Movie Review: BlacKkKlansman (2018)

Good grief, that title stylization is such a double-edged sword. Looks neat, and is a great piece of wordplay… but god damn, it is a pain to keep in mind when writing it out. Oh well, that’s all the time we’re spending on that, let’s get into the review.

Disclaimer: I know this thing is based on a true story, but I will not base my review on how perfectly accurate to the real situation it may or may not be, but I will instead judge it as a movie… which it is. Disclaimer over.

Ladies and gentlemen… “BlacKkKlansman”!

Ron Stallworth (John David Washington) is a young, black police officer in the 70s. He’s an ambitious young man, looking to make a real difference. And one way he intends to do this is by starting an undercover operations to infiltrate the Ku Klux Klan with the help of one of his colleagues (Adam Driver). So now we have our quite unique story setup… and good god damn, I loved seeing how it unfolded. What makes it work so well is how impressively they balance tones. On one hand, it’s an undercover cop movie featuring one of the most horrible organizations in the worlds, which is very serious. But then they also acknowledge the bizarreness of a black man making an attempt to enter the Ku Klux Kunts, and have a bit of fun with that idea. So it manages to both put me on the edge of my seat with some of the darker aspects, and have me smiling at some of the more lighthearted and fun moments. It’s also remarkably fast-paced. The movie has a 135 minute runtime, but I never felt that, it moved at a brisk pace that kept it from getting dull. It doesn’t rush through things though, when it needs to slow down and soak in a moment, it does that. But yeah, it’s well paced and well written and highly entertaining.

The characters here are flawed, nuanced, colorful, and overall just quite interesting. John David Washington plays Ron Stallworth, the young cop at the center of this story. He’s smart, highly determined, but also a bit of an underdog considering he’s like the only black officer in the department. And he’s one of the more uniquely compelling protagonists of recent years. And Washington is fantastic in the role. We then have Adam Driver as Flip Zimmerman, Stallworth’s colleague who joins in on this batshit undercover operation. He’s a bit torn between some various things we learn about him throughout the movie, and it makes him quite fascinating to follow. And Driver is fantastic in the role. We also get supporting work from people like Laura Harrier, Robert John Burke, Michael Buscemi, Ryan Eggold, Jasper Pääkkönen, Paul Walter Hauser, Topher Grace, and many more, all doing very well in their respective roles.

The score for “BlacKkKlansman” was composed by Terence Blanchard, and it was great. There’s a consistent theme that gets woven throughout various tracks, making for a consistent emotional quality while still giving it a few different spins. There are of course a few unique tracks as well, and they are very good too. There’s also a few licensed tracks used throughout, and those work quite well in their respective scenes. So yeah, this movie has good music.

Based on a book by Ron Stallworth, “BlacKkKlansman” was directed by Spike Lee. And he did a great job, he really brought his A-game here, giving it a fierce energy that makes it stand out among so many movies in recent years. His direction manages to capture the broadness of this whole operation while never sacrificing the intimacy with the characters. And this makes it absolutely electrifying. And Chayse Irvin’s cinematography is stunning, complementing the storytelling wonderfully. There’s also a surprising amount of comedy throughout the movie, and it’s very funny. It helps to digest some of the bizarre and darkly uncomfortable aspects of this story.

This movie has been very well received. On Rotten Tomatoes it has a 96% positive rating and a “Fresh” certification. On Metacritic it has a score of 83/100. And on imdb.com it has a score of 7,5/10. The movie won 1 Oscar in the category of Best adapted screenplay. It was also nominated for an additional 5 Oscars in the categories of Best picture, Best original score, Best director, Best supporting actor (Driver), and Best film editing.

Despite it’s annoying-to-write title, “BlacKkKlansman” is a fantastic and highly unique bio-pic. It has a great plot, great characters, fantastic performances, great music, great directing/cinematography, and funny comedy. Time for my final score. *Ahem*. My final score for “BlacKkKlansman” is a 9,90/10. So it gets the “SEAL OF APPROVAL!”.

My review of “BlacKkKlansman” is now completed.

This kind of stuff is why I love movies.

Movie Review: Crawl (2019)

Ever since I was a child, I have been fascinated by crocodilians, potentially due to watching a fair bit of “Crocodile Hunter” as a kid. And possibly also because they’re badass. Either way, it baffles me that we barely get any movies featuring them, at least with decent budgets. So I’m excited to finally get to talk about such a movie.

Ladies and gents… “Crawl”.

