Movie Review: Spider-Man: Far From Home (2019)

It is here. The movie that made me revisit the Raimi trilogy. It’s finally here. And it’s time to talk about it.

Ladies and gentlemen… “Spider-Man: Far From Home”.

As Peter Parker (Tom Holland) gears up to go on a European vacation with his classmates, he’s contacted by some familiar faces to help take care of some strong new enemies that have revealed themselves. But to be able to stop them, Peter has to team up with a mysterious guy named Quentin Beck (Jake Gyllenhaal). So now we have our Spidey-sequel. It’s part teen rom-com and part superhero story, and I feel like the two are blended quite well, which makes for a really enjoyable and breezy plot, which is kind of what we needed after the heavy shit in “Avengers: Endgame”. With how it jumps around Europe a lot it can feel a little jumpy, but I don’t think it ever ruined it in any way. There are some fun twists and turns in the plot that add a fair bit of nuance to the generally light and breezy proceedings (breezeedings?).

The characters are layered, flawed, colorful, fun, and overall interesting. Tom Holland returns as Peter Parker/Spider-Man, and in this movie he has to deal with the awkwardness of being a high school kid with a crush, while also having to step up as a hero in a world affected by the events of the last two “Avengers” films. He gets a fair bit of development here, making him even more interesting than he already was. And Holland is once again fantastic in the role. Next we have Jake Gyllenhaal as Quentin Beck/Mysterio. He’s a charismatic, interesting, and mysterious man who gets a fair bit of interesting motivation throughout. And Gyllenhaal is great in the role (can’t go wrong with a bit of Gyllenhaal, you know). We also get supporting work from people like Zendaya, Samuel L. Motherfu- I mean Jackson, Marisa Tomei, Jon Favreau, Jacob Batalon, Martin Starr, Angourie Rice, Tony Revolori, J.B. Smoove, and more, all doing very well in their respective roles.

The score for the movie was composed by Michael Giacchino, and it was really good. Sweeping, intimate, epic, emotional, it’s what one would look for in a “Spider-Man” score. It’s not the most original score out there, but it’s certainly enjoyable, and it works quite well within the movie itself. There are also a whole bunch of licensed tracks used throughout, and they all work quite well in their respective scenes.

As with “Spider-Man: Homecoming”, “Far From Home” was directed by Jon Watts. And I think he did a really good job with it. He certainly has a good sense of motion and energy in his directing, something shown in “Homecoming”, and explored further here. This lends to a lot of fun action scenes. Most of them are these, big, brash superhero things that one expects, but there’s also one or two that do some clever little things that I didn’t fully expect. There’s also a lot of comedy in this movie (which shouldn’t be much of a surprise if you’ve followed this movie universe for a while). And it’s funny, I laughed and chuckled.

This movie just came out, but has already been well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 69/100. And on imdb.com it has a score of 8,2/10. Keep in mind, all these scores are at the time of writing, and will most likely change as time goes by and I’m too lazy to constantly edit this.

While I prefer its predecessor, “Spider-Man: Far From Home” is still a damn fine Spidey-movie, and another great entry within the Marvel Cinematic Universe. It has a really good plot, really good characters, great performances, really good music, great directing/action, and funny humor. Time for my final score. *Ahem*. My final score for “Spider-Man: Far From Home” is a 9,50/10. So while it’s just on the edge, it’s still deserving of the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Far From Home” is now completed.

This has two of my favorite scenes of the year, and both for VERY different reasons.

Movie Review: Spider-Man 3 (2007)

And so we come to the end of this review series on the Raimi-directed “Spider-Man” movies. It’s been fun revisiting this franchise. So let’s talk about the final part!

Ladies and gents… “Spider-Man 3”.

Peter (Tobey Maguire) seems to finally have his life under control. But that soon takes a dark turn when a mysterious space goop enters his life and changes his for the worse. All the while a super-powered petty criminal (Thomas Haden Church) roams the city after having escaped from prison. ALL THE WHILE Peter finds himself in some love triangle drama with Mary-Jane (Kirsten Dunst) and Gwen Stacy (Bryce Dallas Howard). ALL THE WHILE his- fuck this. Just… fuck it. There are elements in the plot that are good. But overall, it’s a god damn mess. It has more threads than a spider web, and they are all (for the most part) paper thin. Like I said, there are some nice parts here too, some finely handled dramatic/emotionally charged bits. But they all find themselves tangled up in this scatterbrained web.

