Series Review: Peaky Blinders – Season 5 (2019)

Yes, I finally got the opportunity to catch up. If you’ve been following my blog for a while, you’d know that I’m a big fan of this show. I’ve reviewed every season (*not so subtle nod*), and I’ve loved each and every one of them. So now we got the question: Does the latest outing land on that list, or is it somehow a big pile of disappointment? Let’s have a look.

Ladies and gentlemen… “Peaky Blinders” season 5.

1929. Tommy Shelby (Cillian Murphy) tries to balance his life as a politician with keep tabs on his family business, all the while antagonistic forces, including fellow politician Oswald Mosley (Sam Claflin), fight against his every move. More scheming, more violence… more “Peaky Blinders”. And I’ll be up front about my thoughts, I loved the plot this season. There’s a lot going on, making episodes feel very dense, but it’s handled in such a smooth and clever way that you never get lost. The tone also feels darker and more dire than before, partly due to it being set during one of the toughest times in modern history (the depression), but partly also because it focuses so heavily on Tommy’s rapidly deteriorating mental state. There wasn’t ever really a moment in the season where it felt like I could figure out what was gonna happen next, due to clever and subversive drama that was brought to life by the spectacular writing. I was on the edge of my seat for all six episodes, and I adored every minute of it.

The characters of season 5 are just as flawed, nuanced, human, and interesting as they’ve ever been… maybe even more so, due to developments in the previous season and in this one. Seeing Tommy go so far down in the abyss this season was enrapturing, and Cillian Murphy is once again fucking amazing in the role. Arthur has possibly had the biggest arc in the entire show, and it’s interesting to see him at this point in his life, wonderfully portrayed once again by Paul Anderson. Helen McCrory is still an absolute badass as Aunt Polly. Sophie Rundle, Finn Cole, and Harry Kirton all kill it once again in their roles. Aidan Gillen was once again great as Aberama Gold. Let’s talk newcomers. First up we have Sam Claflin as Oswald Mosley, who apparently was a very real person. Now, I can’t speak to how accurate Claflin’s portrayal was to the real deal, as I am neither old nor British. I can however talk about his role in the show. He’s a level-headed, scheming, and highly intelligent conservative politician, clashing with Tommy’s ideology and work at multiple points, making him a most dangerous opponent, even without guns or violence. And Claflin is great in the role. Then we got Anya Taylor-Joy as Gina, the recent wife of Finn Cole’s character Michael. It’s not clear at first what purpose she’ll serve within the show’s dramatic developments, but soon enough you’ll find out, and she’s made an intriguing part of the cast. And Taylor-Joy does a good job in the role. The entire cast is fucking great, yo.

As with previous seasons of “Peaky Blinders”, season 5 relies on a lot of licensed music to add to its storytelling, mainly within the hard rock and blues-rock genres. When I first heard it back in the day, I was very much taken aback by it. But now it’s so ingrained in the show’s identity for me that I wouldn’t have it any other way. There are also a few tracks made for the show, brought to us by Anna Calvi, and those are good too.

Series creator Steven Knight handled writing for all the episodes, with Anthony Byrne handling direction on all six episodes, and Si Bell doing the cinematography. And the craft is the best the show has ever given us. Plenty of impressive camera movements suck us further into the character drama, with some gorgeous wide shots on occasion to make us go “Wow!”. The show’s always been impressive from a craft standpoint, but they’ve truly stepped up their game this time around.

The show/season has of course been very well received. On Rotten Tomatoes it has an 84% positive rating and a “Fresh” certification. On Metacritic it… exists. And on imdb.com it has a score of 8.8/10 and is ranked #54 on the “Top 250” tv list.

I think it comes as a surprise to absolutely fucking no one when I say that I loved season 5 of “Peaky Blinders”. It’s a darker season that kept me on the edge of my seat throughout all of it, furthering my investment in the characters. It has a great plot, fantastic characters, fantastic performances, great music, and fantastic directing/cinematography. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 5 is a 10/10 (fuck yeah). So of course it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 5 is now completed.

If you haven’t (for whatever reason) watched this show, THEN BY ORDER OF THE PEAKY FOOKIN’ BLINDERS, YOU WILL.

Series Review: A Christmas Carol (2019)

I guess we gotta cover something christmas-related since the holidays are upon us. And lucky for me, we just got a new christmas mini-series to talk about. Yay.

