Trauma, we all experience it in one form or another. Aaaaaaand with that, you should be aware that the jokes won’t be flowin’ throughout this post. So let’s just get one out of the way right now, before shit gets serious. What do you call in Aussie actress who fetches her paycheck? Toni Collect.
Ladies and gentlemen… “Hereditary”.
After the death of one of their relatives, the Graham family does their best to move on. But that isn’t so easy, as increasingly strange and disturbing things keep happening around them. Talking about the narrative of “Hereditary” without getting into too many details is difficult, as I feel it is one best left experienced knowing as little as possible. Because it’s not some typical horror narrative, and don’t worry, I’m not pulling out that whole “elevated horror” bullshit. I’m just saying that if you’re expecting spooky jumpscare fest number gazillion, then you’re gonna be sorely mistaken. “Hereditary” is mostly a slow burn family drama that also happened to get under my skin thanks to some bone-chilling imagery, tragic and believable writing, and an eerie atmosphere. It’s been a while since I watched a scary movie that got under my skin this much, while also keeping me emotionally invested in the drama.
The characters in this are flawed, damaged, nuanced, and simply enthralling to watch, and a lot of that comes down to the stellar cast. Toni Collette, Alex Wolff, Milly Shapiro, Gabriel Byrne, and Ann Dowd are all fantastic in their respective roles. There’s not a single weak link in this entire cast.
The score for the movie was composed by one Colin Stetson, and I think he did a great job with it. It’s eerie, it’s emotionally charged, it’s tense, and it just generally fits the movie quite well, often elevating some already stellar moments throughout. It’s not one of those I’m gonna find myself listening to in my spare time, but I did think it was good.
“Hereditary” was the first feature film written and directed by Ari Aster, who also did “Midsommar” (which I talked about last year). And holy fucking shit, this dude knows what he’s doing. Whenever someone gets to make their first feature, there’s something that might feel rocky about the craft… but not here. Aster shows skill far beyond his years, building an unsettling atmosphere and suspense seldom seen in modern horror. And when mixed with Pawel Pogorzelski’s often symmetrical and very rigid cinematography, you get a movie that is both beautiful and unsettling to look at. Speaking of unsettling visuals, I should warn that there’s some incredibly distressing visuals at a few times. I can stomach violence and gore and stuff… but some of the stuff here managed to get a strong reaction from me. So consider yourself warned.
“Hereditary” to me is a visceral and haunting horror-drama like no other. It has a great story, really good characters, fantastic performances, really good music, and excellent directing/cinematography. Time for my final score. *Ahem*. My final score for “Hereditary” is a 9.89/10. So it gets the “SEAL OF APPROVAL!”.
My review of “Hereditary” is now completed.
Give Toni Collette an Oscar, you cowards.