The characters here are mixed. Some are nuanced and interesting, and some are Topher Grace as Eddie Brock. The returning core cast of Tobey Maguire, Kirsten Dunst, and James Franco are all great in their roles, and do wonders with the material they’re given (which sometimes isn’t great). Rosemary Harris as Aunt May is still the warm, comforting presence she’s always been. J.K. Simmons as J. Jonah Jameson is still an absolute blast to watch. As for new blood, there’s Thomas Haden Church as Flint Marko/Sandman. He’s given a surprising amount of development, and gives a really solid performance. And then we have the aforementioned Topher Grace as Eddie Brock. Look, Grace is not a bad actor, and he actually does a good job playing an absolute slimeball here… but he feels miscast for the character of Eddie Brock. And the stuff they do with the character here… just, no. Overall, decent cast.

Unlike the first two movies, the score in this one wasn’t composed by Danny Elfman. Instead, musical duties were handed over to Christopher Young, who I think did a great job. He incorporates Elfman’s iconic theme wonderfully, while still bringing his own flair to a lot of the other tracks. There are some emotionally charged pieces here that really work well within the movie.

As we’ve pointed out already, “Spider-Man 3” was, like its predecessors directed by Sam Raimi, who I think mostly did a great job here. I say mostly, because compared to the other two, there’s a lot more leaning on CGI for various things in this one. Which also makes some bits look a bit wonky, especially a chase scene early on in the movie. There is cool stuff to it, but overall the green screen effect looks kinda unfinished. And there are a few CGI humans in this movie, and they were a bit distracting. But with all that said, whenever it doesn’t use shit effects, it looks good. The action scenes in this are generally great, with one fight scene some ways into the movie being one of my favorite parts of it.

This movie has gotten some mixed reception. On Rotten Tomatoes it has a 63% positive rating. On Metacritic it has a score of 59/100. Roger Ebert gave it 2/4 stars. And on imdb.com it has a score of 6,2/10.

So while “Spider-Man 3” is a bit of a let-down compared to the first two, it’s still an enjoyable superhero movie. It has a messy plot with good moments, mostly good characters, really good performances, great music, and good directing/action with only a few wonky effects. Time for my final score. *Ahem*. My final score for “Spider-Man 3” is a 6,95/10. So while flawed, it’s still worth a rental.

My review of “Spider-Man 3” is now completed.

Bit a downer to end this series on. C’est la vie, je suppose.

Movie Review: Spider-Man 2 (2004)

And so my series of reviews of Raimi-directed “Spider-Man” movies continues!

Ladies and gents… “Spider-Man 2”.

As Peter Parker (Tobey Maguire) tries to balance college, work, and being the friendly neighborhood Spider-Man, he runs into even more trouble when scientist Otto Octavius (Alfred Molina) becomes the villainous Doc Ock. So now we have our sequel. It’s bigger, but does that make it better? Yes, very much so. It has a lot of themes to balance, and it manages to do that beautifully. At times it’s fun, at times it breaks the viewer’s heart, at times it’s uplifting. It takes all its various themes and creates a web (HA!) that is a perfect representation of Spider-Man and his adventures.

The characters are colorful, flawed, layered, fun, and overall just really interesting. Tobey Maguire reprises his role as Peter Parker/Spider-Man. Seeing his development throughout here is fascinating. Yes, you do get a lot of the charming awkwardness seen in the first movie, but you also get to see a lot of new sides to him that came forward after the events of the first movie, and from things that happen here. And Maguire is great in the role. Alfred Molina plays Otto Octavius, the brilliant scientist who becomes the villain of the story. He’s under constant conflict with himself throughout, making him quite a compelling character. And Molina is great in the role. Kirsten Dunst returns as Mary-Jane Watson, and she gets some decent development throughout. And Dunst is good in the role. James Franco returns as Harry Osborne, who also has some interesting character drama going on, with Franco giving a great performance. We also get supporting work from people like Rosemary Harris, J.K. Simmons (still the best), Bill Nunn, Dylan Baker, Daniel Gillies, Donna Murphy, and more, all doing very well in their respective roles.

As with the first movie, the score was composed by Danny Elfman, and he somehow managed to one-up himself. The score here of course brings back a lot of the sweeping heroics of the first, while also adding in a lot of nice little touches that makes it stand out. Really, it’s amazing, one of the best scores of the time. And there’s the odd licensed track used throughout that works quite well too.