Ladies and gentlemen… “A Christmas Carol”.

Ebenezer Scrooge (Guy Pearce) is an anti-social, greedy businessman who’s made his success on the misery of others for years. But one night right before christmas day, three spirits come to visit him to try to make him realize the fault of his ways. Everybody knows the setup for this story, question with each adaptation tends to instead come down to execution. And the execution in this series is not great. It’s a really dark, bleak, and edgy take on the classic story that is honestly stretched way too long. Sure, three episodes don’t sound like much. But when each episode is just under 60 minutes long and tries to then stretch a 110 page book out to that runtime, it just feels like it drags its ass. Plus, while the darker take sounds interesting on paper, it just doesn’t work, often taking me out of it. Even the supposedly heartwarming bits leave me feeling cold. The story’s just off for me.

The characters in this you know the basic dynamics of. But they also get given a somewhat darker edge to them that just makes things feel a little off at times. Guy Pearce of course plays the ultimate douchebag that is Ebenezer Scrooge. Anti-social, greedy, douchey… he’s just the worst. And Pearce is great in the role. You get Stephen Graham as Jacob Marley, and he’s of course great. Joe Alwyn does an admirable job as Bob Cratchit. Lenny Rush who plays Tiny Tim does a really good job. Andy Serkis as the ghost of christmas past rides the line between intimidating and hammy wonderfully. Really, all actors here brought their A-game, even if the material isn’t always up to snuff.

The score for the series was composed by Volker Bertelmann and Dustin O’Halloran. It was okay. Nothing too memorable, nothing that ruined the series, but also didn’t improve it. It’s just kinda there. Moving on.

Based on the classic book by Charles Dickens, “A Christmas Carol” was brought to us by Steven Knight, with Nick Murphy serving as director. And while the show felt a bit lackluster in the story and character departments, it excels in the production parts. The sets are immaculate, the costumes neat, and the cinematography by Si Bell was gorgeous. You can tell that so much love and care was put into how the world was crafted.

This show hasn’t been too well received so far. On Rotten Tomatoes it has a 60% positive rating. On Metacritic it has a score of 39/100. And on imdb.com it has a score of 7,0/10.

Despite having some things strewn throughout, 2019’s “A Christmas Carol” is ultimately not a great adaptation. The story isn’t very good, the characters are meh, the performances are great, the music is meh, and the directing, cinematography, and sets are great. Time for my final score. *Ahem*. My final score for “A Christmas Carol” is a 4,65/10. So despite some good stuff, I’d still recommend skipping it.

My review of “A Christmas Carol” is now completed.

If someone disagrees with me, they better use “humbug”.

Series Review: Peaky Blinders – Season 4 (2017)

As some of you might know, I have reviewed the previous three seasons of this shows before (nudge nudge, wink wink), and I honestly loved them all. So I was of course excited for the fourth season. So now that I’ve finally watched it I can give you my thoughts on it. So here we go.

Ladies and gentlemen… “Peaky Blinders” season 4.

It’s christmastime, and everybody is trying to enjoy the holidays. But when Tommy (Cillian Murphy) receives a letter he realizes that his family will be in danger. So he has to bring the family together so they can defend themselves against their newest foe: A group of American gangsters led by the dangerous Luca Changretta (Adrien Brody). So now we have our Peaky plot. And it’s still great. The plot here is tense, dramatic, filled with twists and turns, and never failed in keeping me engaged. There’s an air of mistrust and unease after the end of season 3 across the entirety of this season, and it adds so much to the quality of it all. So yeah, this is a great plot.

I’m not gonna go too in-depth with the main/returning players here, since I’ve talked about them so much in my previous reviews. But I can say that they’re all damaged here, and they’re all a bit different since the end of the previous season, adding another compelling side to them. Cillian Murphy, Helen McCrory, Paul Anderson, Finn Cole, Sophie Rundle, Harry Kirton, Joe Cole, Aimee-Ffion Edwards, Kate Phillips, Ned Dennehy… they’re all fantastic. Now for some of the newer people. As mentioned earlier, this season introduces Adrien Brody as Luca Changretta, an Italian-American gangster who’s coming for Tommy and the others. He’s a ruthless, cunning, and calculating villain. And Adrien Brody is inconsistent in the role. The writing itself is great, and there are moments where he can be quite menacing. But at a lot of points his delivery is almost like a caricature of Marlon Brando in “The Godfather”. It doesn’t take away too much from the show, but it is quite noticeable. Then we get Aidan Gillen as Aberama Gold, a Romani Gypsy that Tommy starts working with after the Italians make their entrance. He’s a clever and cool man who got a few tricks up his sleeve. And Gillen is really good in the role. And then of course we see the return of Tom Hardy as Alfie Solomons for a bit. And he’s as awesome as ever. There are more actors throughout the season, but if I get too in-depth I might accidentally spoil stuff and also be here all night. But let it be known that this is overall very well acted.

