’s subtitle) deals with a lot of heavy themes like racism and corruption, while still giving us the fun buddy crime-drama that one expects from the show. It’s a tense and layered plot that I really enjoyed following.

The characters in this are layered, unique, and quite interesting. James Purefoy returns as Hap Collins, the east Texas worker with a penchant for southern ladies. He’s not the sharpest knife in the drawer, but he’s a good man and quite an entertaining character. I also like how they explores his psyche throughout the season, with a lot of it dealing with his fear over maybe losing Florida. And Purefoy is great in the role. Then we have Michael K. Williams as Leonard Pine, the black, gay, Vietnam vet best friend of Hap. He’s tough, but he’s also charming, and has some demons of his own to battle, and I really like him as a character. And Williams is of course great in the role. I also feel like I once again have to compliment the chemistry between Purefoy and Williams, because it’s fantastic. Then we have Tiffany Mack as Florida Grange, lawyer and former love interest of Hap. While we get less of her this season than in the previous one, we do still get some solid stuff with her. She’s a badass. And Mack is really good in the role. Then we get supporting turns from people like Cranston Johnson, Andrew Dice Clay, Evan Gamble, Corbin Bernsen, Laura Allen, Jesse C. Boyd, Douglas M. Griffin, Sydney Wease, Louis Gossett Jr, Pat Healy, and more. All doing very well in their respective roles. ’tis a well acted season.

As with the previous two seasons, the score was composed by Jeff Grace, and once again he knocked it out of the park. His score helps build a lot of suspense, while also letting some tracks capture the fun, swamp-noir style of the show (thanks to some good guitar tracks). There’s also a good amount of licensed tracks used throughout, and they all work very well within their respective scenes. A lot of good music here.

Based on a series of novels by Joe R. Lansdale, the show was created by Jim Mickle & Nick Damici (and written/directed by them and a bunch of other cool people). And while I haven’t read the books, I still feel like this is a very well realized world that they’ve created here. And the directing is really good, with a lot of tightly directed scenes that build a decent amount of tension. There’s also a few action throughout the season, and they’re quite entertaining. The show’s signature dark humor also makes a welcome return, and it made me laugh.

This show/season has been well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic it has a score of 79/100. And on imdb.com it has a score of 7,5/10.

“Hap and Leonard: The Two Bear Mambo” is another solid season of this quirky little show. It has a really good plot, great characters, great performances, great music, and great directing/writing. Time for my final score. *Ahem*. My final score for “Hap and Leonard: The Two Bear Mambo” is a 9,80/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Hap and Leonard: The Two Bear Mambo” is now completed.

Ass needs some kickin’.

Series Review: Peaky Blinders – Season 3 (2016)

As some of you might know, I reviewed season one and two a while back (*nudge nudge wink wink*). And if you have any memory of that happening, then you might remember that I pretty much loved those seasons. So I’m super excited to finally review the third season for you guys. So here we go!

Ladies and gents… “Peaky Blinders” season 3!

The year is 1924 and everything seems to be looking up for Thomas Shelby (Cillian Murphy). Business is going well and he’s finally getting married. However, he soon finds himself getting into the fray once again when he has to start dealing with Russians, Italians, and a priest (Paddy Considine) with powerful connections. And I thought the plot here this season was really good. And while not quite as tense and unpredictable as the previous seasons, it still retains most of the intrigue and dramatic heft that one can expect from the show at this point. The season does go to some really dark and slightly messed up places at times too which really helps keep the plot of “Peaky Blinders” well above most shows out there.

The characters have always been a highlight of the show, and this season is no exception. Cillian Murphy of course returns as Thomas Shelby, the head of the Shelby family/business, and he is still the damaged and layered man we’ve come to know. And Cillian Murphy is once again fantastic in the role. Helen McCrory returns as Aunt Polly, and she is still one of the best female characters out there. And McCrory is of course fantastic in the role. Paul Anderson returns as Arthur Shelby, the rough-around-the-edges brother of Thomas, this time getting some more development than in previous seasons. And Anderson is fantastic in the role. Joe Cole returns as John Shelby, Thomas’ younger brother, and he’s great in the role. Ned Dennehy, Ian Peck, Sophie Rundle, Annabelle Wallis, all return and they’re all great. Tom Hardy also makes a return as Alfie Solomons, and while he isn’t in this season a whole lot, he’s still one of the best parts of it. Now, let’s talk about the newcomer worth talking about: Paddy Considine. I’ve been a fan of him for a while now, and seeing him in here as a sneaky priest was interesting. His character is really interesting and Considine is great in the role. Really, the acting here is terrific.