As with the first movie (and as mentioned in the opening of this review), this movie was directed by Sam Raimi, who (like Elfman) upped his game. His camptastic sense of energy makes a triumphant return, which makes it electrifying to watch, even in the “slower” scenes. It also adds a lot to the action scenes, which are a blast to watch, thanks to the energetic, visceral feel that Raimi gives to them. There’s one scene in particular that really encapsulates that, and if you’ve seen this movie, then you probably know which one I’m talking about. And to bring up something I mentioned in my previous “Spider-Man” review, the effects in this still hold up. The last one had a lot of rough stuff, but the ones in this one… still so good.

This movie has been very well received. On Rotten Tomatoes it has a 93% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. Roger Ebert gave it 4/4 stars. And on imdb.com it has a score of 7,3/10. The movie won 1 Oscar in the category of Best Visual Effects. It also got an additional 2 nominations in the categories of Best Sound Mixing and Best Sound Editing.

“Spider-Man 2” is a sequel that takes everything that was good about the first one, and improves on it significantly. It has a great plot, great characters, great performances, great music, and great directing/action/effects. Time for my final score. *AHEM*. My final score for “Spider-Man 2” is a 9,89/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man 2” is now completed.

Here’s a fun anecdote: As I was (re)watching this, I realized that I actually hadn’t seen this one before. My mind had tricked me into thinking that I had seen it before, when I hadn’t. It’s quite interesting.

Movie Review: Spider-Man (2002)

With “Spider-Man: Far From Home” getting released in July, I thought I would give the Raimi-directed “Spider-Man” movies a little rewatch/review. I mean, it’s been years since the last time I saw them, so now is a good a time as any to see if they hold up. So here we go with part 1.

Ladies and gentlemen… “Spider-Man”.

After he gets bitten by a genetically modified spider, high school student Peter Parker (Tobey Maguire) starts developing spider-like powers. And he soon has to put them to good use when a crazed villain (Willem Dafoe) starts terrorizing New York. We had gotten a few superhero origins before this, but this really set the standard for how it’s done. Even in movies later on, let’s say “Iron Man” as an example, trace amounts of this movie can be found in the way the origin is done there. So yeah, the plot here is handled well. Not saying it’s perfect. It does have a few minor pacing issues at points, but there’s nothing that completely ruins the experience for me. It is still mostly well paced, with plenty of nuance and a decent exploration of the “Great power, great responsibility” theme. It’s fun, it’s clever, it’s emotional, it’s a good “Spider-Man” origin.

The characters in this are colorful, charming, layered, and overall interesting. Tobey Maguire plays Peter Parker/Spider-Man. He’s a little shy, a little awkward, but also clever, good-hearted, and a fairly relatable character. Seeing his journey from that dork that everyone picks on to a hero is quite fascinating. And Maguire is really good in the role. Kirsten Dunst plays Mary-Jane Watson, Peter’s neighbor and crush. A beautiful young woman with a bad home life, but a good heart. Seeing her and how she is affected by Peter’s life/she affects him is an interesting part of the whole story. And Dunst is really good in the role. Next we have Willem Dafoe as Norman Osborn/The Green Goblin. He’s something of a scientist and tries to develop tech that can help the military… but things go a little… awry. Seeing his duality throughout the movie is endlessly entertaining, and Dafoe is the perfect blend of intimidating, emotionally investing, and hammy in the role. We also get supporting work from people like Rosemary Harris, Cliff Robertson, James Franco, J.K. Simmons (the best), and more, all doing well in their respective roles.

The score for the movie was composed by Danny Elfman, and I have nothing bad to say about it. It’s epic, emotional, sweeping, and balances heroics with smaller stuff, making for one of the most iconic and enjoyable scores in the last 20 years. Seriously still great.

As mentioned in the opening of this review, “Spider-Man” (based on the Marvel character created by Stan Lee & Steve Ditko) was directed by Sam Raimi, and I think he did a great job with it. He has a unique sort of energy that makes the movie a whole lot of fun to watch. He also uses a lot of fun camera movements to give the movie a unique look that feels very much in line with the character of Spider-Man. This also translates to the action scenes, which are a lot of fun and are even surprisingly brutal at times. However, to add a negative into all this positivity, there are a lot of effects that don’t hold up. Those are CGI stuff that very much haven’t aged well. It’s not a total deal-breaker, but it is distracting enough to bring the score down a little bit.