The music here is interesting as there are some tracks composed specifically for it by Martin Slattery and Antony Genn. And those tracks are great. But let’s face it, everybody is here for the licensed rock tracks used throughout. And if this is your first time hearing about this, let me quickly explain. “Peaky Blinders”, despite being a period drama, has rock music in it… and it fucking works. Anthing from Nick Cave to Johnny Cash to Arctic Monkeys to a fuckload of other ones… and it works surprisingly well. All the music here’s great and it all works well within the show.

The show was created by Steven Knight, and he wrote all the episodes this season. And all the episodes here were directed by David Caffrey, who I think did a damn good job. He captures that gritty yet stylish “Peaky” flair that has been in all the seasons so far. And the cinematography by Cathal Watters is fantastic. There’s also some action in this show, and it’s tense and exciting. And really violent. ’tis awesome.

This show/season has been well received (from the little data I can gather on my usual sites). On Rotten Tomatoes it has a 94% positive rating. On Metacritic it exists but has no real score. And on imdb.com it has a score of 8,8/10 and is ranked #57 on the “Top 250 TV” list.

Yeah, season 4 of “Peaky Blinders” was great. Had a slight nitpick, but nothing to break it for me. It has a great plot, great characters, great acting, great music, and great directing/cinematography. Like I said, I found Brody to be a bit inconsistent here, but it doesn’t ruin it for me. Just takes me a tiny bit out of it at some moments. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 4 is a 9,60/10. This means that it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 4 is now completed.

PEAKY FOCKIN’ BLOINDEHS!

“Peaky Blinders” season 4 trailer!

Helllo there, ladies and gents. Time for another trailer talk. So let’s just jump into it.

So we finally have a trailer for the fourth season of “Peaky Blinders”, BBC’s depression era gangster-drama. And let’s just make it clear, I fucking love this show, it is one of my favorites. I’ve reviewed season 1 – 3 on this blog before, so go check those out if you want more in-depth thoughts on each season. But yeah, I love the show. Anyhow, here’s the trailer for season 4. So what the fuck is going on? Well, shit’s getting real as Tommy (Cillian Murphy) and his family have to deal with some new individuals causing them trouble, which seems to include Adrien Brody. And it looks like shit will get real. So do I think this looks good? Yes, god yes, it looks fantastic. “Peaky Blinders” has had three great seasons so far, and I have high hopes for season 4. It looks like it will be tense and dramatic and awesome. I am hyped. While there’s no specific date for season 4, it will probably air at some point later this year.

What are your thoughts? Are you excited for “Peaky Blinders” season 4? And what’s your favorite gangster-drama? Leave any and all thoughts in the comments.
Have a good one and enjoy the trailer!

Series Review: Peaky Blinders – Season 3 (2016)

As some of you might know, I reviewed season one and two a while back (*nudge nudge wink wink*). And if you have any memory of that happening, then you might remember that I pretty much loved those seasons. So I’m super excited to finally review the third season for you guys. So here we go!

Ladies and gents… “Peaky Blinders” season 3!

The year is 1924 and everything seems to be looking up for Thomas Shelby (Cillian Murphy). Business is going well and he’s finally getting married. However, he soon finds himself getting into the fray once again when he has to start dealing with Russians, Italians, and a priest (Paddy Considine) with powerful connections. And I thought the plot here this season was really good. And while not quite as tense and unpredictable as the previous seasons, it still retains most of the intrigue and dramatic heft that one can expect from the show at this point. The season does go to some really dark and slightly messed up places at times too which really helps keep the plot of “Peaky Blinders” well above most shows out there.