Like in previous season, there is no real identifiable original score that we can properly talk about. But instead we once again get a soundtrack consisting mainly of rock songs from the past 20 – 25 years or so. There are also a couple newer songs too that are hard to pin a genre on, but still work really well in this show. That is something I want to mention: When imagining a gangster show set in 1920s Birmingham one woudln’t think a rock-based soundtrack would work, but it somehow does. Give the person responsible for picking the songs a fucking raise.

This show was created by Steven Knight, and all episodes this season were directed by Tim Mielants, who I think did a great job. His direction is very tight and helps create a tense and good mood that elevates the show quite a bit. It’s also a visually arresting show… just thought I’d mention that. Also, this show is bloody/violent and features nudity, so if you’re one of those wimps who can’t stomach that stuff in movies and TV, you have been warned.

This show has been very well received, but this season is fucking impossible to say with since it has no score on the sites I usually use. Sure, it exists on Rotten Tomatoes and Metacritic, but it has no score on there. And on imdb.com the show (no seasonal average) has a score of 8,8/10 and is ranked #66 on the “Top 250 TV” list.

“Peaky Blinders” season 3 is great… not much else I can say. It has a great plot, great characters, fantastic performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 3 is a 9,71/10. So yeah, it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 3 is now completed.

Mumble mumble mumble mumble fuck mumble. That is how Tom Hardy sounds in this show and it’s so much fun.

Series Review: Fargo – Season 3 (2017)

It feels good to have had this show back. I loved the first two seasons of this show (*cough* there are reviews available *cough*), so I was of course looking forward to this season. So let’s see if it is any good.

Ladies and gents… “Fargo” season 3!

Minnesota, 2010. We follow brothers Emmitt (Ewan McGregor) and Ray (Ewan McGregor) and how their sibling rivalry becomes the center of a series of deaths, betrayals, conspiracies, and other crazy things. So now we have our off-kilter crime-drama. And yeah, it’s pretty fucking great. Once again this show has managed to craft a deep, compelling, weird, suspenseful, and unpredictable crime story. I honestly never knew where it was going and it managed to really surprise me with some of the twists and turns throughout. It’s an odd and fascinating journey that I loved following.

The characters in this season (like in previous ones) are unique, interesting, quirky, and just extremely entertaining. Ewan McGregor had a tough job here as he had to play two roles, and make them feel different from each other. Emmit is the parking lot king of Minnesota, a wealthy and generally liked businessman. While Ray instead is a balding, poor(ish), parole officer who is jealous of his brother. And McGregor makes them both feel very different and manages to give two fantastic performances. Carrie Coon plays Gloria Burgle, a police chief/single mom who is investigating a murder that might be linked somehow to the Stussy brothers. She’s determined and kind, but has a little trouble with modern technology. And Coon is fantastic in the role. Michael Stuhlbarg (sporting an awesome mustache) plays Sy Feltz, the right hand man and best friend of Emmit. He’s loyal to a fault, wanting to make sure Emmit has a good a life as possible. And Stuhlbarg is great in the role. Mary Elizabeth Winstead plays Nikki Swango (awesome name), a gambler who is also the girlfriend of Ray. She’s tough, sexy, and just cool. And Winstead is great in the role. David Thewlis plays V.M. Varga, a very strange man that comes into Emmit’s life and starts changing it quite a bit. How do I best describe Varga… he’s weird and creepy and and he gets under my skin. So yeah, Thewlis is fantastic in the role. Really, this is filled with plenty of awesome characters and performances, and while I don’t have the time to go through all in detail, I’m just gonna list some of the awesome supporting players here. Olivia Sandoval, Shea Whigham, Mark Forward, Thomas Mann, Hamish Linklater, Goran Bogdan, Andy Yu, and Mary McDonnell. There are more, but I feel like some are better left as surprises.

The score for this season was composed by Jeff Russo, the man who did the music for the previous seasons. And once again he killed it. Of course the main theme from the previous seasons is played every now and then, still being awesome. But then there’s also a lot of new stuff that fits the show very well. There are tracks for more serious moments, and there are tracks for some of the more “silly” (in lack of a better word) moments. And there are licensed tracks used throughout as well, and they fit pretty well too.