This movie has been well received. On Rotten Tomatoes it has a 90% positive rating and a “Fresh” certification. On Metacritic it has a score of 73/100. Roger Ebert gave it 2,5/4 stars. And on imdb.com it has a score of 7,3/10. It got 2 Oscar nominations in the categories of Best Sound and Best Visual Effects.

While there are aspects of it that has aged a fair bit, “Spider-Man” is still a damn fine superhero movie. It has a good plot, good characters, great performances, great music, and great directing/action. What brings it down a bit for me are the occasional pacing issues and often wonky CGI effects. Time for my final score. *Ahem*. My final score for “Spider-Man” is an 8,89/10. So while flawed, it’s still worth buying.

My review of “Spider-Man” is now completed.

Two more to go. *thwip*.

Movie Review: Spider-Man: Into the Spider-Verse (2018)

What really is there to say about Spider-Man at this point? He’s one of the most well known, beloved, and profitable superheroes of all time. You all know who he is, so nothing really has to be said, I am excited to talk about this different take on the franchise.

Ladies and gentlemen… “Spider-Man: Into the Spider-Verse”.

Miles Morales (Shameik Moore) is just your average guy, except for the fact that he’s been bitten by a strange spider and has received Spider-Man-ish powers. And at the same time as he’s trying to get the hang of these new abilities, he discovers that Spider-people from other dimensions have shown up. So now Miles has to team up with his inter-dimensional namesakes to save the multiverse. And I absolutely loved the story here. It’s a fast-paced and fun comic book adventure that flies by fast than you can say “thwip”. It manages to be a good origin for this character that a lot of mainstream audience members might not know anything about, while also presenting a big multiverse adventure that should please a lot of comic book fans. But even amidst the fast-paced insanity, it knows when to slow down a bit and let the dramatic moments simmer a bit, making this whole ordeal a bit more engaging. So yeah, this is a great plot.

The characters in this are colorful, unique, fun, and just really interesting. Shameik Moore plays Miles Morales, this average guy who has a bit of trouble fitting into his current life. And when the Spider stuff comes into his life it forces him to evolve a bit as a person, and the development Miles gets is quite interesting. And Moore does a really good job voicing him. Jake Johnson plays Peter Parker, a cynical slob who’s also god damn Spider-Man. Not gonna say how he got there, but it’s funny and interesting, and he too gets some good development here. And Johnson does a really good job in the role. Next we have Hailee Steinfeld as Gwen Stacy, another interesting character who gets some decent development. And Steinfeld does a great job voicing the character. We also get supporting performances from people like Brian Tyree Henry, Mahershala Ali, Nicolas Cage, John Mulaney, LIev Schreiber, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, Kathryn Hahn, Chris Pine, and MANY more, all doing very well in their respective roles.

The score was composed by Daniel Pemberton, and I think he did a great job. While there of course is a lot of the heroic orchestral stuff throughout, Pemberton also mixed in stuff from hiphop, electronica, jazz, and even rock to create a sound that is both familiar and unique, which gives the movie its own sound. There’s also a fair bit of licensed tracks used throughout, and while I personally wouldn’t find myself listening to them on my own time, I thought they worked very well within the movie.

So this is an animated movie, and I seriously loved the animation here. At first some of it might look like it’s missing frames, but it didn’t take too long for me to get over that. And from that point on I got to experience one of the most visually stunning things ever. I don’t even know how to fully explain it, it’s just like someone put a fucking comic into a machine that would make the panels fully animated. It’s colorful, it’s fluid, it’s stylish, it’s unique, and it’s just some of the coolest stuff I’ve ever had the pleasure of looking at. Which also makes for some truly amazing action scenes. The movie also has a lot of comedy throughout, and all of it made me laugh, this is absolutely hilarious. Some of it subtle dialog, some of it broad slapstick, and some in-between stuff.

This movie just came out, but it has already been very well received. On Rotten Tomatoes it has a 97% positive rating and a “Fresh” certification. On Metacritic it has a score of 87/100. And on imdb.com it has a score of 8.8/10 and is ranked #30 on the “Top 250” list.

“Spider-Man: Into the Spider-Verse” is an absolutely magical movie, filled with great stuff for both comic book fans and casual movie goers. It has a great plot, great characters, great performances, really good music, amazing animation/action, and hilarious comedy. Time for my final score. *Ahem*. My final score for “Spider-Man: Into the Spider-Verse” is a 9,90/10. Which means it gets the “SEAL OF APPROVAL!”.

My review of “Spider-Man: Into the Spider-Verse” is now completed.

2018 is a great year to be a Spidey-fan.