When Haley (Kaya Scodelario) goes searching for her dad (Barry Pepper) during a devastating hurricane, she finds herself trapped in their old family home’s crawlspace, not only having to survive the vicious weather, but also a bunch of alligators swimming around. It’s a B-movie premise… but I really liked seeing it unfold. There’s enough self-aware brains within the writing to make it work. It nicely shifts between being a suspenseful monster movie and a decent enough family drama, the balance is just right. I’m not sitting here saying that it’s the greatest storytelling ever put to celluloid. But what I am saying is that it knows what it is, and works with it to create a fun and engaging popcorn thriller that managed to scare, make me feel tense, and invest me in the struggle of the people at the center.

The characters in this, while not the deepest, are written with enough nuance to make the viewer care for them, at least on a surface “I don’t want to see these guys die” level. Kaya Scodelario plays Haley, a young woman with some emotional baggage that affects her relationship to her dad. She’s clever, resourceful, and determined, and makes for an interesting protagonist that I enjoyed following. And Scodelario is great in the role. Next we have Barry Pepper as Dave, Haley’s dad with whom there’s some past issues with. I don’t have much to say, as he’s not as well defined in personality as Haley, but I still found him decently enjoyable/interesting. And Pepper is great in the role. And seriously, when was the last time we saw Barry Pepper in a movie? Dude was in everything for a while, and then he just suddenly wasn’t. Oh well, it was nice to see him show up here.

The score for “Crawl” was composed by Max Aruj & Steffen Thum, and I think they did a pretty good job with it. Some basic emotional strings, some neat horror stings, and a few other things. The score here doesn’t do anything new, but intead does all the familiar things well, creating a solid soundscape for the movie.

“Crawl” was written by brothers Michael and Shawn Rasmussen, with Alexandre Aja handling directing duties. And the craft on display here (for its relatively low budget) is pretty damn good. They really manage to create an oppressive atmosphere that helps the movie stand out in both the disaster and monster sub-genres. Even the huge storm is given a real presence that makes it feel far from cheap. Now, let’s talk about the real stars here… the gators. As expected, they’re CGI, because real gators would be too dangerous. But even for CG animals, they work quite well here… for the most part. Their animations are great, really lifelike, which makes them quite intense. Where I have to leave a slight criticism though is the texturing. Yes, they got the general gator appearance right, but it feels like they could’ve used another render or two. But I can also forgive it because of how low the budget was, and because of the presence the overall animations on the gators gave off. Quick warning too: As you probably expect, there’s some gore in this, but it’s also quite vicious. Not just blood for blood’s sake, but some genuine brutality happens. Just putting that out there in case anyone’s a bit squeamish.

This movie has been pretty well received. On Rotten Tomatoes it has an 83% positive rating and a “Fresh” certification. On Metacritic it has a score of 60/100. And on imdb.com it has a score of 6,2/10.

I know it sounds like I shit on it multiple times throughout, but I want to make it very fucking clear that I highly enjoyed “Crawl”. It’s a damn fine monster movie (yes, alligators aren’t monsters, but what else would you call this style of movie?). It has a really good plot, good characters, great performances, good music, and great directing, effects, and atmosphere. Time for my final score. *Ahem*. My final score for “Crawl” is a 9,57/10. So it does get the “SEAL OF APPROVAL!”.

My review of “Crawl” is now completed.

See you later, alligator…

My Most Anticipated Movies of 2020

Well hello there, friends! Hope you’ve all had a great christmas or hanukkah or whatever the fuck you’ve been celebrating. And if you haven’t been celebrating anything, I hope you’ve at least had a good few days. After the nearly non-stop blogging I did with my 12 Films of Christmas series, I decided to take a few days off, rest up my old joints. But you’re only 22. Yes, but I have the ligaments of a geriatric refrigerator. Anyway, so now that we’ve got the holidays over with, let’s look to the future. Specifically, I want to look forward to 2020, and have a look at what movies will be coming out at the start of the new decade. And despite the title, this list isn’t strictly about movies I’m super hyped for. Some are, but for the most part it’s more just “Movies I’m kind of interested in”. But that wouldn’t be as catchy, you know.

But before we get into the meat of the post, let’s set up a few ground rules.

Rule 1: You know those movies that get a somewhat limited release first, and then get more international coverage after the new year? Yeah, we’re not including those. So stuff like “Jojo Rabbit”, “The Farewell”, “Little Women”, etc. won’t be featured on this list. Only movies whose official first release happen in 2020.