For those not aware (fucking cave dwellers), “Fargo” is an anthology series created by Noah Hawley, based on the Coen brothers film of the same name. And while I’m not gonna list every director that this season had, I will at least say that they all did very well here. The shots look great, and they manage to create a lot of tension with very little thanks to their excellent direction. And the cinematography too is great. Sure, color pallet is a bit drab, but I think it kind of works for this story. They even have a little bit of animation in this to tell a certain part of the story. I’m not gonna spoil what, but let’s just say that it’s pretty cool. I also feel like I have to mention that this is really violent. Not just in terms of there being blood (though there’s that too), but there’s plenty of violence in this. There’s also a good dose of dark humor in this which I thought was quite funny.

This show/season has been well received. On Rotten Tomatoes it has a 95% positive rating and a “Fresh” certification. On Metacritic it has a score of 89/100. And on imdb.com it has a score of 9,0/10 and is ranked #23 on the “Top 250 TV” list.

While not qutie reaching the heights of season 2 (which is fucking amazing), “Fargo” season 3 is still a fantastic season of television. It has a fantastic plot, great characters, fantastic performances, great music, and fantastic directing. Time for my final score. *Oh jeez*. My final score for “Fargo” season 3 is a 9,90/10. Which of course means that it gets the “SEAL OF APPROVAL!”.

My review of “Fargo” season 3 is now completed.

*Please get renewed, please get renewed*.

Mary Elizabeth Winstead joins “Fargo” season 3

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Casting news, something I don’t do unless it is for something that I am genuinely invested in. And since I am writing this, I am of course invested in this shit. So let’s talk about it.

So the talented and beautiful actress Mary Elizabeth Winstead, known for “Scott Pilgrim vs. The World” and this year’s “10 Cloverfield Lane”, has joined the cast for the third season of “Fargo”. Now, if there’s anybody who’s not aware of what this is… let me get you up to speed, you cave-dweller. “Fargo” is a show from the FX network, created by Noah Hawley and based on the Coen brothers movie of the same name. It’s an anthology series where every season tells a new story with mostly new characters. Got it? Good. So why am I talking about this. Well firstly, Winstead is a very talented actress (who I’ve only seen in those two thigns I mentioned before). And secondly, I love “Fargo”! Some of you might be aware that I have done reviews for the first two seasons (#ShamelessPlug). So I am of course excited to hear about casting news for the upcoming season, especially when it’s about such a talented person joining it. She will apparently be playing a crafty parolee in the new season, so that’ll be interesting since this show has some very colorful characters. Winstead will be joining the already confirmed Ewan McGregor and Carrie Coon. While no specific date has been set, the third season of “Fargo” will be premiering at some point in 2017.

So what are your thoughts? Are you excited about Winstead joining the show? And are you a fan of “Fargo”? Leave any and all answers in the comments.
Have a good one!

Tom Felton joins Season 3 of “The Flash”

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Hello there, my friends! As you probably know, I rarely write about castings in film/television. The last time I did was for Tommy Flanagan joining “Guardians of the Galaxy Vol. 2” and Finn Jones being cast as Iron Fist in the show of the same name. And that was in… February. Yeah, I don’t do this too often. However, when a casting intrigues/interests me, I feel like writing about it. So let’s talk about this thing.

Yesterday it was announced that Tom Felton, famous for playing Draco Malfoy in the “Harry Potter” movies, has joined the cast for season 3 of the CW’s popular superhero show “The Flash”. As someone who grew up with the “Harry Potter” films, I know that Felton has some acting chops behind him. I also thought he was pretty good in his minor-ish role in “Rise of the Planet of the Apes”. This is also exciting because I am actually a pretty big fan of this show. Some of you might’ve noticed me live-tweeting some stuff from the show when I was catching up on it a short while back. So yeah… these are some exciting news. Apparently Felton will be playing the character of Julian Dorn, a CSI for the Central City police department who thinks that Barry (Grant Gustin) might be more than meets the eye. Also, season 3 will apparently be adapting the “Flashpoint” storyline from the comics… a lot of stuff going on for this thing. Season 3 is set to premiere on October 4th of this year.

So what are your thoughts? Are you a fan of the show? And are the news of the addition of Tom Felton exciting to you? Leave any and all thoughts in the comments.
Have a good one!