Series Review: Yellowstone – Season 3 (2020)

This show is fascinating to me. It’s never been one of my favorites, but I always feel compelled to come back to it when a new season airs. It’s like Al Pacino says in “Godfather Part 3”: Just when I thought I was out, they pull me back in. So let’s see if this third season is any good.

Ladies and gents… “Yellowstone” season 3.

It’s summer in the valley, and everyone of the Dutton clan is slowly settling back into their lives after the tumultuous events of season 2. But just when the characters think they might be able to take a breather, a seemingly friendly, yet cunning businessman (Josh Holloway) starts making moves to get hold of the Yellowstone ranch for his own businesses. And as per the norm with this show, things start escalating from there, both for the Duttons themselves, and for the people around them. When this season started, something fascinating happened. I felt fully invested in what was going on. In previous seasons that was a little hard at times, either due to weird pacing or overbearing melodrama. But for the first few episodes there was no real sign of that. It felt like new life had been breathed into the show. But then towards the middle the show fell back into that aforementioned pit for a bit. But towards the end it really swung up to greatness again. But I do think the story on the whole this season is really strong. While the things I didn’t enjoy in previous seasons occur, there’s certainly less of them this time around. And when this season isn’t wallowing in some of that melodrama, then it is fucking fantastic. The dark moments are truly dark, the stakes feel truly high, and when a moment wants to leave a visceral impact, then it really does. Again, it’s still not a perfect line, but it’s damn close to getting there.

The characters in this are flawed, colorful, fascinating, and quite entertaining. The returning main cast of Kevin Costner, Kelly Reilly, Wes Bentley, Luke Grimes, and Kelsey Asbille all give great performances, and we get to see their characters develop in some really great ways. Returning supporting cast of people like Jefferson White, Brecken Merrill, Cole Hauser, Forrie J. Smith, Gil Birmingham, Denim Richards, Ian Bohen, and Mo Brings Plenty are all great too. Let’s talk about newcomer Josh Holloway, who plays Roarke, a well spoken, outwardly friendly businessman who creates some tension for the Dutton empire. At first he seems like a breath of fresh air, compared to the sliminess of Danny Huston’s Jenkins or the intensity of Neal McDonough’s Beck. But then he barely has any real presence within the narrative. Roarke’s shareholders and attorneys and such take up more space than him, and it almost makes him feel like he has little place within the story. Holloway does a good job with his performance, but the characters just kinda fizzles out in interest over time. So main antagonist aside, the characters here are great.

The score for this season was composed by Brian Tyler and Breton Vivian, and I think they did a really good job with it. The score retains that pseudo-western vibe that we’ve come to expect, and uses it to create a compelling soundscape that works really well for the show. There’s also a bunch of licensed songs used throughout, and they work pretty well too.

As with the previous two seasons, all episode of “Yellowstone” season 3 were written by Taylor Sheridan, with some other cool people directing. And the craft on display here is of course top notch, they’ve really come into their own in this department. The direction is confident and bold, really capturing the sweeping scale of the setting, all without sacrificing the intimacy to the characters. And this helps keep every scene feel somewhat interesting, even if the writing may dip a little bit. And the cinematography by Jim Denault and William Wages is terrific. It’s just well crafted, yo.

This show/season has been pretty well received. On Rotten Tomatoes it has an 83% positive rating. And on imdb.com it has a score of 8.5/10.

While not perfect, season 3 of “Yellowstone” is still a massive step in the right direction for the show, giving us the best season so far. It has a really good story, great characters, great performances, really good music, and great directing/cinematography. Time for my final score. *Ahem*. My final score for “Yellowstone” season 3 is an 8.88/10. So it’s definitely worth watching.

My review of “Yellowstone” season 3 is now completed.

Yeehaw.

Series Review: Yellowstone – Season 2 (2019)

Earlier this year, I reviewed the first season of this show. And now the second one has come to an end over here. So I guess that means I should talk about it. So here we go.

Ladies and gents… “Yellowstone” season 2.

We once again follow rancher John Dutton (Kevin Costner) as he tries to protect his land from opposing forces, new and old. All the while his three kids (Luke Grimes, Kelly Reilly, Wes Bentley) deal with a lot of personal issues of their own, while there’s also stuff going on with the people working for John. So now we have a more “Yellowstone”… in all the ways that entails. On one hand you do get a lot of that epic crime-drama that the show mostly sells itself on, and that shit is insanely compelling, always riding a line of grey morality perfectly, giving us some truly great tv at times. Buuuuuut then it also wallows a bit in family melodrama. At times that stuff doesn’t bother me, as there are points when it’s decently well handled. But then there are times when it sort of just drags the show down, and makes it kinda boring at times. I don’t need the crime-drama stuff all the time, but the family drama here isn’t always that great. So overall the story is pretty good. Flawed, but solid.