Rule 2: Please don’t be an asshole in the comments. This is my list, with my opinions. If you don’t agree with any of my choices, and look forward to other movies, then that’s great… but don’t call me names or be a cunt about it. Be cool, yeah? Feel free to make your own list, let’s have a friendly discussion.

Rule 3: Don’t feed the animals.

So, with that stuff said… here’s a list of 2020 movies I’m looking forward to.

The Gentlemen

First up is “The Gentlemen”, an upcoming crime-comedy-action-thriller from Guy Ritchie. And that’s seriously all you’d need to tell me to get me excited. Ritchie has been in a weird spot for the past decade, doing various weird movies. But now it seems like he’s going back to his crime movie roots, which has me quite excited. Combine that with a stacked cast featuring people like Matthew McConaughey, Hugh Grant, Colin Farrell, Charlie Hunnam, and so many more… and you have my money like *that*.

Wonder Woman 1984

Next up, a superhero movie. Yeah yeah, some of you are probably tired of superhero stuff and people talking about them, but cut me some slack, I like fun adventure movies, and this’ll probably be such a thing. I was a big fan of the 2017 “Wonder Woman” movie, and since this has the same creative team behind it, I am sure it’ll be at least a good time.

The Invisible Man

A reboot of a classic franchise… and also a horror movie? Two things that usually don’t grab my interest that much. But in recent years I have become more of a horror fan, and I was a fan of the director’s previous movie, “Upgrade”, so I’m interested to see where this goes.

Black Widow

Yes, more superhero stuff. I like superhero stuff. And with Marvel Studios’ track record, I’m expecting this to be a competently made action movie. And this looks like it’ll be a pretty badass spy-thriller/action movie. Plus, it’s nice to finally see this character getting her own movie after being a supporting player in others for so many years.

Last Night in Soho

Two words: Edgar Wright. Seriously, that is all it took to sell me on this movie. I’m a big fan of that director, so I’m gonna be excited for whatever he does. And with this being described as a psychological thriller, I’m extra intrigued to see what the final product could end up being.

Dune

This is one of those I am interested in, while also having my reservations. Yes, the cast is amazing. Yes, the director is amazing. Yes, the source material is really good. But it’s that last part that is what has me a bit careful. “Dune” is such a dense and unique book, which makes me worried how the hell someone go about adapting it. But I guess we’ll see late 2020. Again, still interested thanks to the cast and director.

The King’s Man

I am a big fan of “Kingsman: The Secret Service”, and I don’t mind “Kingsman: The Golden Circle”. So it shouldn’t come as a surprise that I’d be excited for the next entry, which apparently is set in World War 1. A fun action movie set during the most depressing war in recent history? Matthew Vaughn, you’re mad, and I love you for it.

Godzilla vs. Kong

Look, I get that the critical reception for “Godzilla: King of the Monsters” wasn’t great. But I also don’t care, because I like seeing giant monsters kicking the shit out of each other. And with two of history’s most popular movie monsters going at it for the first time since 1962, it’s quite an exciting time to be a kaiju fan.

Top Gun: Maverick

I’m gonna say it, I’m not a huge fan of the original “Top Gun”. It’s… fine. So why am I excited for its sequel, which inexplicably is coming out 34 years later? Honestly, ’cause it looks kinda badass, and because I want to see Tom “Batshit Crazy” Cruise fly a jet. Yes, he really did that. Fucking madman.

Tenet

And the last one we’re gonna mention in this post is “Tenet”, the new movie from Christopher Nolan. And it seems like it’s gonna be a bit of a mindbending spy-thriller. I will be excited for whatever Nolan does, but the fact that the sentence I just said before got said has me even more hyped. This is my most anticipated movie of 2020.

So that’s a few movies I’m excited for in 2020. Feel free to mention some of yours, I’d love to hear from you.
Have a good one.

12 Films of Christmas 2019 (Final Part)

We’re finally at the last part of this silly series of mine. It’s been fun for me to contrive reasons for non-christmas movies being christmas movies. And since we started this series with “Star Wars”, we might as well end it with “Star Wars”. *Checks title*. Oh god.

*Deep fucking sigh*. The “Star Wars Holiday Special” is a 1978 CBS tv movie somehow following on from George Lucas’ 1977 smash hit. It’s about the family of Chewbacca, and how they’re waiting for him to come celebrate the holidays with them. And as the creators try to fill out a 90 minute runtime, before that happens, we experience a whole bunch of different skits and music videos supposedly set a long time ago in a galaxy far, far away. That’s right, it’s a variety show, including people like Art Carney, Bea Arthur, and Jefferson fucking Starship. So let’s get contriving.

