Series Review: The Journalist – Season 1 (2022)

Journalism! I got nothing else, I thought that excited expression might inspire a more nuanced intro on the importance of journalism, but I got jack shit. So I guess we should just get into the review itself.

Ladies, gents, and non-binaries… “The Journalist” season 1.

Japan, 2019. We follow journalist Anna Matsuda (Ryoko Yonekura) as she doggedly investigates suspicions of government corruption. At the same time, we follow a few of the people working within said government, seeing their personal conflicts as they deal with covering of said corruption. I found the story here to be kind of a mixed bag. It’s a slow burn investigative drama, happily showing you the tedium that comes with both the journalism and the governmental bureaucracy. And at times I do like that, for a good chunk of the show (mainly episodes 2-5) it is decently engaging. Even the melodrama in those episodes can be pretty enjoyable. First and final episodes however feel like they drag a bit, and even the better middle episodes never do anything particularly outstanding. It’s one of those narratives that shows great potential, and even does engage for a fair bit of the runtime, but never quite hits the heights it reaches for. So for the most part I enjoyed the story here, despite some of its flaws.

The characters in this are all decently interesting, working well to make the show a little more engaging. I think some of my favorite ones here are the ones who work within the government, as the show actually does an alright job of exploring their inner conflict with having to deal with some shady shit. I can also happily say that the cast in this are all great, featuring people like Ryoko Yonekura, Go Ayano, Ren Hanami, Keisuke Hoashi, Ryusei Yokohama, Shinobu Terajima, and more, all delivering damn good performances.

The score for the show was composed by Taro Iwashiro, and I think he did a really good job with it. For the most part it relies on a melancholic piano to create this serious and emotional tone that I think works really well for the show. There are also occasional strings, guitars, and percussion used for extra impact in certain scenes, and I think that works pretty well too.

Based on a movie of the same name, “The Journalist” was written and directed for Netflix by Michihito Fujii, who I think did a really solid job here. His direction has this cold, slow burn feel to it, which complements the story quite well, and even adds a surprising amount of suspense to it at times. Even in the moments where the writing doesn’t fully engage, Fujii’s direction has a way of keeping me at least somewhat interested in the scene. So yeah, he did a good job with that.

The show/season has been pretty well received. On Rotten Tomatoes it has a 100% positive rating. On Metacritic the general consensus seems to be a 60/100. And on imdb.com it has a score of 7.1/10.

While it never quite reaches the heights of its ambition, and even drags at times, season 1 of “The Journalist” is still a pretty solid political/investigative drama. It has a pretty good story, pretty good characters, great performances, really good music, and really good direction. Time for my final score. *Ahem*. My final score for season 1 of “The Journalist” is a 7.21/10. So while flawed, it’s still worth watching.

My review of “The Journalist” season 1 is now completed.

Come for Go Ayano, stay for… I don’t know, stuff being pretty good, I guess.