The characters here are flawed, layered, and quite interesting. Kevin Costner returns as John Dutton, the aging patriarch of this family. He has to come to terms with his own age a bit this season, at the same time as all this crazy shit happens around him, and it’s pretty interesting. And Costner is once again really good in the role. Luke Grimes returns as John’s son Kayce, a father who has to deal with some issues with his wife and son, while also having to manage his new role at his father’s ranch. And while I had slightly mixed feelings about him last season, he kinda grew to become my favorite this time around. And Grimes is really good in the role. Kelly Reilly returns as Beth, John’s take-no-nonsense daughter who often acts as a bit of a wild card, even if she is a bit more restrained this time around due to development from last season. And once again, she’s an interesting character, with Reilly giving a great performance. Wes Bentley plays Jamie, John’s lawyer son, and holy shit, he gets some actual development this season. They made Jamie interesting! And Bentley is great in the role, even if he still constantly scowls like someone shat in his backyard. Cole Hauser returns as Rip, the ranch hand/resident tough guy, and he’s once again great in the role. The stuff with returning antagonists Danny Huston and Gil Birminham is still solid. And new antagonist Neal McDonough, he’s pretty good. We of course also get supporting performances from people like Kelsey Asbille, Brecken Merrill, Jefferson White, Forrie J. Smith, Hugh Dillon, Ryan Bingham, and more, all doing very well in their respective roles.

As with season 1, the score for season 2 of “Yellowstone” was composed by Brian Tyler. And it was once again good. Tense, emotional, and fitting of the semi-western tone that the show goes for. It’s solid stuff that fits the various scenes it’s used in.  There’s of course also a lot of licensed music used throughout (especially from the band Whiskey Myers). And that music works well enough for the respective scenes they get used in.

The show was created by Taylor Sheridan and John Linson, with Sheridan staying on as writer for all the episodes, but let a bunch of other cool people handle directing. And the craft on display here is generally good. A lot of nice looking shots of the sweeping vistas, some decent looking shots for smaller moments. The directing often elevates the material here, which is what makes some of those melodramatic scenes I mentioned earlier a bit more tolerable. And the direction also helps make some scenes quite suspenseful when needed. ’tis a solidly crafted show.

This show/season has been decently well received. On Rotten Tomatoes it has an 88% positive rating. On Metacritic it exists, but has no overall score. And on imdb.com it has a score of 8,4/10.

Season 2 of “Yellowstone” reaches some great heights, but wallows enough in some melodramatic lows to still bring it down overall. It has a pretty good plot, really good characters, great performances, good music, and really good writing/directing. Time for my final score. *Ahem*. My final score for season 2 of “Yellowstone” is an 8,52/10. So while not perfect, it’s still certainly worth a watch.

My review of “Yellowstone” season 2 is now completed.

Cooooooostneeeeeer.

Series Review: Yellowstone – Season 1 (2018)

Kevin Costner. What an interesting career this man has had. From being one of the biggest stars of the late 80s/early 90s, to kinda going into obscurity for a while, and then kinda making a comeback in the 2010s. And now he stars on a tv show. So let’s talk about it.

Ladies and gentlemen… “Yellowstone” season 1.

The story follows John Dutton (Kevin Costner), an aging rancher, as he tries to keep his family in check while also dealing with various parties trying to encroach on his land. So now we have our neo-western-drama-thingamabob. And while it does dip a bit much into melodrama at times, I find the story here to be quite interesting, taking some really colorful characters and having them scheming around for the sake of their own or someone else’s success. The pacing does suffer a bit at times, and like I said, there’s a strong stench of melodrama at times. But overall it’s still a highly entertaining plot with some solid drama sprinkled throughout.

The characters in this are flawed, entertaining, surprisingly layered, and overall interesting. Kevin Costner plays John Dutton, the aging patriarch of the Dutton family and owner of the Yellowstone cattle ranch. He has demons of his past he has to deal with while also trying to keep his entire livelihood going with everything going against him at once, making him pretty interesting even though he can be a bit of an ass at times. And Costner is great in the role. Next we have Kelly Reilly as Beth, John’s daughter. She has a lot of issues that she at the start of the series hasn’t gone through, making her kind of a fucking mess. But she also has one of the best arcs in the series. And Reilly is great in the role. Next we have Luke Grimes as Kayce (Kay-see), one of John’s sons. A former Marine, he tries to balance being a Dutton with trying to be a good father and husband, which is quite complicated. And Grimes is really good in the role. Wes Bentley plays Jamie, John’s other son, who also happens to his lawyer. Yes, he’s a little smarmy, but mostly he’s probably the outlier of the family in a sense. And Bentley is good in the role. We also have Cole Hauser as Rip, John’s second hand man, who has to keep the ranch going in the events when John is unavailable. And while I won’t say too much more about Rip, I’ll just say that he’s my favorite character on the show. And Hauser is great in the role. We also get supporting work from people like Danny Huston, Gil Birmingham, Kelsey Absille, Jefferson White, Ian Bohen, Brecken Merrill, Ryan Bingham, Josh Lucas, and more, all doing well in their respective roles.