Now, right off the bat I imagine you calling humbug on this, since it’s called “Holiday Special”. But let me clear something up, this isn’t about christmas… or hanukkah… or kwanzaa. It’s about Life Day. What’s Life Day? Fuck if I know, it’s some weird wookie holiday made up for this fever dream. But it’s not any actual holiday, so it goes. So what’s my contrivance then? Well, I could use the excuse of it being about a family get-together, which would be the easy way out so I could get this done quickly. But I’m gonna use something else.
So as mentioned earlier, this “Star Wars” thing is inexplicably a variety show, which is contextualized as things that Chewie’s family puts on through various monitors. And none of it is interesting or makes much sense… just like tv programming around the holidays. Sure, on occasion you might catch a decent flick (or in this Special’s case, a Jefferson Starship number), but for the most part it’s just a weird hodgepodge of stuff.

As you probably gathered from this post, I was not a fan. Christmas eve should usually be all about joy and love, but I guess I felt like a bit of misery was in order too.

Happy holidays.

12 Films of Christmas 2019 (Part 11)

We’re already at the penultimate part of this series. Wowzer. Time flies when you contrive silly reasons for why things are something they’re not. So let’s get into into the main chunk of the post.

So as you can probably tell from the image above, we’re actually talking about an animated feature. It’s “Berserk: Golden Age Arc 1 – The Egg of the King”. Mouthful title aside, the movie is an adaptation of a specific part of Kentaro Miura’s legendary manga series “Berserk”. It tells the story of Guts, a lone wolf swordsman who lives only for the mercenary lifestyle. That is until he meets Griffith, the leader of a mercenary group called the Band of the Hawk. And early on, Griffith convinces Guts to join the Band, which leads in to character development, friendship, and plot. So what does a hyper violent medieval fantasy anime movie have to do with christmas? Well, let me tell you.

When we meet Guts, he’s a lone wolf, traveling all by himself. He doesn’t have friends, aside from maybe his over-sized sword. But as previously mentioned, that starts to slowly change after he meets and joins Griffith. While he’s reluctant to be part of the band at first, he learns to live with these people… like a family. And as we’ve mentioned in previous posts in this series, family is a pretty important aspect of christmas. So that is my reasoning for “Berserk: Golden Age Arc 1 – The Egg of the King” is a christmas movie… that familial bond that Guts forms with Griffith and the Band.

And even without the holiday stuff, this is still a decent movie that starts off an interesting arc. Though I can also recommend the 1997 animated tv series if you want something a bit better.

Have a good one.

Series Review: A Christmas Carol (2019)

I guess we gotta cover something christmas-related since the holidays are upon us. And lucky for me, we just got a new christmas mini-series to talk about. Yay.

Ladies and gentlemen… “A Christmas Carol”.

Ebenezer Scrooge (Guy Pearce) is an anti-social, greedy businessman who’s made his success on the misery of others for years. But one night right before christmas day, three spirits come to visit him to try to make him realize the fault of his ways. Everybody knows the setup for this story, question with each adaptation tends to instead come down to execution. And the execution in this series is not great. It’s a really dark, bleak, and edgy take on the classic story that is honestly stretched way too long. Sure, three episodes don’t sound like much. But when each episode is just under 60 minutes long and tries to then stretch a 110 page book out to that runtime, it just feels like it drags its ass. Plus, while the darker take sounds interesting on paper, it just doesn’t work, often taking me out of it. Even the supposedly heartwarming bits leave me feeling cold. The story’s just off for me.

The characters in this you know the basic dynamics of. But they also get given a somewhat darker edge to them that just makes things feel a little off at times. Guy Pearce of course plays the ultimate douchebag that is Ebenezer Scrooge. Anti-social, greedy, douchey… he’s just the worst. And Pearce is great in the role. You get Stephen Graham as Jacob Marley, and he’s of course great. Joe Alwyn does an admirable job as Bob Cratchit. Lenny Rush who plays Tiny Tim does a really good job. Andy Serkis as the ghost of christmas past rides the line between intimidating and hammy wonderfully. Really, all actors here brought their A-game, even if the material isn’t always up to snuff.

The score for the series was composed by Volker Bertelmann and Dustin O’Halloran. It was okay. Nothing too memorable, nothing that ruined the series, but also didn’t improve it. It’s just kinda there. Moving on.