The characters have always been a highlight of the show, and this season is no exception. Cillian Murphy of course returns as Thomas Shelby, the head of the Shelby family/business, and he is still the damaged and layered man we’ve come to know. And Cillian Murphy is once again fantastic in the role. Helen McCrory returns as Aunt Polly, and she is still one of the best female characters out there. And McCrory is of course fantastic in the role. Paul Anderson returns as Arthur Shelby, the rough-around-the-edges brother of Thomas, this time getting some more development than in previous seasons. And Anderson is fantastic in the role. Joe Cole returns as John Shelby, Thomas’ younger brother, and he’s great in the role. Ned Dennehy, Ian Peck, Sophie Rundle, Annabelle Wallis, all return and they’re all great. Tom Hardy also makes a return as Alfie Solomons, and while he isn’t in this season a whole lot, he’s still one of the best parts of it. Now, let’s talk about the newcomer worth talking about: Paddy Considine. I’ve been a fan of him for a while now, and seeing him in here as a sneaky priest was interesting. His character is really interesting and Considine is great in the role. Really, the acting here is terrific.

Like in previous season, there is no real identifiable original score that we can properly talk about. But instead we once again get a soundtrack consisting mainly of rock songs from the past 20 – 25 years or so. There are also a couple newer songs too that are hard to pin a genre on, but still work really well in this show. That is something I want to mention: When imagining a gangster show set in 1920s Birmingham one woudln’t think a rock-based soundtrack would work, but it somehow does. Give the person responsible for picking the songs a fucking raise.

This show was created by Steven Knight, and all episodes this season were directed by Tim Mielants, who I think did a great job. His direction is very tight and helps create a tense and good mood that elevates the show quite a bit. It’s also a visually arresting show… just thought I’d mention that. Also, this show is bloody/violent and features nudity, so if you’re one of those wimps who can’t stomach that stuff in movies and TV, you have been warned.

This show has been very well received, but this season is fucking impossible to say with since it has no score on the sites I usually use. Sure, it exists on Rotten Tomatoes and Metacritic, but it has no score on there. And on imdb.com the show (no seasonal average) has a score of 8,8/10 and is ranked #66 on the “Top 250 TV” list.

“Peaky Blinders” season 3 is great… not much else I can say. It has a great plot, great characters, fantastic performances, great music, and great directing. Time for my final score. *Ahem*. My final score for “Peaky Blinders” season 3 is a 9,71/10. So yeah, it gets the “SEAL OF APPROVAL!”.

My review of “Peaky Blinders” season 3 is now completed.

Mumble mumble mumble mumble fuck mumble. That is how Tom Hardy sounds in this show and it’s so much fun.

Series Review: Peaky Blinders – Season 2 (2014)

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As you probably know, I did recently review the first season of this show about three weeks back. And if so you probably also remember that I really fucking enjoyed it. So now I guess it’s time to review the second season.

Ladies and gentlemen, I give you the second season of… “Peaky Blinders”.

1921, two years after the end of season one we once again follow gang leader Thomas Shelby (Cillian Murphy) as he’s trying to keep the gang running. But since some time has passed he feels like he wants to expand his reach a bit. And for that to happen he has to strike a deal with another gangster named Alfie Solomons (Tom Hardy). But Tommy will still face trouble with local mob boss Daryl Sabini (Noah Taylor). He also has to face the return of Major Chester Campbell (Sam Neill) who now has even more of a grudge against Tommy. And with all of these things, there is definitely a noticeable raise in stakes for the season together with a huge increase in dramatic tension… and I absolutely loved it so much. There is so much more happening in the episodes yet nothing feels forced or unnecessary, every little bit of story here fits perfectly into the bigger picture. There are even a few twists and turns at times in the season and they work really well too. As you might tell, I really loved the plot/story of this season.

The characters are once again great, with the ones returning from season one getting some really good character development. CIllian Murphy is once again great as Thomas Shelby, Paul Anderson knocked it out of the park again as Arthur, Helen McCrory is amazing as Polly, Sam Neill is still great as Campbell even if his accent still is on-and-off. Then we have one new addition I just have to talk about, Tom Hardy as Alfie Solomons… holy shit, he is so great in the role. He not only gives a great overall performance, but he is also so entertaining and funny which really added something to this season. I also like how he was almost as profane as me. Every actor was great, every character was great, all of that was great.