The score for the season was composed by Brian Tyler, and I think he did a great job with it. Obviously taking influence from various westerns, he creates an ambient score that works very well within the show to create a certain mood. The theme he composed for the show is also pretty damn solid. There’s also some licensed tracks used throughout, and they work pretty well in their respective scenes.

Created by John Linson and Taylor Sheridan, all episodes this season were written and directed by Sheridan. And the craft here is really solid. Well shot, at times tense, Sheridan does a damn fine job in keeping my eyes stuck to the screen. Ben Richardson’s cinematography is also good.

This show/season has gotten some mixed reception. On Rotten Tomatoes it has a 51% positive rating. On Metacritic it has a score of 54/100. And on imdb.com it has a score of 8,3/10.

While season 1 of “Yellowstone” misses the shot in some parts, it’s still a really solid season of television. It has a good plot, good characters, great performances, great music, and really good writing/directing/cinematography. Where it falters (as previously mentioned) is in its occasionally dodgy pacing and unnecessarily frequent dips into melodrama. Time for my final score. *Ahem*. My final score for “Yellowstone” is an 8,61/10. So while flawed, I’d still say that it’s definitely worth watching.

My review of “Yellowstone” season 1 is now completed.

Movie megastar Kevin Costner doing long-form tv. Still blows my mind.

Movie Review: Mission Impossible: Fallout (2018)

I know, I know, you’re probably sick of me talking about “Mission Impossible” at this point after all the previous reviews. But like I promised you in my “Rogue Nation” review, that would be my last “Mission Impossible” post until “Fallout” came out. And now it’s out. And after this post, no more “Mission Impossible” stuff… unless they come out with a new one, but we’ll cross that bridge if and when we get to it. So let’s go.

Ladies and gentlemen… “Mission Impossible: Fallout”!

When a group of terrorists get hold of some items that could cause a nuclear holocaust, it’s up to Ethan Hunt (Tom Cruise) and his team to find these items and stop the terrorists. Right, there are elements of this plot that certainly are recycled from other movies, but they’re all mixed together in such a way that it feels fresh and interesting. What I also like is that the plot doesn’t really hold your hand, it respects its audience enough to not spoonfeed them everything, trusting us to pay attention to what’s going on. Combine that with the usual “MI” twists and turns, genuinely engaging drama, as well as some real suspense, and you get what could be the best and most intriguing plot in the franchise so far.

The characters in this are layered, unique, and quite interesting. After all the previous reviews, I don’t need to go into Tom Cruise as Ethan Hunt, I already did in my previous reviews, and not much has changed in that regard, but I don’t mind since Ethan is such a well realized action protagonist. And yes, Cruise is still great in the role. Same with Ving Rhames and Simon Pegg. Rebecca Ferguson reprises her role from the previous movie, and she’s still great. Same with Alec Baldwin and Sean Harris. So let’s talk about the newbie that is Henry Cavill as August Walker, a CIA agent who’s been tasked to help Ethan and the gang out with this operation. He’s an intense bruiser who is constantly at odds with Ethan and his ways, which creates an interesting character dynamic. And Cavill is great in the role. Then we get supporting performances from people like Vanessa Kirby, Angela Bassett, Kristoffer Joner, and more, all doing very well in their respective roles. Sorry if I’m being a bit vague with this, but I do it to either not repeat stuff from previous reviews or to not spoil some character stuff that’s better left experienced.

The score for the movie was composed by Lorne Balfe, and I think the score here is great. It really does help improve on an already well crafted movie by adding to the intensity or overall fun-factor of a scene. Not much else I can say, it’s a badass orchestral score that works very well for the movie.

Returning as director we have Christopher McQuarrie. That’s right, first “Mission Impossible” movie where the director hasn’t been switched out. And I’m glad, because McQuarrie is one of the best action directors working today. I loved his work on “Rogue Nation”, and also really liked his work on “Jack Reacher”, so I was actually happy to see him return for “Fallout”. And he fucking outdid himself here, giving us fast-paced, suspenseful, and badass direction. Both in the quieter scenes and the action. And yes, the action is spectacular. From fights, to shootouts, to chases, to insane Tom Cruise stunts, this movie has all the action… and all of it is amazing. Not only because we know it’s Tom Cruise actually doing stunts, but because of how visible it is. Not shaky shit here, this is sleek and brutal action that is shown beautifully through McQuarrie’s direction and Rob Hardy’s cinematography.