Based on the classic book by Charles Dickens, “A Christmas Carol” was brought to us by Steven Knight, with Nick Murphy serving as director. And while the show felt a bit lackluster in the story and character departments, it excels in the production parts. The sets are immaculate, the costumes neat, and the cinematography by Si Bell was gorgeous. You can tell that so much love and care was put into how the world was crafted.

This show hasn’t been too well received so far. On Rotten Tomatoes it has a 60% positive rating. On Metacritic it has a score of 39/100. And on imdb.com it has a score of 7,0/10.

Despite having some things strewn throughout, 2019’s “A Christmas Carol” is ultimately not a great adaptation. The story isn’t very good, the characters are meh, the performances are great, the music is meh, and the directing, cinematography, and sets are great. Time for my final score. *Ahem*. My final score for “A Christmas Carol” is a 4,65/10. So despite some good stuff, I’d still recommend skipping it.

My review of “A Christmas Carol” is now completed.

If someone disagrees with me, they better use “humbug”.

Series Review: His Dark Materials – Season 1 (2019)

Adapting books is difficult. There’s a risk of alienating old fans if you fuck it up, and there’s a chance of alienating new ones if you just adapt word for word, with no regard for the viewing experience. We’ve covered some good ones, and some bad ones on the blog before… so let’s see where this falls into the spectrum

Ladies and gentlemen… “His Dark Materials” season 1.

Set in an alternate universe England, the story follows Lyra (Dafne Keen), a girl looking to find a way to get out of her boring scholastic existence and into some adventure. Well she soon finds her wish coming true when she gets dragged into a big, magical adventure through this mysterious, alternate world. I really enjoyed following the story here. It’s a fresh take on the familiar “child hero” fantasy formula. And unlike so many other such adaptations it manages to balance a generally family friendly approach with a lot of darker moments that dare to challenge younger viewers a bit. It reminds me of the “Harry Potter” movies a bit in that sense. There’s also enough interesting twists in the story to keep me on my toes. The pacing does feel like it slightly drags at times due to how dense with content each episode is, but generally it never full on breaks the show for me. It’s still a really engaging and entertaining story.

The characters in this are layered, flawed, and overall just interesting. Dafne Keen plays Lyra, our protagonist. She’s clever, crafty, adventurous, and just a really entertaining protagonist that I loved following throughout. And Keen is great in the role. We also get supporting work from people like Ruth Wilson, Kit Connor, Amir Wilson, Lin-Manuel Miranda, Ariyon Bakare, James Cosmo, and James McAvoy, among many others. And they all do very well in their respective roles.

The score for the show/season was composed by Lorne Balfe, and it is absolutely fantastic. From the beyond catchy main theme, to many of the quieter pieces, to some of the bigger tracks, it is all fantastic. What I also like is that as we switch between a few different settings within the show, Balfe actually plays around a bit with his instrumentation, not only relying on the typical orchestral stuff. So yeah, this show has some great music.

Based on the beloved novels by Philip Pullman, “His Dark Materials” is a co-production between BBC and HBO, written by Jack Thorne, and directed by a bunch of cool people. And the craft here is seriously fantastic. The direction manages to capture the sweeping nature of the epic fantasy story it sets up, while still staying intimate with the characters, bringing us further into the world in a wonderful way. And this show is also proof why HBO should be allowed to help out with the financing of a show, because in terms of sets, effects, props, puppetry, and all such production values, this is one of the most well crafted and expensive-looking shows I have ever witnessed. It is stunning what they’ve made here.

This season/show has generally been well received. On Rotten Tomatoes it has an 80% positive rating and a “Fresh” certification. On Metacritic it has a score of 67/100. And on imdb.com it has a score of 8,2/10.

It’s of course not flawless, but I still kinda loved season of “His Dark Materials”. It has a great plot, great characters, great performances, great music, and great directing, cinematography, and effects. Time for my final score. *Ahem*. My final score for season 1 of “His Dark Materials” is a 9,55/10. So it gets the “SEAL OF APPROVAL!”.

My review of “His Dark Materials” season 1 is now completed.

I’ve had a weird void in my life since the “Harry Potter movies ended. And this show has kinda filled it for the past two months.

12 Films of Christmas 2019 (Part 10)

Can you imagine that after this post, there’s only two more? It’s a little surreal. You get into the groove of doing a daily series like this, and then it’s about to end. But before that happens, we still have some shit to talk about. So let’s do it.