Once again there was no original score composed for the show. Instead the creators opted for a mix of a lot of contemporary rock/pop/metal songs that could kind of work in some weird way… and they were right about that. And while it’s still weird to hear songs like “Out of the Black” by Royal Blood or “Do I wanna know” by Arctic Monkeys in a gangster show set in 1920’s Birmingham, it still does work in some weird fuckin’ way. I do think the soundtrack was really good. And just like in season one, Nick Cave’s “Red Right Hand” serves as the show’s main theme and it’s still great to hear even if it is in cover/remix form from time to time.

The cinematography for season two is really good, just like in season one. Sure, the directing is for the most part pretty standard, but the cinematography itself is great. And the writing is really solid too, with tons of interesting little quirks and terrific lines. What I also found interesting is how this season upped the ante in terms of… most things. It’s more violent, it shows more nudity, it has even more cursing… things that might divide some audiences. For me… it kind of made sense.

Seeing as this is a British show, it hasn’t got too muich attention on my regular sites. On Rotten Tomatoes it has a 100% positive rating. And on imdb.com the show has a score of 8,8/10 and is ranked #86 on the “Top 250 TV” list.

The second season of “Peaky Blinders” takes everything that was good/great about the first season and somehow makes it even better. The plot is better, the characters are more developed, the soundtrack features new & interesting songs, the cinematography is great and of course Tom Hardy is really fucking entertaining. Time for my final score. FOCKIN’ ‘ELL! My final score for “Peaky Blinders” season two is a 9,91/10. IT most certainly gets the one and only “SEAL OF APPROVAL!”.
Seal of Approval

My review of the second season of “Peaky Blinders” is now completed.

Wait… so I have to wait until October until season 3? God damn it!

Series Review: Peaky Blinders – Season 1 (2013)

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I don’t know why, but I find myself incredibly fascinated by British history. Whether it’d be in the early 1000’s or much later like during WW2… the Brits seem to always have some interesting history to them. So it didn’t come as a surprise (more than a year ago) that I would find myself interested in a show about British gangsters. Questions is though… would the show be any good? Now  that I finally have sat down to watch the first season of this show, I am ready to tell you.

Ladies and gentlemen… “Peaky Blinders”.

This show is set in 1919 Birmingham and follows a gang called the peaky blinders and it’s leader Thomas Shelby (Cillian Murphy) and how he’s trying to hold this gang together with members of his family. But he runs into some trouble because of an Irish detective (Sam Neill) who comes to town because of some stolen guns, which the blinders are accused of stealing. And I will not say anything else because there is a lot of elements to the plot of this show that I don’t wanna spoil since they are interesting and needs to be experienced. That’s right, I do think that the plot for the show is really great. The plot has the right amount of drama without being dreary while also pacing itself perfectly. A lot of it thanks to the excellent writing of the show and the surprising amount of suspense built from the events and character interactions.

The characters in this show are all perfectly fleshed out and they’re all very interesting. What’s also great is that you get to know them all very well in the very first episode which is something a lot of shows don’t manage. Cillian Murphy is fantastic as Tommy Shelby, a gang leader who just the year before had been in the war, so you can expect him to be a little bit broken. And Murphy absolutely captures this perfectly. Sam Neill as the detective coming to Birmingham does a terrific job too, playing a man who is both despicable and sympathetic. I mean, the guy is technically just doing his job even though he does it in a less than morally correct way. Sure, his Irish accent can be a bit off on occasion, but his performance overall is great. British actor Paul Anderson plays Tommy’s brother, Arthur and he is absolutely terrific as well. The final one I wanna mention is Annabelle Wallis who plays Grace, a barmaid at the bar Tommy owns. Yeah, she’s fucking great in her role too. Every actor’s great in their role. Nothing more to say about that.

What is interesting to note about the soundtrack for the show is that they pullex a Tarantino for it. What I mean by that is that they used a mix of songs from anything ever, whether it’d be from some rock band or tracks from other movies. A large chunk of it I noticed had something to do with Nick Cave. Either it would be a song from his career (both solo and with The Bad Seeds) or it would be from a movie he had composed for with Warren Ellis. Sure, there were some other bands too like The White Stripes, but it was mostly Nick Cave-related. Hell, the theme song for the show is “Red Right Hand” by Nick Cave & The Bad Seeds (Sidenote: One of the few Nick Cave songs I genuinely like). But yeah, even though I would say it’s a weird soundtrack for a historical movie I do think it works for this show. I guess it’s because of the songs used being chosen well enough by the crew working on the show.