This movie came out fairly recently, but it’s been very well received so far. On Rotten Tomatoes it has a 97% positive rating. On Metacritic it has a score of 86/100. And on imdb.com it has a score of 8,3/10 and is ranked #133 on the “Top 250” list.

“Mission Impossible: Fallout” is an action lover’s wet dream and it’s absolutely my favorite of the franchise. It has a great plot, really good characters, great performances, great music, and fantastic directing/action/cinematography. Time for my final score. *Ahem*. My final score for “Mission Impossible: Fallout” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “Mission Impossible: Fallout” is now completed.

This is how you do action.

Movie Review: Interstellar (2014)

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You may not be aware of this, but I am a huge fan of Christopher Nolan. I think he is a fantastic director with a keen eye for good direction and how to make movie I wll like. Hell, his movie “Inception” is honestly in my Top 5. So when I heard he was making anotehr movie I was of course stoked. And now it has arrived…but what did I think of it? Is it worth seeing or did Nolan finally make a piece of shit? Let’s find out!

Ladies and gentlemen… “Interstellar”.

This is the story about farmer simply called Cooper (Matthew McConaughey) who lives a semi-quiet life with his daughter Murph (Mackenzie Foy), his son Tom (Timothée Chalament) and his father in law Donald (John Lithgow). But one day that changes when he has to go into space to find a new habitable planet since the resources on earth are dying. But he doesn’t go alone, oh no. He got the help of an elite team made up of the people Amelia (Anne Hathaway), Doyle (Wes Bentley) and Romilly (David Gyasi). And out there they will use a wormhole to find a new planet to save humanity…ish. Sounds like pretty standard sci-fi stuff right? Well there is more to it since you know, it is a Christopher Nolan film. Yes the premise is simple enough but the final product is a lot more complex… and I really really liked it. I thought Nolan managed to direct the story with enough twists and turns to keep it interesting while at the same time keeping pretty straight forward…ish. To some people the story will probably get too complex and therefore they will not enjoy it as much as I did. However it is not perfect since there are a few moments (Not gonna spoil ’em) that made me call out a little convenience bullshit on them. But overall the story was good.

The characters are mostly good but not all get full backgrounds and motivations. But they are at least all consistent with one thing… they are all very well-acted! The actors in this movie all do a tremendous job in their roles and that hightens the movie quite a bit. The most interesting character in this movie is of course Matthew McConaughey. Not only does he give and Oscar worthy performance but he is also well-written and got a good motivation to why he does this job… to help his family. The character I found the least interesting (which is weird) was Anne Hathaway. Don’t worry, her performance was good but her character was simply not that interesting to me. But overall here when it comes to characters and acting in this movie I was pleased.

I don’t have to tell you that the music is great because you already knew that since it’s done by Hans Zimmer. But I guess I have to motivate a little why I liked it. The music not only felt big and epic in lack of better words but it was also very dark and eerie and really gave a sense of isolation and detachment. The music was fantastic and I loved it. I will probably try to buy the soundtrack when it comes out.

Another thing I probably don’t have to tell you about is the fact that the visual effects in this movie are fucking spectacular. I really got the feeling like I was part of the movie in those scenes (Even though I didn’t see the movie in 3D). And this is something I have to admit everytime it happens… I cried about two times during this movie. No not from the beautiful effects, no not from the surprising comedic moments in the movie but from things that made me simply cry. Ya know, things that were kinda sad. Of course I will not spoil them here but I still felt like telling you. Also, don’t look up anything about it since you might get a few spoilers about plot and certain characters.

I know this movie just came out but I can still tell you how it’s reception is (At the time of this review). On Rotten Tomatoes it has a 72% positive rating with a “Fresh” certification. On Metacritic it has a score of 73/100. And finally on imdb.com it has a 9,2/10 and is ranked #22 on the “Top 250” list.

This movie got a good story (With a few conveniences), good characters with great acting, a fantastic score by Hans Zimmer, fantastic visual effects, surprisingly good humor and a good sense of how to keep me interested… keep it complex and dramatic. And yes, making me cry is an achievment of it’s own. So now I am ready to hand out my final score. Sooooo, my final score for “Interstellar” is a 9,78/10. This movie is terrific and therefore deserves the “SEAL OF APPROVAL!”
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My most anticipated movie of the year, “Interstellar” is now reviewed.

Matthew McConaughSpace to the rescue!