So what’s on the menu today? Well, I’m about to get to it, relax, you impatient person. Based on a 1997 novel by Neil Gaiman, “Stardust” is a 2007 fantasy adventure directed and co-written by Matthew Vaughn. It tells the tale of Tristan Thorn (Charlie Cox), a young man infatuated with a woman living in the same town as him. One day he agrees to fetch a fallen star for her, in exchange for her hand in marriage. And this leads Tristan on a big, magical journey involving a conniving prince (Mark Strong), an evil witch (Michelle Pfeiffer), a pirate (Robert De Niro) and a woman who may or may not be a literal fucking star (Claire Danes). So what’s my holiday connection for this one then?

Well, compared to some of my previous ones, this is a bit more simple. No, there’s no scene involving christmas. And no, it’s not even the family squabbling between the three princes. No, it’s less contrived than that. Christmas is a holiday that’s supposed to bring joy to people, be it through presents, food, or good company. And “Stardust” is a very joyous movie, it’s a simple and fun swashbuckling adventure with a fantasy twist. And both of the times I’ve seen this movie, it has brought me great joy. It has put a gigantic dumb smile on my face. And since christmas should bring joy, then “Stardust” is clearly something one could easily slot into the holiday hangouts. Plus, that song from Take That playing during the end credits is fantastic.

Have a good one.

12 Films of Christmas 2019 (Part 9)

As mentioned in my previous post, you’ll be getting two 12 Films of Christmas entries today. The previous one was technically yesterday’s the I missed. So this here is officially speaking the entry for today. So I hope you enjoy getting two pieces about contrivances today.

So for this one we’ll be talking about “Bad Times at the El Royale”, a 2018 pulp thriller written and directed by Drew Goddard. The movie is about a group of strangers who all converge at the El Royale motel for the night, and how all their pasts come to a head, creating one hell of a tumultuous experience. So what does this have to do with christmas? Well, let me learn ya somethin’.

This movie is a metaphor for family christmas dinners. Think about it. A bunch of differing people coming together and clashing? That’s very much christmas. A kindly grandpa with some skeletons in his closet (Jeff Bridges), a smug sales type who is probably your aunt’s new shitty husband (Jon Hamm), your mom who is ready to defend herself from any bullshit (Cynthia Erivo), your conniving sister (Dakota Johnson), and then there’s the cult leader (Chris Hemsworth). What, your christmas dinners don’t have charismatic yet ruthless cult leaders attending? Oh man, you should give it a try, it’s a blast… except for the one time my cousin got set on fire by said cult leader… that was a bit awkward. So yeah, “Bad Times at the El Royale” can be seen as a metaphor for insane family christmas dinners.

And even without the holiday implications, “Bad Times at the El Royale” is still a damn fine thriller filled with fantastic actors and tense moments.

Have a good one.

12 Films of Christmas 2019 (Part 8)

Just as a heads up, I missed yesterday’s post, so you’re gonna get two of these today. Apologies for this fuck up if you somehow were looking forward to it yesterday, but didn’t see one. It’s all on me. So let’s not dilly dally, time for the first 12 Contrivances of Christmas post for the day.

So for this post I decided to go with a movie that I actually covered on the blog earlier this year (shameless plug, I know). It is 1987’s “Wings of Desire”, directed by Wim Wenders. It is a slow burn meditative fantasy drama about Damiel (Bruno Ganz, R.I.P), an angel watching over the humans of Berlin, and how he’s going through a bit of an existential crisis. So how am I going to cover a German art drama for this silly series of mine, you ask? Well, just sit back and relax as I contrive a reason.

Now, the first thing some of you might point to might be “Ah, it’s about angels, angels mean christianity, christianity means Jesus, Jesus means christmas!”. Firstly, don’t try to beat me to the punch. And secondly, that’s wrong. I ain’t forcing some christian crap here, it would be a bit disingenuous of an agnostic such as myself. No, I have something else planned.
Despite not exactly being the cheeriest movie around, “Wings of Desire” does tout a certain theme throughout… you know, when not focusing on people going through a personal crisis or two. That theme? Love. As Damiel goes through his crisis, he falls in love with a human woman. You know why the angels exist? To make sure nothing bad happens to the humans they watch over, which is an act of love. And you know what should be spread on christmas? Love! So “Wings of Desire” is a christmas movie because, just like the holiday, it’s all about that love (or that sweet, sweet existential crisis if that’s more your cup of tea).

And even if you don’t want to take it as a holiday feature, “Wings of Desire” is a wonderful drama that, despite its divine protagonist, shows so much humanity. It’s absolutely fantastic.

Have a good one.