This show was created by Steven Knight who also directed the movie “Locke”, a movie I really enjoyed. He also wrote the movie “Eastern Promises” which I coincidentally reviewed yesterday. And while he didn’t direct any episodes of this show, he did write some of them. And like I said, the writing in the show is terrific. And the directing from the different people who took on that mantle is great. Some shots do look pretty standard, but then there are scenes where the cinematography just looks absolutely beautiful.

This bit is usually the easiest one for me since I basically just have to state what I read off of my regular sites. But this time it is slightly different since it hasn’t gotten the same mainstream attention as other shows. I will say then that Metacritic is out of the game. On Rotten Tomatoes however the season has an 86% positive rating. And on imdb.com the show overall has a score of 8,8/10 and is ranked #86 on the “Top 250 TV” list.

“Peaky Blinders” is an excellent British show with a great story, fantastic acting, a great soundtrack, great directing and great writing. Time for my final score. Bloody hell. My final score for season 1 of “Peaky Blinders” is a 9,90/10. It most definitely gets the “SEAL OF APPROVAL!”.
Seal of Approval

My review of the first season of “Peaky Blinders” is now completed.

Razor blades in the front of the cap? Sure, why not?

Movie Review: Locke (2014)

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Sometimes you need something quiet and subtle to help balance out all the explosions in your movie watching. Now don’t get me wrong, I like silly and fun action movies as much as the next guy, but I like a quiet drama every now and then as well. Hell, one of my favorite movies of all time, “Drive”, is for the most part a slow and methodical drama and not an action fest like most people expected. But enough of that, today we are taking a look at a slow moving drama that is set in just one location.

Sirs and madames… “Locke”.

Like I said, this movie is set in just one place, a car to be exact. And in this car we have hard-working family man Ivan Locke (Tom Hardy). Now he is driving somewhere to take care of a problem while a lot of other things come down on him at the same time. I will not spoil what his problem is as I found it more interesting finding out what it was by watching. I also loved seeing this movie unfold and just see how this man tried to handle everything around him despite the fact that it was tearing at him. The plot was really well done and definitely a breath of fresh air.

Despite the fact that the only visible character in the movie was the one of Ivan Locke, I still loved all of the characters in the movie. What I forgot to mention in the plot segment was that constantly throughout the movie he has phone conversations with a bunch of different people. And even though you could never see these people I really thought they were great characters who could be real people thanks to the superb writing and great (vocal) performances by the actors. And Tom Hardy in this movie was fantastic as usual, giving a subtle yet explosive performance. And what I mean by that is that his character was very quiet, but he had a lot on his mind which you could notice through Hardy’s facial expressions and his maneurysms, especially at times that he got big news that would change everything at times. I know my words don’t make any fucking sense, but trust me, I know what I am talking about. What I can clearly say at least is that the acting and characters are superb.

The score by Dickon Hinchliffe (Out of the Furnace) was pretty fucking great. There were a lot of ambient sounds throughout the songs that really helped highten the sense of loneliness and desperation that the movie wanted to convey. And of course there was excellent use of the guitar in the songs. To be honest, with all the guitar in the soundtrack I almost thought this score was done by Gustavo Santaolalla. But now that I know that Dickon Hinchliffe did the score the guitar still makes a lot of sense. And I fucking love it!

This movie looks fantastic, Steven Knight really shows that he is a force to be reckoned with as a director. There are a lot of beautiful shots both outside the car and inside of it. I also heard something about this movie being shot in sequence several times over and then took the different parts of each shoot and splice them together into one movie. Now if that is true or not, I am not sure, someone please tell me if it’s true or not.

This movie has been generally well-received. On Rotten Tomatoes it stands strong with a 91% positive rating and it is certified “Fresh”. On Metacritic it has a score of 81/100. And on imdb.com it stands on a 7,1/10.

“Locke” is a riveting, interesting and different movie with a terrific performance from Tom Hardy, a terrific score by Dickon Hinchliffe and some great direction/camera work. Time for my final score. Where the hell is he with that envelope? *Dials phone* Jeff, where are you? In the car? Well why aren’t you here with that god damn envelope? What? You left it here earlier? Yeah? Well, fuck you too. Sorry about that. My final score for “Locke” is a 9,76/10 and then of course gets the “SEAL OF APPROVAL!”
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“Locke” is now reviewed.

Did anyone seriously before this movie believe a movie about Tom Hardy driving a car for 90 minutes would be interesting? Because I didn’t.